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Report

Report
Author: United States. Congress Senate
Publisher:
Total Pages: 2378
Release:
Genre: United States
ISBN:

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The Poetics of the Common Knowledge

The Poetics of the Common Knowledge
Author: Don Byrd
Publisher: SUNY Press
Total Pages: 420
Release: 1994-01-01
Genre: Literary Criticism
ISBN: 9780791416860

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The Poetics of the Common Knowledge focuses on Descartes, Hegel, Freud, and the information theorists, on the one hand, and the poets of the American avant-garde, on the other. This book is a call literally for a new poetry, a new making that manifests the possibility for sense-making in a postmodern condition without universals or absolutes. In such a poetry, fragmentation bespeaks not brokenness but the richness of the world apprehended without the habits of recognition.


Common Knowledge

Common Knowledge
Author:
Publisher:
Total Pages: 208
Release: 1994
Genre: Culture
ISBN:

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Poetic Knowledge

Poetic Knowledge
Author: James S. Taylor
Publisher: SUNY Press
Total Pages: 224
Release: 1998-01-01
Genre: Education
ISBN: 9780791435854

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Reveals the neglected mode of knowing and learning, from Socrates to the middle ages and beyond, that relies more on the integrated powers of sensory experience and intuition, rather than on modern narrow scientific models of education.


Common Knowledge

Common Knowledge
Author:
Publisher:
Total Pages: 614
Release: 1996
Genre: Arts
ISBN:

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Industrial Poetics

Industrial Poetics
Author: Joe Amato
Publisher: Contemp North American Poetry
Total Pages: 234
Release: 2006-10
Genre: Education
ISBN:

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Poetry as Re-Reading

Poetry as Re-Reading
Author: Ming-Qian Ma
Publisher: Northwestern University Press
Total Pages: 326
Release: 2008-08-20
Genre: Literary Criticism
ISBN: 9780810124851

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Rereading and rewriting our understanding of the poetics of modernism and postmodernism, this truly revisionary work identifies a significant counter-tradition in twentieth-century poetry. Postmodernism, Ming-Qian Ma argues, does not so much follow from modernism as coexist with it, with postmodernists employing the anarchic poetics introduced by Gertrude Stein in countering the rationalist method of high modernists such as T. S. Eliot and Ezra Pound. Grounded in a detailed and compelling account of the philosophy guiding such a project, Ma’s book traces a continuity of thought and practice through the very different poetic work of objectivists Louis Zukofsky, George Oppen, Carl Rakosi, and John Cage and language poets Susan Howe, Lyn Hejinian, Bruce Andrews, and Charles Bernstein. His deft individual readings provide an opening into this notoriously difficult work, even as his larger critique reveals a new and clarifying perspective on American modernist and post-modernist avant-garde poetics. Ma shows how we cannot understand these poets according to the usual way of reading but must see how they deliberately use redundancy, unpredictability, and irrationality to undermine the meaning-oriented foundations of American modernism--and to force a new and different kind of reading. With its unusually clear explanation of the philosophy informing postmodern practice, and its unique insights into some of the more interesting and vexing poets of our time, this book points to a reading of an important strain of postmodern American poetry that is likely to develop well into the twenty-first century.


Poetry and the Public Sphere

Poetry and the Public Sphere
Author: Maria Elena Caballero-Robb
Publisher:
Total Pages: 766
Release: 2003
Genre: Poetry
ISBN:

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