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The Propaganda Project

The Propaganda Project
Author: Phil M. Williams
Publisher:
Total Pages:
Release: 2016-10-04
Genre:
ISBN: 9781943894185

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The best slaves think they're free. Since birth, human beings are bombarded by propaganda from the media, religion, schooling, government, culture, and even our friends and family. How do we know our thoughts are really our own? In a world of infinite information and propaganda screaming at us from every direction, the truth is of paramount importance to our mental health, and can be a matter of life and death for every person on this planet. In The Propaganda Project, I expose the tricks of the propagandist-the tricks needed to legitimize the illegitimate, to make us think up is down, black is white. I dig deep into the muck to extract the truth about government, and the financial interests pulling the strings. I hope you'll open your mind and journey with me into the belly of the beast. For the rest of you, don't worry, the best slaves think they're free.


Posters, Propaganda, and Persuasion in Election Campaigns Around the World and Through History

Posters, Propaganda, and Persuasion in Election Campaigns Around the World and Through History
Author: Steven A. Seidman
Publisher: Peter Lang
Total Pages: 360
Release: 2008
Genre: Antiques & Collectibles
ISBN: 9780820486161

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How effective are election campaign posters? Providing a unique political history, this book traces the impact that these posters - as well as broadsides, banners, and billboards - have had around the world over the last two centuries. It focuses on the use of this campaign material in the United States, as well as in France, Great Britain, Germany, South Africa, Japan, Mexico, and many other countries. The book examines how posters evolved and discusses their changing role in the twentieth century and thereafter; how technology, education, legislation, artistic movements, advertising, and political systems effected changes in election posters and other campaign media, and how they were employed around the world. This comprehensive and original overview of this campaign material includes the first extensive review of the research literature on the topic. Posters, Propaganda, and Persuasion will be useful to scholars and students interested in communications, politics, history, advertising and marketing, art history, and graphic design.


Design for Victory

Design for Victory
Author: William L. Bird
Publisher: Princeton Architectural Press
Total Pages: 132
Release: 1998-06
Genre: Antiques & Collectibles
ISBN: 9781568981406

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The poster - inexpensive, colorful, and immediate - was an ideal medium for delivering messages about Americans' duties on the home front during World War II. Design for Victory presents more than 150 of these stunning images - many never reproduced since their first issue - culled from the collections of the National Museum of American History, Smithsonian Institution. William L. Bird, Jr. and Harry R. Rubenstein delve beneath the surface of these colorful graphics, telling the stories behind their production and revealing how posters fulfilled the goals and needs of their creators. The authors describe the history of how specific posters were conceived and received, focusing on the workings of the wartime advertising profession and demonstrating how posters often reflected uneasy relations between labor and management.


This Is Not Propaganda

This Is Not Propaganda
Author: Peter Pomerantsev
Publisher: PublicAffairs
Total Pages: 256
Release: 2019-08-06
Genre: Political Science
ISBN: 1541762134

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Learn how the perception of truth has been weaponized in modern politics with this "insightful" account of propaganda in Russia and beyond during the age of disinformation (New York Times). When information is a weapon, every opinion is an act of war. We live in a world of influence operations run amok, where dark ads, psyops, hacks, bots, soft facts, ISIS, Putin, trolls, and Trump seek to shape our very reality. In this surreal atmosphere created to disorient us and undermine our sense of truth, we've lost not only our grip on peace and democracy -- but our very notion of what those words even mean. Peter Pomerantsev takes us to the front lines of the disinformation age, where he meets Twitter revolutionaries and pop-up populists, "behavioral change" salesmen, Jihadi fanboys, Identitarians, truth cops, and many others. Forty years after his dissident parents were pursued by the KGB, Pomerantsev finds the Kremlin re-emerging as a great propaganda power. His research takes him back to Russia -- but the answers he finds there are not what he expected. Blending reportage, family history, and intellectual adventure, This Is Not Propaganda explores how we can reimagine our politics and ourselves when reality seems to be coming apart.


