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| Author | : Philip Tallon |
| Publisher | : Oxford University Press |
| Total Pages | : 273 |
| Release | : 2012 |
| Genre | : Religion |
| ISBN | : 0199778930 |
What role do art and aesthetics play in unravelling the theological problem of evil? Philip Tallon constructs an aesthetic theodicy through a fascinating examination of Christian aesthetics, ranging from the writings of Augustine to contemporary philosophy.
| Author | : Joel Elliot Slotkin |
| Publisher | : Springer |
| Total Pages | : 289 |
| Release | : 2017-06-22 |
| Genre | : Literary Criticism |
| ISBN | : 3319527975 |
This engrossing volume studies the poetics of evil in early modern English culture, reconciling the Renaissance belief that literature should uphold morality with the compelling and attractive representations of evil throughout the period’s literature. The chapters explore a variety of texts, including Spenser’s Faerie Queene, Shakespeare’s Richard III, broadside ballads, and sermons, culminating in a new reading of Paradise Lost and a novel understanding of the dynamic interaction between aesthetics and theology in shaping seventeenth century Protestant piety. Through these discussions, the book introduces the concept of “sinister aesthetics”: artistic conventions that can make representations of the villainous, monstrous, or hellish pleasurable.
| Author | : Pavlos Kontos |
| Publisher | : Cambridge University Press |
| Total Pages | : 287 |
| Release | : 2018-02-22 |
| Genre | : Philosophy |
| ISBN | : 1107161975 |
Provides the first full study of Aristotle's notion of evil and sheds light on its content, potential, and influence.
| Author | : Mayra Rivera |
| Publisher | : Duke University Press |
| Total Pages | : 216 |
| Release | : 2015-09-16 |
| Genre | : Religion |
| ISBN | : 0822374935 |
In Poetics of the Flesh Mayra Rivera offers poetic reflections on how we understand our carnal relationship to the world, at once spiritual, organic, and social. She connects conversations about corporeality in theology, political theory, and continental philosophy to show the relationship between the ways ancient Christian thinkers and modern Western philosophers conceive of the "body" and "flesh.” Her readings of the biblical writings of John and Paul as well as the work of Tertullian illustrate how Christian ideas of flesh influenced the works of Maurice Merleau-Ponty and Michel Foucault, and inform her readings of Judith Butler, Frantz Fanon, and others. Rivera also furthers developments in new materialism by exploring the intersections among bodies, material elements, social arrangements, and discourses through body and flesh. By painting a complex picture of bodies, and by developing an account of how the social materializes in flesh, Rivera provides a new way to understand gender and race.
| Author | : Aristotle |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 82 |
| Release | : 2017-03-07 |
| Genre | : |
| ISBN | : 9781544217574 |
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."
| Author | : John Wall |
| Publisher | : Oxford University Press |
| Total Pages | : 244 |
| Release | : 2005-08-11 |
| Genre | : Religion |
| ISBN | : 9780198040255 |
In Moral Creativity, John Wall argues that moral life and thought are inherently and radically creative. Human beings are called by their own primordially created depths to exceed historical evil and tragedy through the ongoing creative transformation of their world. This thesis challenges ancient Greek and biblical separations of ethics and poetic image-making, as well as contemporary conceptions of moral life as grounded in abstract principles or preconstituted traditions. Taking as his point of departure the poetics of the will of Paul Ricoeur, and ranging widely into critical conversations with Continental, narrative, feminist, and liberationist ethics, Wall uncovers the profound senses in which moral practice and thought involve tension, catharsis, excess, and renewal. In the process, he draws new connections between sin and tragedy, practice and poetics, and morality and myth. Rather than proposing a complete ethics, Moral Creativity is a meta-ethical work investigating the creative capability as part of what it means, morally, to be human. This capability is explored around four dimensions of ontology, teleology, deontology, and social practice. In each case, Wall examines a traditional perspective on the relation of ethics to poetics, critiques it using resources from contemporary phenomenology, and develops a conception of a more original poetics of moral life. In the end, moral creativity is a human capability for inhabiting tensions among others and in social systems and, in the image of a Creator, creating together an ever more radically inclusive moral world.
