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| Author | : Richard Wrigley |
| Publisher | : |
| Total Pages | : 334 |
| Release | : 2002-10 |
| Genre | : Design |
| ISBN | : |
Drawing on a wide range of documentary and visual sources, this book offers a vivid picture of the highly charged politics of Revolutionary appearances.
| Author | : Ari Adut |
| Publisher | : Cambridge University Press |
| Total Pages | : 221 |
| Release | : 2018-03-15 |
| Genre | : Social Science |
| ISBN | : 131685079X |
The public sphere is the realm of appearances - not citizenship. Its central event is spectacle - not dialogue. Marked by an asymmetry between the few who act and the many who watch, and subjecting all its contents to visibility, the public sphere can undermine liberal democracy, law, and morality. But the public sphere also liberates us from the burdens and bondages of private life and fosters an existentially vital aesthetic experience. Reign of Appearances uses a great variety of cases to reveal the logic of the public sphere, including homosexuality in Victorian England; the 2008 crash; antisemitism in Europe; confidence in American presidents; communications in social media; special prosecutor investigations; the visibility of African-Americans; violence during the French Revolution; the Islamic veil; contemporary sexual politics; public executions; and pricing in art. This unconventional account of the public sphere is critical reading for anyone who wants to understand the effects of visibility in urban life, politics, and the media.
| Author | : Richard Wrigley |
| Publisher | : |
| Total Pages | : 336 |
| Release | : 2002-10 |
| Genre | : Design |
| ISBN | : |
Drawing on a wide range of documentary and visual sources, this book offers a vivid picture of the highly charged politics of Revolutionary appearances.
| Author | : Sophie Loidolt |
| Publisher | : Routledge |
| Total Pages | : 287 |
| Release | : 2017-09-22 |
| Genre | : Philosophy |
| ISBN | : 1351804022 |
Winner of the 2018 Edwin Ballard Prize awarded by the Center for Advanced Research in Phenomenology This book develops a unique phenomenology of plurality by introducing Hannah Arendt’s work into current debates taking place in the phenomenological tradition. Loidolt offers a systematic treatment of plurality that unites the fields of phenomenology, political theory, social ontology, and Arendt studies to offer new perspectives on key concepts such as intersubjectivity, selfhood, personhood, sociality, community, and conceptions of the "we." Phenomenology of Plurality is an in-depth, phenomenological analysis of Arendt that represents a viable third way between the "modernist" and "postmodernist" camps in Arendt scholarship. It also introduces a number of political and ethical insights that can be drawn from a phenomenology of plurality. This book will appeal to scholars interested in the topics of plurality and intersubjectivity within phenomenology, existentialism, political philosophy, ethics, and feminist philosophy.
| Author | : W. E. Connolly |
| Publisher | : CUP Archive |
| Total Pages | : 236 |
| Release | : 1981-04-02 |
| Genre | : Political Science |
| ISBN | : 9780521230261 |
| Author | : Barbara Carnevali |
| Publisher | : Columbia University Press |
| Total Pages | : 197 |
| Release | : 2020-08-04 |
| Genre | : Philosophy |
| ISBN | : 023154698X |
Philosophers have long distinguished between appearance and reality, and the opposition between a supposedly deceptive surface and a more profound truth is deeply rooted in Western culture. At a time of obsession with self-representation, when politics is enmeshed with spectacle and social and economic forces are intensely aestheticized, philosophy remains moored in traditional dichotomies: being versus appearing, interiority versus exteriority, authenticity versus alienation. Might there be more to appearance than meets the eye? In this strikingly original book, Barbara Carnevali offers a philosophical examination of the roles that appearances play in social life. While Western metaphysics and morals have predominantly disdained appearances and expelled them from their domain, Carnevali invites us to look at society, ancient to contemporary, as an aesthetic phenomenon. The ways in which we appear in public and the impressions we make in terms of images, sounds, smells, and sensations are discerned by other people’s senses and assessed according to their taste; this helps shape our ways of being and the world around us. Carnevali shows that an understanding of appearances is necessary to grasp the dynamics of interaction, recognition, and power in which we live—and to avoid being dominated by them. Anchored in philosophy and traversing sociology, art history, literature, and popular culture, Social Appearances develops new theoretical and conceptual tools for today’s most urgent critical tasks.