Computational Propaganda

Computational Propaganda
Author: Samuel C. Woolley
Publisher: Oxford Studies in Digital Poli
Total Pages: 273
Release: 2018-11-12
Genre: Political Science
ISBN: 019093140X

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Social media platforms do not just circulate political ideas, they support manipulative disinformation campaigns. While some of these disinformation campaigns are carried out directly by individuals, most are waged by software, commonly known as bots, programmed to perform simple, repetitive, robotic tasks. Some social media bots collect and distribute legitimate information, while others communicate with and harass people, manipulate trending algorithms, and inundate systems with spam. Campaigns made up of bots, fake accounts, and trolls can be coordinated by one person, or a small group of people, to give the illusion of large-scale consensus. Some political regimes use political bots to silence opponents and to push official state messaging, to sway the vote during elections, and to defame critics, human rights defenders, civil society groups, and journalists. This book argues that such automation and platform manipulation, amounts to a new political communications mechanism that Samuel Woolley and Philip N. Noward call "computational propaganda." This differs from older styles of propaganda in that it uses algorithms, automation, and human curation to purposefully distribute misleading information over social media networks while it actively learns from and mimicks real people so as to manipulate public opinion across a diverse range of platforms and device networks. This book includes cases of computational propaganda from nine countries (both democratic and authoritarian) and four continents (North and South America, Europe, and Asia), covering propaganda efforts over a wide array of social media platforms and usage in different types of political processes (elections, referenda, and during political crises).


Propaganda Art in the 21st Century

Propaganda Art in the 21st Century
Author: Jonas Staal
Publisher: MIT Press
Total Pages: 239
Release: 2019-10-01
Genre: Art
ISBN: 0262354381

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How to understand propaganda art in the post-truth era—and how to create a new kind of emancipatory propaganda art. Propaganda art—whether a depiction of joyous workers in the style of socialist realism or a film directed by Steve Bannon—delivers a message. But, as Jonas Staal argues in this illuminating and timely book, propaganda does not merely make a political point; it aims to construct reality itself. Political regimes have shaped our world according to their interests and ideology; today, popular mass movements push back by constructing other worlds with their own propagandas. In Propaganda Art in the 21st Century, Staal offers an essential guide for understanding propaganda art in the post-truth era. Staal shows that propaganda is not a relic of a totalitarian past but occurs today even in liberal democracies. He considers different historical forms of propaganda art, from avant-garde to totalitarian and modernist, and he investigates the us versus them dichotomy promoted in War on Terror propaganda art—describing, among other things, a fictional scenario from the Department of Homeland Security, acted out in real time, and military training via videogame. He discusses artistic and cultural productions developed by such popular mass movements of the twenty-first century as the Occupy, activism by and in support of undocumented migrants and refugees, and struggles for liberation in such countries as Mali and Syria. Staal, both a scholar of propaganda and a self-described propaganda artist, proposes a new model of emancipatory propaganda art—one that acknowledges the relation between art and power and takes both an aesthetic and a political position in the practice of world-making.


If You're Not a Terrorist... Then Stop Asking Questions

If You're Not a Terrorist... Then Stop Asking Questions
Author: Micah Ian Wright
Publisher: Xlibris Corporation
Total Pages: 44
Release: 2005-04
Genre: History
ISBN: 1413492762

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Wright' s ironically "remixed" full-color World War-era propaganda posters combine with critical political commentary to deliver a scabrous take on the State of the Union.


