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The Portfolio of Villard de Honnecourt

The Portfolio of Villard de Honnecourt
Author: Carl F. Barnes Jr.
Publisher: Routledge
Total Pages: 697
Release: 2017-03-02
Genre: History
ISBN: 1351883690

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This new facsimile edition of the Portfolio of the 13th-century Picard artist Villard de Honnecourt is the first ever to be published in color. The thirty-three leaves are reproduced at actual size from high-quality color transparencies to ensure the best possible color reproduction of the drawings. One can now see variations in inks and quill strokes, traces of preliminary drawings, and corrections made by the artist. This study is also the first to give a thorough description of the condition of the leaves, analysis of each drawing in the portfolio individually, and new transcriptions and literal and free translations of the inscriptions. The opening chapter covers the history and physical condition of the portfolio, including reassigning "hands" to text found on the leaves. The author analyses the tools and inks used, Villard's drawing technique and style, and evaluates Villard as an artist-draftsman. Chapter II, the body of the book, is devoted to detailed analyses of the leaves, one by one, and their drawings and inscriptions. These analyses are of interest to those concerned with medieval technology and theology as well as to those interested in medieval art and architecture. Chapter III is a new biography of Villard that challenges the many wild speculations of the last century and a half about Villard, separating obvious fiction from possible fact. Barnes analyzes in detail Villard's drawings of different Gothic buildings and makes a case for Villard having been a lay representative of the cathedral chapter at Cambrai, one of the buildings Villard drew. An extensive bibliography of Villard studies and a glossary of Villard's technical and artistic terms complete this important new study.


The Worlds of Villard de Honnecourt: The Portfolio, Medieval Technology, and Gothic Monuments

The Worlds of Villard de Honnecourt: The Portfolio, Medieval Technology, and Gothic Monuments
Author:
Publisher: BRILL
Total Pages: 613
Release: 2022-12-12
Genre: History
ISBN: 9004529101

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This book charts the past, present, and future of studies on medieval technology, art, and craft practices. Inspired by Villard’s enigmatic portfolio of artistic and engineering drawings, this collection explores the multiple facets of medieval building represented in this manuscript (Paris, Bibliothèque nationale de France, MS Fr 19093). The book’s eighteen essays and two introductions showcase traditional and emergent methods for the study of medieval craft, demonstrating how these diverse approaches collectively amplify our understanding about how medieval people built, engineered, and represented their world. Contributions range from the analysis of words and images in Villard’s portfolio, to the close analysis of masonry, technological marvels, and gothic architecture, pointing the way toward new avenues for future scholarship to explore. Contributors are: Mickey Abel, Carl F. Barnes Jr., Robert Bork, George Brooks, Michael T. Davis, Amy Gillette, Erik Gustafson, Maile S. Hutterer, John James, William Sayers, Ellen Shortell, Alice Isabella Sullivan, Richard Alfred Sundt, Sarah Thompson, Steven A. Walton, Maggie M. Williams, Kathleen Wilson Ruffo, and Nancy Wu.


Excavating the Medieval Image

Excavating the Medieval Image
Author: David S. Areford
Publisher: Routledge
Total Pages: 341
Release: 2017-11-30
Genre: Art
ISBN: 1351158465

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Medieval images, especially manuscript illuminations, have long been treated independently of the contexts in which they were created. These beautiful miniature paintings, frequently valued as keepers of documentary evidence or as curious artistic commodities, have only recently become the focus of art historians concerned with new questions related to artistic working methods, audience and the status of the visual in the Middle Ages and the modern era. Excavating the Medieval Image argues that the illuminated image is best understood as thoroughly integrated in the material context of the manuscript - and thus, integrated in a cultural context of production and reception. Seen in this way, the illuminated manuscript becomes a kind of archaeological site, which must be carefully unearthed layer by layer. The fourteen essays gathered here are written by scholars of both medieval and Renaissance art history, and demonstrate varied methodological approaches that combine the pursuits of traditional connoisseurship and iconography with those of critical theory and historiography. In addition, the authors contribute more broadly to important interdisciplinary issues such as the study of gender, text and image, and the history of literacy and the book.


