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The Power of Laughter and Satire in Early Modern Britain

The Power of Laughter and Satire in Early Modern Britain
Author: Mark Knights
Publisher: Boydell Press is
Total Pages: 242
Release: 2017
Genre: History
ISBN: 9781783272037

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Leading scholars show how laughter and satire in early modern Britain functioned in a variety of contexts both to affirm communal boundaries and to undermine them.


City of Laughter

City of Laughter
Author: Vic Gatrell
Publisher: Bloomsbury Publishing USA
Total Pages: 720
Release: 2007-01-01
Genre: History
ISBN: 0802716024

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Drawing upon the satirical prints of the eighteenth century, the author explores what made Londoners laugh and offers insight into the origins of modern attitudes toward sex, celebrity, and ridicule.


Laughter and Ridicule

Laughter and Ridicule
Author: Michael Billig
Publisher: SAGE
Total Pages: 276
Release: 2005-10-03
Genre: Social Science
ISBN: 9781412911436

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From Thomas Hobbes' fear of the power of laughter to the compulsory, packaged "fun" of the contemporary mass media, Billig takes the reader on a stimulating tour of the strange world of humour. Both a significant work of scholarship and a novel contribution to the understanding of the humourous, this is a seriously engaging book' - David Inglis, University of Aberdeen This delightful book tackles the prevailing assumption that laughter and humour are inherently good. In developing a critique of humour the author proposes a social theory that places humour - in the form of ridicule - as central to social life. Billig argues that all cultures use ridicule as a disciplinary means to uphold norms of conduct and conventions of meaning. Historically, theories of humour reflect wider visions of politics, morality and aesthetics. For example, Bergson argued that humour contains an element of cruelty while Freud suggested that we deceive ourselves about the true nature of our laughter. Billig discusses these and other theories, while using the topic of humour to throw light on the perennial social problems of regulation, control and emancipation.


Uncivil Mirth

Uncivil Mirth
Author: Ross Carroll
Publisher: Princeton University Press
Total Pages: 274
Release: 2021-04-13
Genre: History
ISBN: 0691182558

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"Ridicule is a ubiquitous feature of modern politics. Few participants in a political contest can resist the temptation to ridicule their opponents in order to demean them, persuade others to regard them with scorn, or expose their hypocrisy. Yet ridicule also has the potential to undermine the conditions necessary for politics itself, converting disputants into belligerents and debate into the silence of mutual disdain. Unsurprisingly, then, ridicule has not only been common in political debate but has often been at the centre of such debate as well. In contemporary debate, some commentators worry that citizens are reaching for ridicule and contemptuous dismissal at the expense of more earnest forms of political engagement. Theorists of deliberative democracy have warned that there might be something inherently uncivil, trivializing, or morally objectionable about the use of ridicule in political debate. Others are more inclined to accept that a society characterized by vibrant political contestation will not lack for ridiculers deriding, shaming, and insulting each other. They counsel that ridicule is more urgent, and necessary, now than ever, particularly as a weapon against authoritarian personalities who are least able to tolerate it. This book brings some much-needed historical contextualization to this debate by revisiting a moment in which the place of ridicule in politics was subjected to more intense theoretical scrutiny than any other: eighteenth-century Britain. The relaxing of censorship and deregulation of the printing trade in the 1690s led to an explosion of political and religious satires, many of which were mobilized in the political contest over the recently passed Toleration Act. This new vogue for ridicule led numerous critics to warn that indulging in it excessively could disfigure one's character, undermine religion, and sow civil discord. But ridicule also had vocal defenders, none more influential than the Third Earl of Shaftesbury. Far from merely accepting ridicule as the unfortunate by-product of free public debate, Shaftesbury defended the "trial of ridicule" as a useful method for exposing the conceitedness of fanatics and overly zealous clerics, the two groups most threatening to toleration. From David Hume to Mary Wollstonecraft, Carroll traces Shaftesbury's impact, examining how the Earl's many followers and critics throughout the eighteenth century responded to the challenge of using ridicule responsibly in political and religious controversy"--


Authoritarian Laughter

Authoritarian Laughter
Author: Neringa Klumbytė
Publisher: Cornell University Press
Total Pages: 306
Release: 2022-12-15
Genre: History
ISBN: 1501766708

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Authoritarian Laughter explores the political history of the satire and humor magazine Broom published in Soviet Lithuania. Artists, writers, and journalists were required to create state-sponsored Soviet humor and serve the Communist Party after Lithuania was incorporated into the Soviet Union in 1940. Neringa Klumbytė investigates official attempts to shape citizens into Soviet subjects and engage them through a culture of popular humor. Broom was multidirectional—it both facilitated Communist Party agendas and expressed opposition toward the Soviet regime. Official satire and humor in Soviet Lithuania increasingly created dystopian visions of Soviet modernity and were a forum for critical ideas and nationalist sentiments that were mobilized in anti-Soviet revolutionary laughter in the late 1980s and early 1990s. Authoritarian Laughter illustrates that Soviet Western peripheries were unstable and their governance was limited. While authoritarian states engage in a statecraft of the everyday and seek to engineer intimate lives, authoritarianism is defied not only in revolutions, but in the many stories people tell each other about themselves in jokes, cartoons, and satires.


