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The Poetic Structure of the World

The Poetic Structure of the World
Author: Fernand Hallyn
Publisher:
Total Pages: 374
Release: 1990
Genre: Philosophy
ISBN:

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The Poetic Structure of the World is a major reconsideration of a crucial turning point in Western thought and culture: the heliocentric revolution of Copernicus and Kepler. Conceiving of their work not in terms of a history of science or astronomy, but as events embedded in a wider field of images, symbols, texts, and practices, Fernand Hallyn insists that these new representations of the universe cannot be explained by recourse to theories of "genius" and "intuition." The scientific imagination is not fundamentally different from a mythic or poetic imagination, and the work of Copernicus and Kepler, Hallyn contends, must be examined on the level of rhetorical structure. Thus the new sun-centered universe is shown to be inseparable from the aesthetic, epistemological, theological, and social imperatives of both Neoplatonism and Mannerism in the sixteenth century.


The World's Wife

The World's Wife
Author: Carol Ann Duffy
Publisher: Macmillan
Total Pages: 98
Release: 2001-04-09
Genre: Poetry
ISBN: 057119995X

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Mrs Midas, Queen Kong, Mrs Lazarus, the Kray sisters, and a huge cast of others startle with their wit, imagination, lyrical intuition and incisiveness.


Reading at the Limits of Poetic Form

Reading at the Limits of Poetic Form
Author: Jacob McGuinn
Publisher: Northwestern University Press
Total Pages: 260
Release: 2024-05-15
Genre: Literary Criticism
ISBN: 0810147009

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Pushing the boundaries of critical reading and the role of objects in literature How does literary objecthood contend with the challenge of writing objects that emerge at an extreme limit of material presence? Jacob McGuinn delves into the ways literature writes this indeterminate presence in the context of pre- and post-’68 Paris, a vital moment in the history of criticism. The works of poet Paul Celan, philosopher Theodor Adorno, and writer Maurice Blanchot highlight how the complexities of reading such a dematerialized object are part of the indeterminacy of material itself. Indeterminate objects—glass, snow, walls, screens—are subjects Celan describes as existing in “meridian” space, while for Adorno and Blanchot, criticism not only responds to this indeterminacy but also takes it as its condition. Reading at the Limits of Poetic Form: Dematerialization in Adorno, Blanchot, and Celan shows how these readings simultaneously limit the object of criticism and outline alternative ways of thinking that lie between the models of critical formalism and historicism, ultimately revealing the possible materiality of literature in unrealized history, incomplete politics, and nondetermining thinking.


The Poetic Edda

The Poetic Edda
Author:
Publisher: University of Texas Press
Total Pages: 376
Release: 2010-03-01
Genre: Literary Collections
ISBN: 0292792549

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The Poetic Edda comprises a treasure trove of mythic and spiritual verse holding an important place in Nordic culture, literature, and heritage. Its tales of strife and death form a repository, in poetic form, of Norse mythology and heroic lore, embodying both the ethical views and the cultural life of the North during the late heathen and early Christian times. Collected by an unidentified Icelander, probably during the twelfth or thirteenth century, The Poetic Edda was rediscovered in Iceland in the seventeenth century by Danish scholars. Even then its value as poetry, as a source of historical information, and as a collection of entertaining stories was recognized. This meticulous translation succeeds in reproducing the verse patterns, the rhythm, the mood, and the dignity of the original in a revision that Scandinavian Studies says "may well grace anyone's bookshelf."


Poetic Form and British Romanticism

Poetic Form and British Romanticism
Author: Stuart Curran
Publisher: Oxford University Press
Total Pages: 280
Release: 1986
Genre: Literary Criticism
ISBN: 0195060725

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This lively analysis argues that, contrary to stereotype, the Romantic poets did not reject genre; rather, they adapted traditional poetic forms to suit their own democratic, secular, and skeptical ethos--a world view recognizably modern in its dimensions.


Text World Theory and Keats' Poetry

Text World Theory and Keats' Poetry
Author: Marcello Giovanelli
Publisher: Bloomsbury Publishing
Total Pages: 274
Release: 2013-08-15
Genre: Language Arts & Disciplines
ISBN: 1623566339

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Text World Theory and Keats' Poetry applies advances in cognitive poetics and text world theory to four poems by the nineteenth century poet John Keats. It takes the existing text world theory as a starting point and draws on stylistics, literary theory, cognitive linguistics, cognitive psychology and dream theories to explore reading poems in the light of their emphasis on states of desire, dreaming and nightmares. It accounts for the representation of these states and the ways in which they are likely to be processed, monitored and understood. Text World Theory and Keats' Poetry advances both the current field of cognitive stylistics but also analyses Keats in a way that offers new insights into his poetry. It is of interest to stylisticians and those in literary studies.


The Burden of Time

The Burden of Time
Author: John Lincoln Stewart
Publisher: Princeton University Press
Total Pages: 567
Release: 2015-12-08
Genre: Literary Criticism
ISBN: 1400876265

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Two groups which originated in Nashville: Tennessee, in the early 1920's had a strong influence on American letters. Known as the "Fugitives" and “Agrarian,” they included, among others, John Crowe Ransom, Allen Tate, Robert Penn Warren, Donald Davidson and Merrill Moore. This study of their contributions is, as R.W.B. Lewis has written, “a searching, supple, and most of the time brilliantly precise account of thee writing, ideas, and attitudes of several of this century’s most interesting men of letters. The book achieves a kind of finality in the handling of its subject.” Mr. Stewart concentrates on the ideas, styles, themes, and widespread influence of the two groups, rather than on historical data. He illuminates the literature produced within this particular historical and geographical context. Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Thomas Hardy: the Poetic Structure

Thomas Hardy: the Poetic Structure
Author: Jean R. Brooks
Publisher: Ithaca, N.Y : Cornell University Press
Total Pages: 344
Release: 1971
Genre: Literary Criticism
ISBN:

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Building upon past criticism & scholarship, this ambitious & comprehensive study gives a balanced view of Thomas Hardy's total achievement.


On the Shore of Nothingness

On the Shore of Nothingness
Author: Reuven Tsur
Publisher: Andrews UK Limited
Total Pages: 374
Release: 2015-11-03
Genre: Psychology
ISBN: 1845405552

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This book studies how poetic structure transforms verbal imitations of religious experience into concepts. The book investigates how such a conceptual language can convey such non-conceptual experiences as meditation, ecstasy or mystic insights. Briefly, it explores how the poet, by using words, can express the 'ineffable'. It submits to close reading English, French, German, Spanish, Italian, Armenian and Hebrew texts, from the Bible, through medieval, renaissance, metaphysical, and baroque poetry, to romantic and symbolistic poetry.


What is Poetry?

What is Poetry?
Author: Nigel Fabb
Publisher: Cambridge University Press
Total Pages: 229
Release: 2015
Genre: Language Arts & Disciplines
ISBN: 1107001854

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"Poetry, defined as language divided into lines, is found in most known human cultures. This masterful survey of poetry and its constituent components demonstrates the functions performed by metre, rhyme, alliteration and parallelism, arguing that each line of a poem fits as a whole unit into the limited capacity of human working memory. Using examples from around the world, Fabb surveys the wide varieties of poetry and the ways they are performed, including those in songs and signed literatures. Focusing on language, form and memory, he argues, helps us understand why poetry is a particularly valued way of using language. A fresh exploration of poetry, the book will be welcomed by students and researchers of literature, linguistics and psychology, as well as anyone interested in poetry"--