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| Author | : Shyamilaka |
| Publisher | : NYU Press |
| Total Pages | : 508 |
| Release | : 2009-08 |
| Genre | : Drama |
| ISBN | : 0814719783 |
The Four Soliloquies have been handed down as a collection of the most ancient monologue farces in classical Sanskrit.
| Author | : Śyāmilaka |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : Erotic drama, Sanskrit |
| ISBN | : |
| Author | : Sanjay K. Gautam |
| Publisher | : University of Chicago Press |
| Total Pages | : 297 |
| Release | : 2016-06-22 |
| Genre | : Literary Criticism |
| ISBN | : 022634858X |
The Kamasutra is best known in the West for its scandalous celebration of unbridled sensuality. Yet, there is much, much more to it; embedded in the text is a vision of the city founded on art and aesthetic pleasure. In Foucault and the "Kamasutra", Sanjay K. Gautam lays out the nature and origin of this iconic Indian text and engages in the first serious reading of its relationship with Foucault. Gautam shows how closely intertwined the history of erotics in Indian culture is with the history of theater-aesthetics grounded in the discourse of love, and Foucault provides the framework for opening up an intellectual horizon of Indian thought. To do this, Gautam looks to the history of three inglorious characters in classical India: the courtesan and her two closest male companions—her patron, the dandy consort; and her teacher and advisor, the dandy guru. Foucault’s distinction between erotic arts and the science of sexuality drives Gautam’s exploration of the courtesan as a symbol of both sexual-erotic and aesthetic pleasure. In the end, by entwining together Foucault’s works on the history of sexuality in the West and the classical Indian texts on eros, Gautam transforms our understanding of both, even as he opens up new ways of investigating erotics, aesthetics, gender relations, and subjectivity.
| Author | : Axel Michaels |
| Publisher | : Taylor & Francis |
| Total Pages | : 443 |
| Release | : 2020-11-29 |
| Genre | : Religion |
| ISBN | : 1000059197 |
Challenging the idea that rituals are static and emotions irrational, the volume explores the manifold qualities of emotions in ritual practices. Focusing explicitly on the relationship between emotions and rituals, it poses two central questions. First, how and to what extent do emotions shape rituals? Second, in what way are emotions ritualized in and beyond rituals? Strong emotions are generally considered to be more spontaneous and uncontrolled, whereas ritual behaviour is regarded as planned, formalized and stereotyped, and hence less emotional. However, as the volume demonstrates, rituals often reveal strong emotions among participants, are motivated by feelings, or are intended to generate them. The essays discuss the motivation for rituals; the healing function of emotions; the creation of new emotions through new media; the aspect of mimesis in the generation of feelings; individual, collective, and non-human emotions; the importance of trance and possession; staged emotions and emotions on stage; emotions in the context of martyrdom; emotions in Indian and Western dance traditions; emotions of love, sorrow, fear, aggression, and devotion. Furthermore, aesthetic and sensory dimensions, as well as emic concepts, of emotions in rituals are underscored as relevant in understanding social practice.
| Author | : |
| Publisher | : NYU Press |
| Total Pages | : 398 |
| Release | : 2017-04-01 |
| Genre | : Literary Collections |
| ISBN | : 1479813834 |
Volume Two of "Drona" begins in the aftermath of tragedy. As evening falls, Arjuna journeys wearily back to camp and is greeted by the ashen faces of his brothers. Before they speak, he guesses the worst. And the worst is right: his son Abhimanyu is dead. Arjuna is inconsolable. Insensible with rage, he vows to take revenge on the boy’s killers. He swears that if they are not dead before another day passes, he will set himself alight. The world seems to shudder at his words.
| Author | : |
| Publisher | : NYU Press |
| Total Pages | : 420 |
| Release | : 2017-04-01 |
| Genre | : Literary Collections |
| ISBN | : 1479837997 |
The great war of the Maha bharata is over. Or is it? This is a single extended family wracked in conflict. Both sides succumbed to treachery. Ashva tthaman, the young leader of the three survivors on the losing side, is incensed at his father’s murder. He returns after dark to the now sleeping encampment. The sacrifice of the unsuspecting champions, the "Dead of Night," ensues. The five sons of Pandu have escaped. After a final confrontation, a missile crisis, Ashva tthaman concedes defeat but redirects his missile into the wombs of the victors’ women. They miscarry, and cannot hope for more children. Now the survivors, victors and vanquished, must struggle to comprehend their loss. "The Women" of both sides are confronted by their men’s mangled corpses in a masterpiece of horror and pathos. But their potent curses must be curbed to usher in a new era. Maha bharata Books Ten and Eleven give voice to the vanquished, to the psychology of loss and the conflicting desires for understanding and revenge.
