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The Poetics of Titian's Religious Paintings

The Poetics of Titian's Religious Paintings
Author: Una Roman D'Elia
Publisher: Cambridge University Press
Total Pages: 290
Release: 2005-03-07
Genre: Art
ISBN: 9780521827355

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Titian's decorous, but hardly restrained, paintings became established examples for Baroque painters, suggesting new ways to interpret the Counter Reformation and art. This book examines issues of sensuality and violence in Titian's religious paintings in the context of the changing religious climate of sixteenth-century Venice. Rather than distinguish between sacred or secular subjects, Titian used different criteria for paintings of different sizes, locations, or subjects.


The Muddied Mirror

The Muddied Mirror
Author: Jodi Cranston
Publisher: Penn State University Press
Total Pages: 188
Release: 2010
Genre: Figurative painting
ISBN:

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Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather than within the Renaissance ideals of classicizing beauty and perfection.


Forms of Faith in Sixteenth-Century Italy

Forms of Faith in Sixteenth-Century Italy
Author: Matthew Treherne
Publisher: Routledge
Total Pages: 495
Release: 2016-12-05
Genre: History
ISBN: 1351936166

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The sixteenth century was a period of tumultuous religious change in Italy as in Europe as a whole, a period when movements for both reform and counter-reform reflected and affected shifting religious sensibilities. Cinquecento culture was profoundly shaped by these religious currents, from the reform poetry of the 1530s and early 1540s, to the efforts of Tridentine theologians later in the century to renew Catholic orthodoxy across cultural life. This interdisciplinary volume offers a carefully balanced collection of essays by leading international scholars in the fields of Italian Renaissance literature, music, history and history of art, addressing the fertile question of the relationship between religious change and shifting cultural forms in sixteenth-century Italy. The contributors to this volume are throughout concerned to demonstrate how a full understanding of Cinquecento religious culture might be found as much in the details of the relationship between cultural and religious developments, as in any grand narrative of the period. The essays range from the art of Cosimo I's Florence, to the music of the Confraternities of Rome; from the private circulation of religious literature in manuscript form, to the public performances of musical laude in Florence and Tuscany; from the art of Titian and Tintoretto to the religious poetry of Vittoria Colonna and Torquato Tasso. The volume speaks of a Cinquecento in which religious culture was not always at ease with itself and the broader changes around it, but was nonetheless vibrant and plural. Taken together, this new and ground-breaking research makes a major contribution to the development of a more nuanced understanding of cultural responses to a crucial period of reform and counter-reform, both within Italy and beyond.


Titian's Touch

Titian's Touch
Author: Maria H. Loh
Publisher: Reaktion Books
Total Pages: 289
Release: 2019-06-10
Genre: Art
ISBN: 1789141095

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At the end of his long, prolific life, Titian was rumored to paint directly on the canvas with his bare hands. He would slide his fingers across bright ridges of oil paint, loosening the colors, blending, blurring, and then bringing them together again. With nothing more than the stroke of a thumb or the flick of a nail, Titian’s touch brought the world to life. The clinking of glasses, the clanging of swords, and the cry of a woman’s grief. The sensation of hair brushing up against naked flesh, the sudden blush of unplanned desire, and the dry taste of fear in a lost, shadowy place. Titian’s art, Maria H. Loh argues in this exquisitely illustrated book, was and is a synesthetic experience. To see is at once to hear, to smell, to taste, and to touch. But while Titian was fully attached to the world around him, he also held the universe in his hands. Like a magician, he could conjure appearances out of thin air. Like a philosopher, his exploration into the very nature of things channelled and challenged the controversial ideas of his day. But as a painter, he created the world anew. Dogs, babies, rubies, and pearls. Falcons, flowers, gloves, and stone. Shepherds, mothers, gods, and men. Paint, canvas, blood, sweat, and tears. In a series of close visual investigations, Loh guides us through the lush, vibrant world of Titian’s touch.


Titian

Titian
Author: Tom Nichols
Publisher: Reaktion Books
Total Pages: 257
Release: 2013-11-15
Genre: Art
ISBN: 1780232276

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Titian is best known for paintings that embodied the tradition of the Venetian Renaissance—but how Venetian was the artist himself? In this study, Tom Nichols probes the tensions between the individualism of Titian’s work and the conservative mores of the city, showing how his art undermined the traditional self-suppressing approach to painting in Venice and reflected his engagement with the individualistic cultures emerging in the courts of early modern Europe. Ranging widely across Titian’s long career and varied works, Titian and the End of the Venetian Renaissance outlines his radical innovations to the traditional Venetian altarpiece; his transformation of portraits into artistic creations; and his meteoric breakout from the confines of artistic culture in Venice. Nichols explores how Titian challenged the city’s communal values with his competitive professional identity, contending that his intensely personalized way of painting resulted in a departure that effectively brought an end to the Renaissance tradition of painting. Packed with 170 illustrations, this groundbreaking book will change the way people look at Titian and Venetian art history.


Art and the Religious Image in El Greco’s Italy

Art and the Religious Image in El Greco’s Italy
Author: Andrew R. Casper
Publisher: Penn State Press
Total Pages: 480
Release: 2015-06-13
Genre: Art
ISBN: 0271064811

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Art and the Religious Image in El Greco’s Italy is the first book-length examination of the early career of one of the early modern period’s most notoriously misunderstood figures. Born around 1541, Domenikos Theotokopoulos began his career as an icon painter on the island of Crete. He is best known, under the name “El Greco,” for the works he created while in Spain, paintings that have provoked both rapt admiration and scornful disapproval since his death in 1614. But the nearly ten years he spent in Venice and Rome, from 1567 to 1576, have remained underexplored until now. Andrew Casper’s examination of this period allows us to gain a proper understanding of El Greco’s entire career and reveals much about the tumultuous environment for religious painting after the Council of Trent. Art and the Religious Image in El Greco’s Italy is a new book in the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation. Thanks to the AHPI grant, this book will be available in popular e-book formats.


The Artist as Reader

The Artist as Reader
Author: Heiko Damm
Publisher: BRILL
Total Pages: 562
Release: 2012-12-07
Genre: History
ISBN: 9004242236

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Based on the history of knowledge, the contributions to this volume elucidate various aspects of how, in the early modern period, artists’ education, knowledge, reading and libraries were related to the ways in which they presented themselves


Titian

Titian
Author: Cecil Gould
Publisher: Oxford University Press
Total Pages: 63
Release: 2016-04-01
Genre: Art
ISBN: 0190297964

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Tiziano Vecellio, or Titian, the Italian painter, draughtsman and printmaker, was not only immensely successful in his lifetime but since his death has always been considered the greatest painter of the Venetian school. Equally pre-eminent in all the branches of painting practised in the 16th century - from religious subjects and portraits to allegories, scenes from Classical mythology, and history - his work illuminates more clearly than that of any other painter the fundamental transition from the 15th- to 16th-century traditions. This fully illustrated Grove Art Essentials title follows Titian's life from his early training through his many commissions for royal and noble patrons and details the artist's formative influence on the major European painters of the 17th century, later critical reception, and posthumous reputation.