Routledge Revivals: Medieval France (1995)

Routledge Revivals: Medieval France (1995)
Author: William W. Kibler
Publisher: Taylor & Francis
Total Pages: 1078
Release: 2017-07-05
Genre: History
ISBN: 1351665669

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First published in 1995, Medieval France: An Encyclopedia is the first single-volume reference work on the history and culture of medieval France. It covers the political, intellectual, literary, and musical history of the country from the early fifth to the late fifteenth century. The shorter entries offer succinct summaries of the lives of individuals, events, works, cities, monuments, and other important subjects, followed by essential bibliographies. Longer essay-length articles provide interpretive comments about significant institutions and important periods or events. The Encyclopedia is thoroughly cross-referenced and includes a generous selection of illustrations, maps, charts, and genealogies. It is especially strong in its coverage of economic issues, women, music, religion and literature. This comprehensive work of over 2,400 entries will be of key interest to students and scholars, as well as general readers.


Space in the Medieval West

Space in the Medieval West
Author: Fanny Madeline
Publisher: Routledge
Total Pages: 266
Release: 2016-04-01
Genre: History
ISBN: 1317052005

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In the last two decades, research on spatial paradigms and practices has gained momentum across disciplines and vastly different periods, including the field of medieval studies. Responding to this ’spatial turn’ in the humanities, the essays collected here generate new ideas about how medieval space was defined, constructed, and practiced in Europe, particularly in France. Essays are grouped thematically and in three parts, from specific sites, through the broader shaping of territory by means of socially constructed networks, to the larger geographical realm. The resulting collection builds on existing scholarship but brings new insight, situating medieval constructions of space in relation to contemporary conceptions of the subject.


The Likeness of the King

The Likeness of the King
Author: Stephen Perkinson
Publisher: University of Chicago Press
Total Pages: 354
Release: 2009-10-15
Genre: Art
ISBN: 0226658791

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Anyone who has strolled through the halls of a museum knows that portraits occupy a central place in the history of art. But did portraits, as such, exist in the medieval era? Stephen Perkinson's "The likeness of the king" challenges the canonical account of the invention of modern portrait practices, offering a case against the tendency of recent scholarship to identify likenesses of historical personages as "the first modern portraits". Focusing on the Valois court of France, he argues that local practice prompted shifts in the late medieval understanding of how images could represent individuals and prompted artists and patrons to deploy likeness in a variety of ways.


Reading the Reverse Fa?e of Reims Cathedral

Reading the Reverse Fa?e of Reims Cathedral
Author: DonnaL. Sadler
Publisher: Routledge
Total Pages: 299
Release: 2017-07-05
Genre: Art
ISBN: 1351552163

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Though long recognized as one of the most beautiful works from the second half of the thirteenth century, the magnificent sculptural program of the reverse fa?e at Reims Cathedral has received little in the way of scholarly attention. Interpreting the iconography in the light of Latin texts associated with the building, its history and its ceremonial use, Donna Sadler assesses the significance of the reverse fa?e in light of other thirteenth-century visual programs associated with the court of Louis IX. The book's chapters deal with the history of the cathedral and its architectural antecedents; the iconographic message of the visual program, the meaning of the reverse fa?e and how it intersects with the overall iconography; the function of the verso and how it is enhanced by the marriage of form and content; and a consideration of contemporary works linked to the court of Saint Louis, concluding with a brief look at the new roles sculpture assumes as it migrates inside cathedrals. Ultimately this book reveals how the imagery on the reverse fa?e not only conforms to a system of memory and mode of medieval narratology, but also articulates a dominant ideological position regarding the interdependence of ecclesiastical and royal powers.


Lateness and Modernity in Medieval Architecture

Lateness and Modernity in Medieval Architecture
Author: Alice Isabella Sullivan
Publisher: BRILL
Total Pages: 500
Release: 2023
Genre: Architecture
ISBN: 9004538461

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This volume engages with notions of lateness and modernity in medieval architecture, broadly conceived geographically, temporally, methodologically, and theoretically. It aims to (re)situate secular and religious buildings from the 14th through the 16th centuries that are indebted to medieval building practices and designs, within the more established narratives of art and architectural history.