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Poems and Prose

Poems and Prose
Author: Gerard Manley Hopkins
Publisher:
Total Pages: 296
Release: 1954
Genre: Poetry
ISBN:

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In his poetry Gerard Manley Hopkins (1844 89) sought to discover afresh the potentialities of language, and to that end developed his idiosyncratic theories of instress, inscape and sprung rhythm. Hopkins's verse is also informed by his religious beliefs; having converted to the Roman Catholic Church in 1866, he became a Jesuit priest eleven years later. However, his poetry is free from a sense of religious dogma, and instead offers a whole hearted involvement with all aspects of life, a love of nature and a search for a unifying sacramental view of creation. His best known poems include 'The Wreck of the Deutschland', 'The Windhover', 'Pied Beauty', 'Spring and Fall', 'Carrion Comfort' and 'Harry Ploughman'.


Selected Poems of Gerard Manley Hopkins

Selected Poems of Gerard Manley Hopkins
Author: Gerard Manley Hopkins
Publisher: Courier Corporation
Total Pages: 128
Release: 2013-09-02
Genre: Poetry
ISBN: 0486320774

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Jesuit priest Gerard Manley Hopkins created verse that combined material sensuousness with asceticism. This anthology features all of his mature work, including the well-known elegy, "The Wreck of the Deutschland."


Poems of Gerard Manley Hopkins

Poems of Gerard Manley Hopkins
Author: Gerard Manley Hopkins
Publisher: ReadHowYouWant.com
Total Pages: 154
Release: 2009-05-06
Genre:
ISBN: 1442928328

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Books for All Kinds of Readers. ReadHowYouWant offers the widest selection of on-demand, accessible format editions on the market today. Our 7 different sizes of EasyRead are optimized by increasing the font size and spacing between the words and the letters. We partner with leading publishers around the globe. Our goal is to have accessible editions simultaneously released with publishers' new books so that all readers can have access to the books they want to read.


The Contemplative Poetry of Gerard Manley Hopkins

The Contemplative Poetry of Gerard Manley Hopkins
Author: Maria R. Lichtmann
Publisher: Princeton University Press
Total Pages: 242
Release: 2014-07-14
Genre: Poetry
ISBN: 1400859980

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In 1989, the centenary of his death, Gerard Manley Hopkins continues to provoke fundamental questions among scholars: what major poetic strategy informs his work and how did his reflections on the nature of poetry affect his writing? While form meant a great deal to Hopkins, it was never mere form. Maria Lichtmann demonstrates that the poet, a student of Scripture all his life, adopted Scripture's predominant form--parallelism--as his own major poetic strategy. Hopkins saw that parallelism struck deep into the heart and soul, tapping into unconscious rhythms and bringing about a healing response that he identified as contemplation. Parallelism was to him the perfect statement of the integrity of outward form and inner meaning. Other critics have seen the parallelism in Hopkins's poems only on the auditory level of alliterations and assonances. Lichtmann, however, builds on the views held by Hopkins himself, who spoke of a parallelism of words and of thought engendered by the parallelism of sound. She distinguishes the integrating Parmenidean parallelisms of resemblance from the disintegrating Heraclitean parallelisms of antithesis. The tension between Parmenidean unity and Heraclitean variety is resolved only in the wordless communion of contemplation. This emphasis on contemplation offers a corrective to the overly emphasized Ignatian interpretation of Hopkins's poetry as meditative poetry. The book also makes clear that Hopkins's preference for contemplation sharply differentiates him from his Romantic predecessors as well as from the structuralists who now claim him. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


As Kingfishers Catch Fire

As Kingfishers Catch Fire
Author: Gerard Manley Hopkins
Publisher: Penguin UK
Total Pages: 60
Release: 2015-02-26
Genre: Poetry
ISBN: 0141397853

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'O let them be left, wildness and wet' As Kingfishers Catch Fire is a selection of Gerard Manley Hopkins' incomparably brilliant poetry, ranging from the ecstasy of 'The Windhover' and 'Pied Beauty' to the heart-wrenching despair of the 'sonnets of desolation'. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Gerard Manley Hopkins (1844-1889). Hopkins' Poems and Prose is available in Penguin Classics.


The Poems of Gerard Manley Hopkins

The Poems of Gerard Manley Hopkins
Author: Gerard Manley Hopkins
Publisher: Oxford University Press, USA
Total Pages: 442
Release: 1967
Genre: Poetry
ISBN:

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Biographical and critical essays supplement all of Hopkins' finished and fragmentary works.


The Playfulness of Gerard Manley Hopkins

The Playfulness of Gerard Manley Hopkins
Author: Joseph J. Feeney
Publisher: Routledge
Total Pages: 228
Release: 2016-03-03
Genre: Literary Criticism
ISBN: 1317021193

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Renowned Hopkins expert Joseph J. Feeney, SJ, offers a fresh take on Gerard Manley Hopkins which shakes our understanding of his poetry and his life and points towards the next phase in Hopkins studies. While affirming the received view of Hopkins as a major poet of nature, religion, and psychology, Feeney finds a pervasive, rarely noticed playfulness by employing both the theory of play and close reading of his texts. This new Hopkins lived a playful life from childhood till death as a student who loved puns and jokes and wrote parodies, comic verse, and satires; as a Jesuit who played and organized games and had "a gift for mimicry;" and most significantly, as a poet and prose stylist who rewards readers with unexpected displays of whimsy and incongruity, even, strikingly, in "The Wreck of the Deutschland," "The Windhover," and the "Terrible Sonnets." Feeney convincingly argues that Hopkins's distinctive playfulness is inextricably bound to his sense of fun, his creativity, his style, and his competitiveness with other poets. In unexpected images, quirky metaphors, strange perspectives, puns, coinages, twisted syntax, wordmusic, and sprung rhythm, we see his playful streak burst forth to adorn those works critics consider his most brilliant. No one who absorbs this book's radical readings will ever see and hear Hopkins's poetry and prose quite the way they used to.


Poems of Gerard Manley Hopkins - Now First Published

Poems of Gerard Manley Hopkins - Now First Published
Author: Gerard Manley Hopkins
Publisher: Createspace Independent Publishing Platform
Total Pages: 112
Release: 2016-09-13
Genre:
ISBN: 9781537634814

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This compendium of poems by Gerard Manley Hopkins includes his most famous works, together with a careful selection of his most critically acclaimed verses. Hopkins is one of the Victorian era's best appreciated poets, gaining much of his fame for his unique and religiously inspired subjects. A committed Jesuit, his poems were notable for including a technique of Hopkins' own invention named sprung rhythm. This connotes verse which is designed to imitate the patterns and pace of typical human speech. By 1918, when this collection of Hopkins' poetry first appeared, he had gained much renown. To emphasise that several of the entries had never been published previously, the subtitle of 'Now First Published' was appended. This and other anthologies helped introduce the talents of Hopkins to a wider audience, cementing his status in England's literary pantheon. By all accounts a haunted man prone to depression, Hopkins later years were spent in difficulty as he grappled with a persistent low mood. Short of stature and softly spoken, he was unable to gain respect in his chosen vocation of teaching in the Irish capital Dublin. Feeling isolated from his friends in England and convinced that he was a failure both religiously and artistically, Hopkins gradually succumbed to worsening gastric illness, and died in 1889 at the age of forty-four. Printed clearly and in quality type, this print edition of Hopkins' poetry is a perfect introduction to the poet's profound talents. Many English literature courses now include the poetry of Hopkins, who would only enjoy the bulk of his success posthumously.