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| Author | : Eunsong Kim |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2024 |
| Genre | : Art |
| ISBN | : 9781478026242 |
Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms.
| Author | : Eunsong Kim |
| Publisher | : Duke University Press |
| Total Pages | : 207 |
| Release | : 2024-06-24 |
| Genre | : Art |
| ISBN | : 1478059478 |
In The Politics of Collecting, Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation—rather than merit or good taste—are responsible for popular ideas of formal innovation and artistic genius. In doing so, she details how Marcel Duchamp’s canonization has more to do with his patron’s donations to museums than it does the quality of Duchamp’s work, and uncovers the racialized and financialized logic behind the Archive of New Poetry’s collecting practices. Ranging from the conception of philanthropy devised by the robber barons of the late nineteenth century to ongoing digitization projects, Kim provides a new history of contemporary art that accounts for the complicated entanglement of race, capital, and labor behind storied art institutions and artists. Drawing on history, theory, and economics, Kim challenges received notions of artistic success and talent and calls for a new vision of art beyond the cultural institution.
| Author | : Megan Browndorf |
| Publisher | : |
| Total Pages | : |
| Release | : 2020-04 |
| Genre | : Academic libraries |
| ISBN | : 9781634000901 |
"Explores the paradigm of "area studies" - a way of supporting regionally-focused collecting, processing, and liaison work - in the academic library, through an explicitly anti-colonial lens"--
| Author | : Eunsong Kim |
| Publisher | : Noemi Press |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Religiousness |
| ISBN | : 9781934819692 |
"The first book of Eunsong Kim begins with a long form poem that delves into contemplative lenses of religiosity, historical and philosophical in contemporary cultural contexts" --
| Author | : Tony Bennett |
| Publisher | : Duke University Press |
| Total Pages | : 360 |
| Release | : 2016-12-02 |
| Genre | : Social Science |
| ISBN | : 0822373602 |
The coauthors of this theoretically innovative work explore the relationships among anthropological fieldwork, museum collecting and display, and social governance in the early twentieth century in Australia, Britain, France, New Zealand, and the United States. With case studies ranging from the Musée de l'Homme's 1930s fieldwork missions in French Indo-China to the influence of Franz Boas's culture concept on the development of American museums, the authors illuminate recent debates about postwar forms of multicultural governance, cultural conceptions of difference, and postcolonial policy and practice in museums. Collecting, Ordering, Governing is essential reading for scholars and students of anthropology, museum studies, cultural studies, and indigenous studies as well as museum and heritage professionals.
| Author | : Eleanor Robson |
| Publisher | : Oxbow Books Limited |
| Total Pages | : 168 |
| Release | : 2006 |
| Genre | : Business & Economics |
| ISBN | : |
This book is the outcome of a series of lectures and workshops held at St. Cross College and All Souls College, Oxford in late 2004 on the ethics and politics of collecting and owning cultural artefacts.
| Author | : Jonathan Petropoulos |
| Publisher | : UNC Press Books |
| Total Pages | : 468 |
| Release | : 1999-02-01 |
| Genre | : History |
| ISBN | : 9780807848098 |
The political elite of Nazi Germany perceived itself as a cultural elite as well. In Art as Politics in the Third Reich, Jonathan Petropoulos explores the elite's cultural aspirations by examining both the formulation of a national aesthetic policy
| Author | : Nizan Shaked |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 289 |
| Release | : 2022-01-13 |
| Genre | : Art |
| ISBN | : 1350045780 |
A critical analysis of contemporary art collections and the value form, this book shows why the nonprofit system is unfit to administer our common collections, and offers solutions for diversity reform and redistributive restructuring. In the United States, institutions administered by the nonprofit system have an ambiguous status as they are neither entirely private nor fully public. Among nonprofits, the museum is unique as it is the only institution where trustees tend to collect the same objects they hold in “public trust” on behalf of the nation, if not humanity. The public serves as alibi for establishing the symbolic value of art, which sustains its monetary value and its markets. This structure allows for wealthy individuals at the helm to gain financial benefits from, and ideological control over, what is at its core purpose a public system. The dramatic growth of the art market and the development of financial tools based on art-collateral loans exacerbate the contradiction between the needs of museum leadership versus that of the public. Indeed, a history of private support in the US is a history of racist discrimination, and the common collections reflect this fact. A history of how private collections were turned public gives context. Since the late Renaissance, private collections legitimized the prince's right to rule, and later, with the great revolutions, display consolidated national identity. But the rise of the American museum reversed this and re-privatized the public collection. A materialist description of the museum as a model institution of the liberal nation state reveals constellations of imperialist social relations.
| Author | : Stephen H. Grant |
| Publisher | : JHU Press |
| Total Pages | : 264 |
| Release | : 2014-04-26 |
| Genre | : Art |
| ISBN | : 1421411873 |
The first biography of Henry and Emily Folger, who acquired the largest and finest collection of Shakespeare in the world. In Collecting Shakespeare, Stephen H. Grant recounts the American success story of Henry and Emily Folger of Brooklyn, a couple who were devoted to each other, in love with Shakespeare, and bitten by the collecting bug. Shortly after marrying in 1885, the Folgers started buying, cataloging, and storing all manner of items about Shakespeare and his era. Emily earned a master's degree in Shakespeare studies. The frugal couple worked passionately as a tight-knit team during the Gilded Age, financing their hobby with the fortune Henry earned as president of Standard Oil Company of New York, where he was a trusted associate of John D. Rockefeller Sr. While a number of American universities offered to house the collection, the Folgers wanted to give it to the American people. Afraid the price of antiquarian books would soar if their names were revealed, they secretly acquired prime real estate on Capitol Hill near the Library of Congress. They commissioned the design and construction of an elegant building with a reading room, public exhibition hall, and the Elizabethan Theatre. The Folger Shakespeare Library was dedicated on the Bard's birthday, April 23, 1932. The library houses 82 First Folios, 275,000 books, and 60,000 manuscripts. It welcomes more than 100,000 visitors a year and provides professors, scholars, graduate students, and researchers from around the world with access to the collections. It is also a vibrant center in Washington, D.C., for cultural programs, including theater, concerts, lectures, and poetry readings. The library provided Grant with unprecedented access to the primary sources within the Folger vault. He draws on interviews with surviving Folger relatives and visits to 35 related archives in the United States and in Britain to create a portrait of the remarkable couple who ensured that Shakespeare would have a beautiful home in America.
| Author | : Catherine L. Whalen |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : |
| ISBN | : 9781625342539 |