| Author | : Aryashura |
| Publisher | : NYU Press |
| Total Pages | : 552 |
| Release | : 2017-04-01 |
| Genre | : Literary Collections |
| ISBN | : 1479885835 |
The Garland of Past Lives is a collection of thirty four stories depicting the miraculous deeds performed by the Buddha in his previous rebirths. Composed in the fourth century C.E. by the Buddhist monk Aryashura, the text’s accomplished artistry led Indian aesthetic theorists to praise its elegant mixture of verse and prose. The twenty stories in this first volume deal primarily with the virtues of giving and morality. Ascetics sacrifice their lives for hungry tigers, kings open their veins for demons to drink their blood, helmsmen steer their crew through perilous seas, and quail chicks quench forest fires by proclaiming words of truth. The experience is intended to arouse astonishment in the audience, inspiring devotion, through the future Buddha’s transcendence of conventional norms in his quest to acquire enlightenment and save the world from suffering. The importance of such stories of past lives in traditional Buddhist culture, throughout Asia and up to today, cannot be overestimated.
| Author | : Adam Bowles |
| Publisher | : NYU Press |
| Total Pages | : 684 |
| Release | : 2006 |
| Genre | : Biography & Autobiography |
| ISBN | : 0814799957 |
"published in the geek chic format" - Bookforum"The Book of Karna" relates the events of the two dramatic days after the defeat of the great warriors and generals Bhishma and Drona, in which Karna - great hero and the eldest Pandava - leads the Kaurava army into combat. This first volume of "Karna" depicts mighty battles in gory detail, sets the scene for Karna's tragic death, and includes a remarkable verbal duel between Karna and his reluctant charioteer Shalya, the king of the Madras, as they hurl abuse at each other before entering the fray.
| Author | : James McHugh |
| Publisher | : Oxford University Press |
| Total Pages | : 417 |
| Release | : 2021-09-17 |
| Genre | : History |
| ISBN | : 0197603033 |
The first comprehensive book on alcohol in pre-modern India, An Unholy Brew: Alcohol in Indian History and Religions uses a wide range of sources from the Vedas to the Kamasutra to explore drinks and styles of drinking, as well as rationales for abstinence from the earliest Sanskrit written records through the second millennium CE. Books about the global history of alcohol almost never give attention to India. But a wide range of texts provide plenty of evidence that there was a thriving culture of drinking in ancient and medieval India, from public carousing at the brewery and drinking house to imbibing at festivals and weddings. There was also an elite drinking culture depicted in poetic texts (often in an erotic mode), and medical texts explain how to balance drink and health. By no means everyone drank, however, and there were many sophisticated religious arguments for abstinence. McHugh begins by surveying the intoxicating drinks that were available, including grain beers, palm toddy, and imported wine, detailing the ways people used grains, sugars, fruits, and herbs over the centuries to produce an impressive array of liquors. He presents myths that explain how drink came into being and how it was assigned the ritual and legal status it has in our time. The book also explores Hindu, Buddhist, and Jain moral and legal texts on drink and abstinence, as well as how drink is used in some Tantric rituals, and translates in full a detailed description of the goddess Liquor, Suradevi. Cannabis, betel, soma, and opium are also considered. Finally, McHugh investigates what has happened to these drinks, stories, and theories in the last few centuries. An Unholy Brew brings to life the overlooked, complex world of brewing, drinking, and abstaining in pre-modern India, and offers illuminating case studies on topics such as law and medicine, even providing recipes for some drinks.
| Author | : Maria Heim |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 346 |
| Release | : 2021-04-08 |
| Genre | : Philosophy |
| ISBN | : 1350167789 |
Drawing on a rich variety of premodern Indian texts across multiple traditions, genres, and languages, this collection explores how emotional experience is framed, evoked, and theorized in order to offer compelling insights into human subjectivity. Rather than approaching emotion through the prism of Western theory, a team of leading scholars of Indian traditions showcases the literary texture, philosophical reflections, and theoretical paradigms that classical Indian sources provide in their own right. The focus is on how the texts themselves approach those dimensions of the human condition we may intuitively think of as being about emotion, without pre-judging what that might be. The result is a collection that reveals the range and diversity of phenomena that benefit from being gathered under the formal term “emotion”, but which in fact open up what such theorisation, representation, and expression might contribute to a cross-cultural understanding of this term. In doing so, these chapters contribute to a cosmopolitan, comparative, and pluralistic conception of human experience. Adopting a broad phenomenological methodology, this handbook reframes debates on emotion within classical Indian thought and is an invaluable resource for researchers and students seeking to understand the field beyond the Western tradition.
