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The Polish Theatre of the Holocaust

The Polish Theatre of the Holocaust
Author: Grzegorz Niziolek
Publisher: Bloomsbury Publishing
Total Pages: 442
Release: 2019-05-30
Genre: Performing Arts
ISBN: 1350039675

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Grzegorz Niziolek's The Polish Theatre of the Holocaust is a pioneering analysis of the impact and legacy of the Holocaust on Polish theatre and society from 1945 to the present. It reveals the role of theatre as a crucial medium of collective memory – and collective forgetting – of the trauma of the Holocaust carried out by the Nazis on Polish soil. The period gave rise to two of the most radical and influential theatrical ideas during work on productions that addressed the subject of the Holocaust – Grotowski's Poor Theatre and Kantor's Theatre of Death - but the author examines a deeper impact in the role that theatre played in the processes of collective disavowal to being a witness to others' suffering. In the first part, the author examines six decades of Polish theatre shaped by the perspective of the Holocaust in which its presence is variously visible or displaced. Particular attention is paid to the various types of distortion and the effect of 'wrong seeing' enacted in the theatre, as well as the traces of affective reception: shock, heightened empathy, indifference. In part two, Niziolek examines a range of theatrical events, including productions by Leon Schiller, Jerzy Grotowski, Tadeusz Kantor, Andrzej Wajda, Krzysztof Warlikowski and Ondrej Spišák. He considers how these productions confronted the experience of bearing witness and were profoundly shaped by the legacy of the Holocaust. The Polish Theatre of the Holocaust reveals how -- by testifying about society's experience of the Holocaust -- theatre has been the setting for fundamental processes taking place within Polish culture as it confronts suppressed traumatic wartime experiences and a collective identity shaped by the past.


Polish Film and the Holocaust

Polish Film and the Holocaust
Author: Marek Haltof
Publisher: Berghahn Books
Total Pages: 288
Release: 2012-01-01
Genre: Performing Arts
ISBN: 0857453572

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During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska’s The Last Stage (1948) and Aleksander Ford’s Border Street (1949), and next explores the Polish School period, represented by Andrzej Wajda’s A Generation (1955) and Andrzej Munk’s The Passenger (1963). Between 1965 and 1980 there was an “organized silence” regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kieślowski’s Decalogue 8 (1988), Andrzej Wajda’s Korczak (1990), Jan Jakub Kolski’s Keep Away from the Window (2000), and Roman Polański’s The Pianist (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland’s national memory.


The Post-traumatic Theatre of Grotowski and Kantor

The Post-traumatic Theatre of Grotowski and Kantor
Author: Magda Romanska
Publisher: Anthem Press
Total Pages: 420
Release: 2014-10-01
Genre: Performing Arts
ISBN: 1783083212

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Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in current gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski’s ‘Akropolis’ and Tadeusz Kantor’s ‘Dead Class’. By examining each director’s representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside of their cultural and historical contexts.


The Post-traumatic Theatre of Grotowski and Kantor

The Post-traumatic Theatre of Grotowski and Kantor
Author: Magda Romanska
Publisher: Anthem European Studies, Anthe
Total Pages: 0
Release: 2012
Genre: Performing Arts
ISBN: 9780857285164

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A historical and critical analysis of the post-traumatic theatre of Grotowski and Kantor, examining the ways they represent Auschwitz in their respective pivotal works 'Akropolis' and 'Dead Class'.


Bondage to the Dead

Bondage to the Dead
Author: Michael C. Steinlauf
Publisher: Syracuse University Press
Total Pages: 236
Release: 1997-03-01
Genre: History
ISBN: 9780815604037

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Describes the Poles' memory of the Holocaust, which amounted to mass psychic and moral trauma unprecedented in history.


Staging Holocaust Resistance

Staging Holocaust Resistance
Author: Gene A. Plunka
Publisher: Springer
Total Pages: 272
Release: 2012-04-24
Genre: History
ISBN: 1137000619

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Plunka argues that drama is the ideal art form to revitalize the collective memory of Holocaust resistance. This comparative drama study examines a variety of international plays - some quite well-known, others more obscure - that focus on collective or individual defiance of the Nazis.


Journey to Poland

Journey to Poland
Author: Maurizio Cinquegrani
Publisher: Edinburgh University Press
Total Pages: 352
Release: 2018-06-30
Genre: Performing Arts
ISBN: 147440359X

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Explores the representation of revenge from Classical to early modern literature


Staging the Holocaust

Staging the Holocaust
Author: Claude Schumacher
Publisher: Cambridge University Press
Total Pages: 382
Release: 1998-09-24
Genre: Drama
ISBN: 9780521624152

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'To portray the Holocaust, one has to create a work of art', says Claude Lanzmann, the director of Shoah. However, can the Holocaust be turned into theatre? Is it possible to portray on stage events that, by their monstrosity, defy human comprehension? These are the questions addressed by the playwrights and the scholars featured in this book. Their essays present and analyse plays performed in Israel, America, France, Italy, Poland and, of course, Germany. The style of presentation ranges from docudramas to avant-garde performances, from realistic impersonation of historical figures to provocative and nightmarish spectacles. The book is illustrated with original production photographs and some rare drawings and documents; it also contains an important descriptive bibliography of more than two hundred Holocaust plays.


After '89

After '89
Author: Bryce Lease
Publisher: Manchester University Press
Total Pages: 301
Release: 2016-09-01
Genre: Performing Arts
ISBN: 152610105X

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After '89 takes as its subject the dynamic new range of performance practices that have been developed since the demise of communism in the flourishing theatrical landscape of Poland. After 1989, the theatre has retained its historical role as the crucial space for debating and interrogating cultural and political identities. Providing access to scholarship and criticism not readily accessible to an English-speaking readership, this study surveys the rebirth of the theatre as a site of public intervention and social criticism since the establishment of democracy and the proliferation of theatre makers that have flaunted cultural commonplaces and begged new questions of Polish culture. Lease argues that the most significant change in performance practice after 1989 has been from opposition to the state to a more pluralistic practice that engages with marginalized identities purposefully left out of the rhetoric of freedom and independence.