| Author | : Nathan Brown |
| Publisher | : Fordham University Press |
| Total Pages | : 321 |
| Release | : 2021-01-05 |
| Genre | : Literary Criticism |
| ISBN | : 0823290026 |
Twenty-first-century philosophy has been drawn into a false opposition between speculation and critique. Nathan Brown shows that the key to overcoming this antinomy is a re-engagement with the relation between rationalism and empiricism. If Kant’s transcendental philosophy attempted to displace the opposing priorities of those orientations, any speculative critique of Kant will have to re-open and consider anew the conflict and complementarity of reason and experience. Rationalist Empiricism shows that the capacity of reason and experience to extend and yet delimit each other has always been at the core of philosophy and science. Coordinating their discrepant powers, Brown argues, is what enables speculation to move forward in concert with critique. Sweeping across ancient, modern, and contemporary philosophy, as well as political theory, science, and art, Brown engages with such major thinkers as Plato, Descartes, Hume, Hegel, Marx, Heidegger, Bachelard, Althusser, Badiou, and Meillassoux. He also shows how the concepts he develops illuminate recent projects in the science of measurement and experimental digital photography. With conceptual originality and argumentative precision, Rationalist Empiricism reconfigures the history and the future of philosophy, politics, and aesthetics.
| Author | : Anne Sexton |
| Publisher | : Ann Arbor : University of Michigan Press |
| Total Pages | : 206 |
| Release | : 1985 |
| Genre | : Literary Criticism |
| ISBN | : 9780472063666 |
Collects the best of Anne Sexton's memoirs and prose reflections on her development as a poet
| Author | : Malcah Effron |
| Publisher | : Lexington Books |
| Total Pages | : 246 |
| Release | : 2017-02-15 |
| Genre | : Literary Criticism |
| ISBN | : 1498533426 |
The Functions of Evil Across Disciplinary Contexts explores answers to two important questions about the age-old theme of evil: is there any use in using the concept of evil in cultural, psychological, or other secular evaluations of the world and its productions? Most importantly, if there is, what might these functions be? By looking across several disciplines and analyzing evil as it is referenced across a broad spectrum of phenomena, this work demonstrates the varying ways that we interact with the ethical dilemma as academics, as citizens, and as people. The work draws from authors in different fields—including history, literary and film studies, philosophy, and psychology—and from around the world to provide an analysis of evil in such topics as deeply canonical as Beowulf and Shakespeare to subjects as culturally resonant as Stephen King, Captain America, or the War on Terror. By bringing together this otherwise disparate collection of scholarship, this collection reveals that discussions of evil across disciplines have always been questions of how cultures represent that which they find socially abhorrent. This work thus opens the conversation about evil outside of field-specific limitations, simultaneously demonstrating the assumptions that undergird the manner by which such a conversation proceeds.
| Author | : Vincent Arthur De Luca |
| Publisher | : Princeton University Press |
| Total Pages | : 255 |
| Release | : 2014-07-14 |
| Genre | : Literary Criticism |
| ISBN | : 1400861780 |
William Blake called himself a "sublime Artist" and acknowledged his own power to create "the Most Sublime Poetry." Words of Eternity reveals the fundamental importance of the term "sublime" in a defining of Blake's poetic achievement. This first full-length study of Blake and the sublime demonstrates that a sophisticated theory of sublimity permeates his writings, serving him as a personal poetics, a framework in which the difficulties and unusual strategies of the works find their rationale. Vincent De Luca combines historically grounded source study with insights from modern critical theories of textuality to identify Blake's two opposing conceptions of sublimity--a sublime of obscurity, terror, and material power and one of determinate, concentrated intellectual design. De Luca examines the interplay between these two modes from differing perspectives--theoretical, stylistic, and thematic. As the perspectives widen, they embrace many of the speculative systems of Blake's time and reveal these systems as various displaced modalities of an underlying sublime discourse. "Words of Eternity is one of the dozen or so most important books ever written about Blake's poetry. De Luca provides a wealth of new insights on every page."--Robert N. Essick, University of California, Riverside "With the context that this book supplies, we take a quantum leap in the sense we can make of Blake's project. De Luca opens our eyes to a Blake, and a sublime, that will never again be the same for us."--Nelson Hilton, University of Georgia Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
