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The Short Plays of Harold Pinter

The Short Plays of Harold Pinter
Author: Harold Pinter
Publisher: Faber & Faber
Total Pages: 625
Release: 2018-09-04
Genre: Drama
ISBN: 0571349927

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This volume contains the complete short plays of Harold Pinter from The Room, first performed in 1960, to Celebration, which premiered in 2000.The book commemorates the tenth anniversary of the playwright's death and coincides with Pinter at the Pinter, a celebratory season staging twenty of his one-act plays at the Harold Pinter Theatre, London, 2018.With a foreword by Antonia Fraser. 'The foremost representative of British drama in the second half of the twentieth century.' Swedish Academy citation on awarding Harold Pinter the Nobel Prize in Literature, 2005.


The Plays of Harold Pinter

The Plays of Harold Pinter
Author: Andrew Wyllie
Publisher: Bloomsbury Publishing
Total Pages: 152
Release: 2017-09-16
Genre: Literary Criticism
ISBN: 1137315679

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This Reader's Guide synthesises the key criticism on Pinter's work over the last half century. Andrew Wyllie and Catherine Rees examine critical approaches and reactions to the major plays, charting the controversies which have arisen in response to Pinter's critiques of political and sexual issues. They consider criticism from the press and academics, on the themes of Absurdism, politics and gender identity. By placing this criticism in its historical context, this guide illustrates a transition from bewilderment and outrage to affection, fascination - and more outrage.


The Essential Pinter

The Essential Pinter
Author: Harold Pinter
Publisher: Grove Press
Total Pages: 422
Release: 2006
Genre: Drama
ISBN: 9780802142696

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Presents selections of the work of playwright Harold Pinter. Includes key plays, poetry, and the 2005 Nobel Prize in Literature lecture.


No Man's Land

No Man's Land
Author: Harold Pinter
Publisher: Grove/Atlantic, Inc.
Total Pages: 96
Release: 2013-12-19
Genre: Drama
ISBN: 0802192270

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“An oblique comedy of menace, unsettling, exquisitely wrought and written . . . a complex excursion into the by now familiar Pinter world of mixed reality and fantasy, of human worth and human degradation.” —New York Times Set against the decayed elegance of a house in London’s Hampstead Heath, in No Man’s Land two men face each other over a drink. Do they know each other, or is each performing an elaborate character of recognition? Their ambiguity—and the comedy—intensify with the arrival of two younger men, the one ostensibly a manservant, the other a male secretary. All four inhabit a no man’s land between time present and time remembered, between reality and imagination—a territory which Pinter explores with his characteristic mixture of biting wit, aggression, and anarchic sexuality.


The Birthday Party, and The Room

The Birthday Party, and The Room
Author: Harold Pinter
Publisher: Grove Press
Total Pages: 132
Release: 1961
Genre: Drama
ISBN: 9780802151148

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In "The Birthday Party", a musician becomes the victim of a ritual murder. Everyone implacably plays out the role assigned to them by fate. "The Room" becomes the scene of a visitation of fate when a blind Negro suddenly arrives to deliver a mysterious message.


The Dwarfs

The Dwarfs
Author: Harold Pinter
Publisher: Grove/Atlantic, Inc.
Total Pages: 192
Release: 2015-01-27
Genre: Drama
ISBN: 080219172X

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“A fascinating work . . . possessing extraordinary power. Masterful.” —San Francisco Chronicle “Brilliant, cranky, and eccentric, and the narrative passages are some of the most thrilling ever written.” —Library Journal “Some of the author’s most enduring themes—notably, sexual jealousy and betrayal—are present. . . . The narration shows traces of writers as various as Joyce and Beckett, e.e. cummings and J.P. Donleavy.” —The Washington Post “The Abbott and Costello meet Samuel Beckett dialogue . . . makes you laugh out loud.” —The Village Voice


Harold Pinter and the New British Theatre

Harold Pinter and the New British Theatre
Author: D. Keith Peacock
Publisher: Praeger
Total Pages: 256
Release: 1997-09-30
Genre: Drama
ISBN:

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Harold Pinter is universally described as Britain's leading dramatist. This book evaluates the justification for this appellation. It examines his work in relation to changes taking place in the New British Theatre after the so-called theatrical revolution of 1956, and draws attention to those autobiographical experiences that have been transmuted into his art. Beginning with a look at the nature of British theatre prior to 1956, Peacock then describes Pinter's early life in the East End of London, his career as an actor, and his early writing. The discussion follows Pinter's life and work from ^IThe Room^R in 1957 to his most recent play, Ashes to Ashes in 1996. The author argues that although Pinter has not instigated an aesthetic revolution, he has, more significantly, through his representation of human behavior, provoked a new way of viewing the world.


The Experimental Plays of Harold Pinter

The Experimental Plays of Harold Pinter
Author: Hanna Scolnicov
Publisher:
Total Pages: 0
Release: 2012
Genre: Experimental drama, American
ISBN: 9781611493504

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Scolnicov highlights Harold Pinter as an experimental playwright who attempted to free the theatre from the legacy of realism, causality, and motivation.


Pinter in Play

Pinter in Play
Author: Susan Hollis Merritt
Publisher:
Total Pages: 376
Release: 1990
Genre: Drama
ISBN:

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Pinter in Play provides a survey of diverse readings of the Harold Pinter canon organized around and presented in terms of the major critical schools of the past twenty-five years, from New Criticism to deconstruction to poststructuralism. Reflecting on the cultural, personal, sociological, and philosophical contexts of these diverse critical perspectives and the critics who express them, this book is equally about the act or the art of literary criticism and itself an important work of literary criticism. Drawing on interviews with Pinter scholars, Susan Hollis Merritt shows how critics "play" with Pinter and thereby seriously enforce personal, professional, and political affiliations. Cutting across traditional academic and nonacademic boundaries, Merritt argues that greater cooperation and collaboration among critics can resolve conflicts, promote greater social equity, and foster ameliorative critical and cultural change.