| Author | : Tanisha C. Ford |
| Publisher | : UNC Press Books |
| Total Pages | : 273 |
| Release | : 2015-09-14 |
| Genre | : Social Science |
| ISBN | : 1469625164 |
From the civil rights and Black Power era of the 1960s through antiapartheid activism in the 1980s and beyond, black women have used their clothing, hair, and style not simply as a fashion statement but as a powerful tool of resistance. Whether using stiletto heels as weapons to protect against police attacks or incorporating African-themed designs into everyday wear, these fashion-forward women celebrated their identities and pushed for equality. In this thought-provoking book, Tanisha C. Ford explores how and why black women in places as far-flung as New York City, Atlanta, London, and Johannesburg incorporated style and beauty culture into their activism. Focusing on the emergence of the "soul style" movement—represented in clothing, jewelry, hairstyles, and more—Liberated Threads shows that black women's fashion choices became galvanizing symbols of gender and political liberation. Drawing from an eclectic archive, Ford offers a new way of studying how black style and Soul Power moved beyond national boundaries, sparking a global fashion phenomenon. Following celebrities, models, college students, and everyday women as they moved through fashion boutiques, beauty salons, and record stores, Ford narrates the fascinating intertwining histories of Black Freedom and fashion.
| Author | : Ari Adut |
| Publisher | : Cambridge University Press |
| Total Pages | : 222 |
| Release | : 2018-03-15 |
| Genre | : Social Science |
| ISBN | : 1316853241 |
The public sphere, be it the Greek agora or the New York Times op-ed page, is the realm of appearances - not citizenship. Its central event is spectacle - not dialogue. Public dialogue, the mantra of many intellectuals and political commentators, is but a contradiction in terms. Marked by an asymmetry between the few who act and the many who watch, the public sphere can undermine liberal democracy, law, and morality. Inauthenticity, superficiality, and objectification are the very essence of the public sphere. But the public sphere also liberates us from the bondages of private life and fosters an existentially vital aesthetic experience. Reign of Appearances uses a variety of cases to reveal the logic of the public sphere, including homosexuality in Victorian England, the 2008 crash, antisemitism in Europe, confidence in American presidents, communications in social media, special prosecutor investigations, the visibility of African-Americans, violence during the French Revolution, the Islamic veil, and contemporary sexual politics. This unconventional account of the public sphere is critical reading for anyone who wants to understand the effects of visibility in urban life, politics, and the media.
| Author | : Tim Allender |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 289 |
| Release | : 2021-09-07 |
| Genre | : History |
| ISBN | : 3110634945 |
The visual turn recovers new pasts. With education as its theme, this book seeks to present a body of reflections that questions a certain historicism and renovates historiographical debate about how to conceptualize and use images and artifacts in educational history, in the process presenting new themes and methods for researchers. Images are interrogated as part of regimes of the visible, of a history of visual technologies and visual practices. Considering the socio-material quality of the image, the analysis moves away from the use of images as mere illustrations of written arguments, and takes seriously the question of the life and death of artifacts – that is, their particular historicity. Questioning the visual and material evidence in this way means considering how, when, and in which régime of the visible it has come to be considered as a source, and what this means for the questions contemporary researchers might ask.
| Author | : Jacques Rancière |
| Publisher | : U of Minnesota Press |
| Total Pages | : 170 |
| Release | : 1999 |
| Genre | : Political Science |
| ISBN | : 9780816628445 |
"Is there any such thing as political philosophy?" So begins this provocative book by one of the foremost figures in Continental thought. Here, Jacques Ranciere brings a new and highly useful set of terms to the vexed debate about political effectiveness in the face of a new world order. What precisely is at stake in the relationship between "philosophy" and the adjective "political"? In Disagreement, Ranciere explores the apparent contradiction between these terms and reveals the uneasy meaning of their union in the phrase "political philosophy" -- a juncture related to age-old attempts in philosophy to answer Plato's devaluing of politics as a "democratic egalitarian" process. According to Ranciere, the phrase also expresses the paradox of politics itself: the absence of a proper foundation. Politics, he argues, begins when the "demos" (the "excessive" or unrepresented part of society) seeks to disrupt the order of domination and distribution of goods "naturalized" by police and legal institutions. In addition, the notion of "equality" operates as a game of contestation that constantly substitutes litigation for political action and community. This game, Ranciere maintains, operates by a primary logic of "misunderstanding". In turn, political philosophy has always tried to substitute the "politics of truth" for the politics of appearances. Disagreement investigates the various transformations of this regime of "truth" and their effects on practical politics. Ranciere then distinguishes what we mean by "democracy" from the practices of a consensual system in order to unravel the ramifications of the fashionable phrase "the end of politics". His conclusions will be of interest toreaders concerned with political questions from the broadest to the most specific and local.
