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Perspectives on Restoration Drama

Perspectives on Restoration Drama
Author: Susan J. Owen
Publisher: Manchester University Press
Total Pages: 210
Release: 2002
Genre: Literary Criticism
ISBN: 9780719049675

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This book introduces students to drama from the Restoration of Charles II in 1660 to the early 18th Century. Susan Owen offers representative coverage of new forms of drama in this period, and of ways in which old forms are altered. Her study covers heroic drama, comedy, tragedy, tragi-comedy, and Shakespeare adaptations, by focusing on specific 'dramatic highlights' and giving close reading of particular plays.


A History of Restoration Drama 1660-1700

A History of Restoration Drama 1660-1700
Author: Allardyce Nicoll
Publisher:
Total Pages: 420
Release: 1923
Genre: English drama
ISBN:

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For contents, see Author Catalog.


English Drama

English Drama
Author: Richard W. Bevis
Publisher: Routledge
Total Pages: 356
Release: 2014-06-06
Genre: Literary Criticism
ISBN: 1317870921

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What were the causes of Restoration drama's licentiousness? How did the elegantly-turned comedy of Congreve become the pointed satire of Fielding? And how did Sheridan and Goldsmith reshape the materials they inherited? In the first account of the entire period for more than a decade, Richard Bevis argues that none of these questions can be answered without an understanding of Augustan and Georgian history. The years between 1660 and 1789 saw considerable political and social upheaval, which is reflected in the eclectic array of dramatic forms that is Georgian theatre's essential characteristic.


Heroes and States

Heroes and States
Author: J. Douglas Canfield
Publisher:
Total Pages: 280
Release: 2000
Genre: Drama
ISBN:

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This work completes Douglas Canfield's two-volume cultural history of Restoration drama. It analyzes by subgenre the ways in which Restoration playwrights attempted to reinscribe late-feudal aristocratic ideology after the English Civil War.


Restoration Plays and Players

Restoration Plays and Players
Author: David Roberts
Publisher: Cambridge University Press
Total Pages: 263
Release: 2014-10-30
Genre: Literary Criticism
ISBN: 1316147975

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Introducing readers to the key texts, theatrical practice and context of late seventeenth-century drama, David Roberts combines literary and theatrical approaches to show how Restoration plays were written, performed, received and printed. Structured according to the 'life cycle' of the dramatic text, this book reproduces extracts from twenty-four of the most influential Restoration plays to provide readers with a comprehensive and colourful introduction to the period's drama. Roberts encourages readers to look beyond a limited canon of established plays and practice, and to see how Restoration Drama has been revived and adapted on the modern stage. Restoration Plays and Players is of great interest to undergraduate and non-specialist readers of seventeenth-century drama, Restoration literature and theatre studies.


Four Restoration Marriage Plays

Four Restoration Marriage Plays
Author: Thomas Otway
Publisher:
Total Pages: 516
Release: 1998
Genre: Drama
ISBN: 9780192834478

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Marriage and its discontents lie at the heart of Restoration comedy. In all four of the great plays gathered here, a married woman confronts her would-be seducer. Each dramatist, however, totally reinterprets the situation. Thomas Otway's The Soldier's Fortune converts adultery into political revenge. Nathaniel Lee's The Princess of Cleves offers a potent and perplexing portrait of a libertine in action at the sixteenth-century French court. John Dryden's Amphitryon, set in ancient Thebes, retells the story in which Jupiter lures the virtuous Alcmena into cuckolding her husband by a stratagem that throws into doubt the very nature of human identity. Thomas Southerne's The Wives' Excuse reinvents, for the new circumstances of the 1690s, the familiar Restoration plot of a wife spurred towards infidelity by her partner's failings. All of the plays have been newly edited and are presented with modernized spelling and punctuation.


Drama and Politics in the English Civil War

Drama and Politics in the English Civil War
Author: Susan Wiseman
Publisher: Cambridge University Press
Total Pages: 317
Release: 1998-04-09
Genre: Literary Criticism
ISBN: 0521472210

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In 1642 an ordinance closed the theatres of England. Critics and historians have assumed that the edict was to be firm and inviolate. Susan Wiseman challenges this assumption and argues that the period 1640 to 1660 was not a gap in the production and performance of drama nor a blank space between 'Renaissance drama' and the 'Restoration stage'. Rather, throughout the period, writers focused instead on a range of dramas with political perspectives, from republican to royalist. This group included the short pamphlet dramas of the 1640s and the texts produced by the writers of the 1650s, such as William Davenant, Margaret Cavendish and James Shirley. In analysing the diverse forms of dramatic production of the 1640s and 1650s, Wiseman reveals the political and generic diversity produced by the changes in dramatic production, and offers insights into the theatre of the Civil War.


Restoration Drama

Restoration Drama
Author: David Womersley
Publisher: Wiley-Blackwell
Total Pages: 840
Release: 2000-04-07
Genre: Literary Criticism
ISBN: 9780631209034

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This new anthology provides seventeen key plays by twelve dramatists of the Restoration period in an anthology designed specifically for course use, with annotations and judiciously modernized texts. It offers a representative sampling of the types of play of the period, including plays by both men and women - sex comedy, moral comedy, heroic drama, Shakespearean adaptation and political history.


Restoration Theatre and Crisis

Restoration Theatre and Crisis
Author: Susan J. Owen
Publisher: OUP Oxford
Total Pages: 358
Release: 1996-11-14
Genre: Literary Criticism
ISBN: 0191584002

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Restoration Theatre and Crisis is a seminal study of the drama of the Restoration, in particular that of the Popish Plot and Exclusion Crisis. This was a time of unprecedented political partisanship in the theatre. This book cosniders all the known plays of this period, including works by Dryden and Behn, in their historical context. It examines the complex ways in which the drama both reflected and intervened in the political process, at a time when the crisis fractured an already fragile post-interregnum consensus, and modern party political methods first began to develop. Susan Owen discusses the ways in which Tory and Whig playwrights engaged in dramatic dialogue, deliberately commenting on and revising each other's themes and topics. The book also explores the arena of sexual politics, examining the political significance of themes such as disharmony in the family, and the importance of rape as a dramatic signifier of monstrosity associated with rebellion by the Tories and tyranny and popery by the Whigs. Restoration Theatre and Crisis considers the use of sexuality as a political discourse, and ways in which ideas about libertinism and constructions of masculinity and femininity intersect with political concerns in the drama. Thus the book bridges the gap between `gender-blind' political accounts and studies which have focused on gender themes in the drama in isolation from party politics.