The Cambridge Introduction to Satire

The Cambridge Introduction to Satire
Author: Jonathan Greenberg
Publisher: Cambridge University Press
Total Pages: 335
Release: 2019
Genre: Humor
ISBN: 1107030188

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Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.


The Function of Humour in Roman Verse Satire

The Function of Humour in Roman Verse Satire
Author: Maria Plaza
Publisher: OUP Oxford
Total Pages: 384
Release: 2006-01-26
Genre: Literary Criticism
ISBN: 0191535842

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Maria Plaza sets out to analyse the function of humour in the Roman satirists Horace, Persius, and Juvenal. Her starting point is that satire is driven by two motives, which are to a certain extent opposed: to display humour, and to promote a serious moral message. She argues that, while the Roman satirist needs humour for his work's aesthetic merit, his proposed message suffers from the ambivalence that humour brings with it. Her analysis shows that this paradox is not only socio-ideological but also aesthetic, forming the ground for the curious, hybrid nature of Roman satire.


The Beggar's Opera and Polly

The Beggar's Opera and Polly
Author: John Gay
Publisher: OUP Oxford
Total Pages: 566
Release: 2013-05-09
Genre: Drama
ISBN: 0191645761

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'Gamesters and Highwaymen are generally very good to their Whores, but they are very Devils to their Wives.' With The Beggar's Opera (1728), John Gay created one of the most enduringly popular works in English theatre history, and invented a new dramatic form, the ballad opera. Gay's daring mixture of caustic political satire, well-loved popular tunes, and a story of crime and betrayal set in the urban underworld of prostitutes and thieves was an overnight sensation. Captain Macheath and Polly Peachum have become famous well beyond the confines of Gay's original play, and in its sequel, Polly, banned in Gay's lifetime, their adventures continue in the West Indies. With a cross-dressing heroine and a cast of female adventurers, pirates, Indian princes, rebel slaves, and rapacious landowners, Polly lays bare a culture in which all human relationships are reduced to commercial transactions. Raucous, lyrical, witty, ironic and tragic by turns, The Beggar's Opera and Polly - published together here for the first time - offer a scathing and ebullient portrait of a society in which statesmen and outlaws, colonialists and pirates, are impossible to tell apart. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.


Humour, Comedy and Laughter

Humour, Comedy and Laughter
Author: Lidia Dina Sciama
Publisher: Berghahn Books
Total Pages: 220
Release: 2016-04-01
Genre: Social Science
ISBN: 1782385436

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Anthropological writings on humor are not very numerous or extensive, but they do contain a great deal of insight into the diverse mental and social processes that underlie joking and laughter. On the basis of a wide range of ethnographic and textual materials, the chapters examine the cognitive, social, and moral aspects of humor and its potential to bring about a sense of amity and mutual understanding, even among different and possibly hostile people. Unfortunately, though, cartoons, jokes, and parodies can cause irremediable distress and offence. Nevertheless, contributors’ cross-cultural evidence confirms that the positive aspects of humor far outweigh the danger of deepening divisions and fueling hostilities


The Palgrave Handbook of Humour, History, and Methodology

The Palgrave Handbook of Humour, History, and Methodology
Author: Daniel Derrin
Publisher: Springer Nature
Total Pages: 538
Release: 2021-01-12
Genre: History
ISBN: 3030566463

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This handbook addresses the methodological problems and theoretical challenges that arise in attempting to understand and represent humour in specific historical contexts across cultural history. It explores problems involved in applying modern theories of humour to historically-distant contexts of humour and points to the importance of recognising the divergent assumptions made by different academic disciplines when approaching the topic. It explores problems of terminology, identification, classification, subjectivity of viewpoint, and the coherence of the object of study. It addresses specific theories, together with the needs of specific historical case-studies, as well as some of the challenges of presenting historical humour to contemporary audiences through translation and curation. In this way, the handbook aims to encourage a fresh exploration of methodological problems involved in studying the various significances both of the history of humour and of humour in history.