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The Political Stage: American Drama and Theater of the Great Depression

The Political Stage: American Drama and Theater of the Great Depression
Author: Malcolm Goldstein
Publisher: New York : Oxford University Press
Total Pages: 520
Release: 1974
Genre: Language Arts & Disciplines
ISBN:

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First full study of American theatre of the 1930s, when playwrights and theatrical people were deeply concerned iwth social themes and events.


The American Stage and the Great Depression

The American Stage and the Great Depression
Author: Mark Fearnow
Publisher: Cambridge University Press
Total Pages: 232
Release: 1997-01-28
Genre: Drama
ISBN: 9780521561112

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The American Stage and the Great Depression: A Cultural History of the Grotesque proposes a correlation between the divided "mind" of America during the depression and popular stage works of the era. Theatre works such as Jack Kirkland's comic-horrific adaptation of Tobacco Road, Olsen and Johnson's "scream-lined revue", Hellzapoppin, and successful plays by Robert E. Sherwood, Clare Boothe Luce, and S. N. Behrman are interpreted as theatrical reflections of depression culture's sense of being trapped between a discredited past and a nightmarish future. The author analyzes the America of the 1930s as an era of the "grotesque", in which the irreconcilable were forced into tense and dynamic coexistence, and by examining these works of theatre as products of particular historical circumstances, argues for a strong connection between cultural history and theatre history.


The Political Stage: American Drama and Theater of the Great Depression

The Political Stage: American Drama and Theater of the Great Depression
Author: Malcolm Goldstein
Publisher: New York : Oxford University Press
Total Pages: 514
Release: 1974
Genre: Language Arts & Disciplines
ISBN:

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First full study of American theatre of the 1930s, when playwrights and theatrical people were deeply concerned iwth social themes and events.


The Facts on File Companion to American Drama

The Facts on File Companion to American Drama
Author: Jackson R. Bryer
Publisher: Infobase Publishing
Total Pages: 657
Release: 2010
Genre: Biography & Autobiography
ISBN: 1438129661

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Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.


American Realism and American Drama, 1880-1940

American Realism and American Drama, 1880-1940
Author: Brenda Murphy
Publisher: Cambridge University Press
Total Pages: 252
Release: 1987-08-27
Genre: Drama
ISBN: 9780521327114

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The importance of Native American realism is traced through a study of the evolution of dramatic theory from the early 1890s through World War I and the uniquely American innovations in realistic drama between world wars.


The Federal Theatre Project

The Federal Theatre Project
Author: Barry Witham
Publisher: Cambridge University Press
Total Pages: 220
Release: 2003-09-25
Genre: Drama
ISBN: 9780521822596

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This 2003 book provides a detailed examination of the operations of the US Federal Theatre Project in the decade of the 1930s.


Brecht and Political Theatre

Brecht and Political Theatre
Author: Laura Bradley
Publisher: Oxford University Press
Total Pages: 274
Release: 2006-06-29
Genre: Drama
ISBN: 0199286582

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The Ballad of John Latouche : an American Lyricist's Life and Work

The Ballad of John Latouche : an American Lyricist's Life and Work
Author: Howard Pollack
Publisher: Oxford University Press
Total Pages: 609
Release: 2017
Genre: Biography & Autobiography
ISBN: 0190458291

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In his short life, the Virginia-born John Treville Latouche (1914-56) made a profound mark on America's musical theater as a lyricist, book writer, and librettist. His signature achievements include theatrical works with composers Earl Robinson, Vernon Duke, Duke Ellington, Jerome Moross, and Leonard Bernstein.


Broadway Goes to War

Broadway Goes to War
Author: Robert L. McLaughlin
Publisher: University Press of Kentucky
Total Pages: 391
Release: 2021-06-08
Genre: Performing Arts
ISBN: 0813181003

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The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Adano (1944) encouraged public discussion of the war's impact on daily life and raised critical questions about the conflict well before other forms of popular media. American drama of the 1940s is frequently overlooked, but the plays performed during this eventful decade provide a picture of the rich and complex experience of living in the United States during the war years. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.


Clifford Odets, Playwright-poet

Clifford Odets, Playwright-poet
Author: Harold Cantor
Publisher: Scarecrow Press
Total Pages: 254
Release: 2000
Genre: Literary Criticism
ISBN: 9780810837324

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This study takes a different approach to the work of poet-playwright Clifford Odets. Rather than focusing on biographical and political factors surrounding his works, Cantor provides a close reading of 11 of Odets' plays as a whole, grounding his study within an analysis of themes common to each text. While granting emphasis to Odets' poetic style, Cantor gives due notice to Odets' achievements as both mythmaker and voice of the Jewish middle class. Included are reprints of 'Sum and Substance, ' an interview with the writer conducted by the late Herman Harvey, and a 1998 interview by Cantor with actress/director Joanne Woodward, who has directed recent revivals of four of Odets' plays. Cantor also gives an account of other noted productions in order to illuminate the ways in which this visionary's style has influenced contemporary American theatre. Drawing both from previous works and his own research, Cantor presents a quintessential study of a prolific and influential literary artist. It will prove a useful and timely volume for scholars of theatre and American social history alike.