Art, Propaganda and Aerial Warfare in Britain during the Second World War

Art, Propaganda and Aerial Warfare in Britain during the Second World War
Author: Rebecca Searle
Publisher: Bloomsbury Publishing
Total Pages: 167
Release: 2020-07-23
Genre: History
ISBN: 1350075450

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The War Artists' Advisory Committee (WAAC) were responsible for the production of some of the most iconic images of the Second World War. Despite its rich historical value, this collection has been poorly utilised by historians and hasn't been subjected to the levels of analysis afforded to other forms of wartime culture. This innovative study addresses this gap by bringing official war art into dialogue with the social, economic and military histories of the Second World War. Rebecca Searle explores the tensions between the documentarist and propagandistic roles of the WAAC in their representation of aerial warfare in the battle for production, the Battle of Britain, the Blitz and the bombing of Germany. Her analyses demonstrate that whilst there was a strong correlation between war art and propaganda, the WAAC depicted many aspects of experience that were absent from wartime propaganda, such as class divisions within the services, gendered hierarchies within industries, civilian death and the true nature of the bombing of Germany. In addition, she shows that propagandistic constructions were not entirely separate from lived experience, but reflected experience and shaped the way that individuals made sense of the war. Accessibly written, highly illustrated and packed with valuable examples of the use of war art as historical source, this book will enhance our understanding of the social and cultural history of Britain during the Second World War.


Nazi Propaganda Through Art and Architecture

Nazi Propaganda Through Art and Architecture
Author: Norman Ridley
Publisher: Frontline Books
Total Pages: 202
Release: 2024-07-30
Genre: History
ISBN: 1036100251

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When the Nazis came to power in January 1933, they began a program of transforming Germany from a democracy into a totalitarian state, but it was not a matter of simply enforcing compliance. The people had to be coaxed into believing in the new regime. Hearts and minds had to be won over and one of the ways the Nazis did that was to create an ideal of German nationhood in which everyone could feel proud. This was especially the case with art, which came to be used as a powerful tool of propaganda both to disseminate the myth amongst the population and indicate to the Nazi administrators the sort of cultural environment they should create. It was not an easy thing to do. While the nation was being re-created as a dynamic, modern, and powerful industrial giant, all the signals coming from Hitler indicated that his own idyllic view of the German nation was of a traditional, rural people deep-rooted in a romantic-mystical aesthetic. Hitler’s own experience as an artist in Vienna before the First World War had shown that, while technically proficient, his work was detached and impersonal. Despite being rejected by the Vienna Academy of Fine Arts he continued to see himself as artistically gifted, especially in the field of architecture. This book looks at how the artistic side of Hitler’s personality dominated Nazi aesthetics and the ways in which the Third Reich manipulated public opinion and advanced its political agenda using the power of art. Despite his early setbacks, Hitler always thought of himself first and foremost an artist. He would frequently break off discussions with diplomats and soldiers to veer off on a lecture about his ideas on art and architecture which had been formed during his time in Vienna. Nazi Propaganda Through Art and Architecture explores how Hitler’s artistic and architectural vision for Germany led to the monumental structures which we now associate with the Third Reich, alongside the rural idyl he sought to espouse, and how they came to symbolise the re-emergent power of a German nation which would dominate Europe.


Photography in the Third Reich: Art, Physiognomy and Propaganda

Photography in the Third Reich: Art, Physiognomy and Propaganda
Author: Christopher Webster
Publisher: Open Book Publishers
Total Pages: 290
Release: 2021-01-07
Genre: Social Science
ISBN: 1783749172

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This lucid and comprehensive collection of essays by an international group of scholars constitutes a photo-historical survey of select photographers who embraced National Socialism during the Third Reich. These photographers developed and implemented physiognomic and ethnographic photography, and, through a Selbstgleichschaltung (a self-co-ordination with the regime), continued to practice as photographers throughout the twelve years of the Third Reich. The volume explores, through photographic reproductions and accompanying analysis, diverse aspects of photography during the Third Reich, ranging from the influence of Modernism, the qualitative effect of propaganda photography, and the utilisation of technology such as colour film, to the photograph as ideological metaphor. With an emphasis on the idealised representation of the German body and the role of physiognomy within this representation, the book examines how select photographers created and developed a visual myth of the ‘master race’ and its antitheses under the auspices of the Nationalist Socialist state. Photography in the Third Reich approaches its historical source photographs as material culture, examining their production, construction and proliferation. This detailed and informative text will be a valuable resource not only to historians studying the Third Reich, but to scholars and students of film, history of art, politics, media studies, cultural studies and holocaust studies.