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The Cambridge Companion to the Postcolonial Novel

The Cambridge Companion to the Postcolonial Novel
Author: Ato Quayson
Publisher: Cambridge University Press
Total Pages: 335
Release: 2016
Genre: Literary Criticism
ISBN: 1107132819

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This Companion provides an engaging account of the postcolonial novel, from Joseph Conrad to Jean Rhys. Covering subjects from disability and diaspora to the sublime and the city, this Companion reveals the myriad traditions that have shaped the postcolonial literary landscape.


Magical Realism and the Postcolonial Novel

Magical Realism and the Postcolonial Novel
Author: Christopher Warnes
Publisher: Springer
Total Pages: 189
Release: 2009-03-19
Genre: Literary Criticism
ISBN: 0230234437

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This book rethinks the origins and nature of magical realism and provides detailed readings of key novels by Asturias, Carpentier, García Márquez, Rushdie, and Okri. Identifying two different strands of the mode, one characterized by faith, the other by irreverence, Warnes makes available a new vocabulary for the discussion of magical realism.


Satire and the Postcolonial Novel

Satire and the Postcolonial Novel
Author: John Clement Ball
Publisher: Psychology Press
Total Pages: 234
Release: 2003
Genre: Biography & Autobiography
ISBN: 9780415965934

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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.


The Postcolonial Indian Novel in English

The Postcolonial Indian Novel in English
Author: Geetha Ganapathy-Doré
Publisher: Cambridge Scholars Publishing
Total Pages: 220
Release: 2011-01-18
Genre: Juvenile Nonfiction
ISBN: 1443828181

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Indian writers of English such as G. V. Desani, Salman Rushdie, Amit Chaudhuri, Amitav Ghosh, Vikram Seth, Allan Sealy, Shashi Tharoor, Arundhati Roy, Vikram Chandra and Jhumpa Lahiri have taken the potentialities of the novel form to new heights. Against the background of the genre’s macro-history, this study attempts to explain the stunning vitality, colourful diversity, and the outstanding but sometimes controversial success of postcolonial Indian novels in the light of ongoing debates in postcolonial studies. It analyses the warp and woof of the novelistic text through a cross-sectional scrutiny of the issues of democracy, the poetics of space, the times of empire, nation and globalization, self-writing in the auto/meta/docu-fictional modes, the musical, pictorial, cinematic and culinary intertextualities that run through this hyperpalimpsestic practice and the politics of gender, caste and language that gives it an inimitable stamp. This concise and readable survey gives us intimations of a truly world literature as imagined by Francophone writers because the postcolonial Indian novel is a concrete illustration of how “language liberated from its exclusive pact with the nation can enter into a dialogue with a vast polyphonic ensemble.”


Spatial Politics in the Postcolonial Novel

Spatial Politics in the Postcolonial Novel
Author: Dr Sara Upstone
Publisher: Ashgate Publishing, Ltd.
Total Pages: 232
Release: 2013-04-28
Genre: Literary Criticism
ISBN: 1409475212

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In her innovative study of spatial locations in postcolonial texts, Sara Upstone adopts a transnational and comparative approach that challenges the tendency to engage with authors in isolation or in relation to other writers from a single geographical setting. Suggesting that isolating authors in terms of geography reinforces the primacy of the nation, Upstone instead illuminates the power of spatial locales such as the journey, city, home, and body to enable personal or communal statements of resistance against colonial prejudice and its neo-colonial legacies. While focusing on the major texts of Wilson Harris, Toni Morrison, and Salman Rushdie in relation to particular spatial locations, Upstone offers a wide range of examples from other postcolonial authors, including Michael Ondaatje, Keri Hulme, J. M. Coetzee, Arundhati Roy, Tsitsi Dangarembga, and Abdulrazak Gurnah. The result is a strong case for what Upstone terms the 'postcolonial spatial imagination', independent of geography though always fully contextualised. Written in accessible and unhurried prose, Upstone's study is marked by its respect for the ways in which the writers themselves resist not only geographical boundaries but academic categorisation.


Postcolonial Paris

Postcolonial Paris
Author: Laila Amine
Publisher: University of Wisconsin Pres
Total Pages: 257
Release: 2018-06-12
Genre: Literary Criticism
ISBN: 0299315800

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Expanding the narrow script of what it means to be Parisian, Laila Amine explores the novels, films, and street art made by Maghrebis, Franco-Arabs, and African Americans, including fiction by Charef, Chraïbi, Sebbar, Baldwin, Smith, and Wright, and such films as La haine, Made in France, Chouchou, and A Son.


Postcolonial Studies and the Literary

Postcolonial Studies and the Literary
Author: E. Sorensen
Publisher: Springer
Total Pages: 189
Release: 2010-04-21
Genre: Literary Criticism
ISBN: 0230277594

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Critics have argued that the field of postcolonial studies has become melancholic due to its institutionalization in recent years. This book identifies some limits of postcolonial studies and suggests ways of coming to terms with this issue via a renewed engagement with the literary dimension in the postcolonial text.


The Postcolonial Novel

The Postcolonial Novel
Author: Richard Lane
Publisher: Polity
Total Pages: 154
Release: 2006-07-21
Genre: Language Arts & Disciplines
ISBN: 0745632785

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Richard Lane explores the themes surrounding the postcolonial novel written in English.


The Postcolonial Orient

The Postcolonial Orient
Author: Vasant Kaiwar
Publisher: BRILL
Total Pages: 435
Release: 2014-05-08
Genre: Political Science
ISBN: 9004270442

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In The Postcolonial Orient, Vasant Kaiwar presents a far-reaching analysis of the political, economic, and ideological cross-currents that have shaped and informed postcolonial studies preceding and following the 1989 moment of world history. The valences of the ‘post’ in postcolonialism are unfolded via some key historical-political postcolonial texts showing, inter alia, that they are replete with elements of Romantic Orientalism and the Oriental Renaissance. Kaiwar mobilises a critical body of classical and contemporary Marxism to demonstrate that far richer understandings of ‘Europe’ not to mention ‘colonialism’, ‘modernity’ and ‘difference’ are possible than with a postcolonialism captive to phenomenological-existentialism and post-structuralism, concluding that a narrative so enriched is indispensable for a transformative non-Eurocentric internationalism.


Samuel Beckett and the Postcolonial Novel

Samuel Beckett and the Postcolonial Novel
Author: Patrick Bixby
Publisher: Cambridge University Press
Total Pages: 246
Release: 2009-11-05
Genre: Literary Criticism
ISBN: 9780521113885

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Samuel Beckett has long been seen as a distinctly 'apolitical' and 'ahistorical' writer, but this reputation fails to do him justice. Placing Beckett's novels in the context of the newly-liberated Irish Free State, Patrick Bixby explores for the first time their confrontation with the legacies of both Irish nationalism and British imperialism. In doing so, he reveals Beckett's fiction as a remarkable example of how postcolonial writing addresses the relationships between private consciousness and public life, as well as those between the novel form and a cultural environment including not only the literary tradition, but also political speeches, national monuments, and anthropological studies. With special attention to these relationships, the study demonstrates Beckett's challenge to familiar narratives of personal identity and communal belonging, which makes his writing integral to understanding the history of the novel and the fate of modernism, in addition to the emergence of postcolonial literature.