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The Photograph and the Collection

The Photograph and the Collection
Author: Graeme Farnell
Publisher:
Total Pages: 655
Release: 2013
Genre: Art
ISBN: 9781907697852
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A museum or gallery's holdings of photographs will very often form its single largest collection. But the images a visitor experiences there are not always readily understandable. In fact, understanding a photograph can be every bit as challenging as reading a painting. And yet the potential of images for communication, learning and involvement is huge - and largely untapped. The Photograph and The Collection brings together a rich variety of perspectives which explore the four key processes of creation, preservation, analysis and presentation. Many focus on the photograph album - itself a "curated experience" - and they span the analogue and the digital, the published and the private. This substantial 660-page book - lavishly illustrated with more than 200 colour photographs - aims to be a helpful and stimulating guide to maximising the power and effectiveness of photographic collections

Photographs Not Taken

Photographs Not Taken
Author: Will Steacy
Publisher: Daylight Books
Total Pages: 0
Release: 2012
Genre: Photography
ISBN: 9780983231615
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Short essays by photographers describing the photographs they didn't take, and why.

The Oscar Castillo Papers and Photograph Collection

The Oscar Castillo Papers and Photograph Collection
Author: Colin Gunckel
Publisher: Chicano Archives
Total Pages: 0
Release: 2011
Genre: Biography & Autobiography
ISBN: 9780895511409
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Explores life and work of Chicano photographer Oscar Castillo, whose papers and photograph files are housed at the UCLA Chicano Studies Research Center archive.

Where We Live

Where We Live
Author: Judith Keller
Publisher: Oxford University Press, USA
Total Pages: 236
Release: 2006
Genre: Photography
ISBN:
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This is a collection of more than 150 images from the Bruce and Nancy Berman Collection of contempory photographs. These images concentrate on the American landsape and the people and structures to be found in it.

The Color of a Flea's Eye

The Color of a Flea's Eye
Author: Joshua Chuang
Publisher: Cahiers D'Art
Total Pages: 0
Release: 2020
Genre: Cataloging of pictures
ISBN: 9782851173140
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Taryn Simon?s 'The Color of a Flea?s Eye' presents a history of the New York Public Library?s Picture Collection?a legendary trove of more than one million prints, photographs, postcards, posters and images from disused books and periodicals. Since its inception in 1915, the Picture Collection has been a vital resource for writers, historians, artists, filmmakers, fashion designers and advertising agencies.0In her work 'The Picture Collection' (2012-20), Simon (born 1975) highlighted the impulse to organize visual information, and pointed to the invisible hands behind seemingly neutral systems of image gathering. Each of Simon?s photographs is made up of an array of images selected from a given subject folder, such as Chiaroscuro, Handshaking, Haircombing, Express Highways, Financial Panics, Israel, and Beards and Mustaches. In artfully overlapped compositions, only slices of the individual images are visible, each fragment suggesting its whole. Simon sees this extensive archive of images as the precursor to internet search engines. Such an unlikely futurity in the past is at the core of the Picture Collection. The digital is foreshadowed in the analogue, at the same time that history?its classifications, its contents?seems the stuff of projection.

Collection, Use, and Care of Historical Photographs

Collection, Use, and Care of Historical Photographs
Author: Robert A. Weinstein
Publisher: Nashville : American Association for State and Local History
Total Pages: 248
Release: 1977
Genre: Antiques & Collectibles
ISBN:
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Object:photo

Object:photo
Author: Mitra Abbaspour
Publisher: Museum of Modern Art, New York
Total Pages: 400
Release: 2014
Genre: Photography
ISBN: 9780870709418
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OBJECT:PHOTO shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. This shift is especially significant for a study of the period during which photography developed a distinctive formal language. A growing awareness of the rarity of images made between the two world wars has altered historians' considerations, encouraging new approaches privileging the originality of each work and the density of references each contains. This richly illustrated publication culminates a four-year collaborative research endeavor between The Museum of Modern Art's Departments of Photography and Conservation, and nearly 30 visiting scholars, on the material and aesthetic evolution of avant-garde photography in the early twentieth century. The 341 modernist photographs known as The Thomas Walther Collection, a major museum acquisition made in 2001, is presented in its entirety, establishing a new standard of depth for the medium. Essays by curators, researchers, and conservators consider the history of collecting from this era to the present and how deepening knowledge has shifted the perspective on the medium; the material facts of the Walther pictures as a baseline for understanding the development of photographic materials in this era; and how the intellectual formation of the writers of critical photographic publications of the era and the societal and cultural pressures of that historical moment inflected the photography's sense of its own history. Together with thematic, object-based case studies of groups of pictures that demonstrate new approaches in specific, divergent examples, these contributions reanimate the dialogue on this formative era in photography.

The Order of Things

The Order of Things
Author: George Thomas Baker
Publisher:
Total Pages: 0
Release: 2015
Genre: Landscape photography
ISBN: 9783869309941
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Throughout the modern era, photography has been enlisted not only to document but also to classify the world and its people. Its status bolstered by a popular belief in the scientific objectivity of photographic evidence, photography has been used, from the earliest days of the medium, to produce and organize knowledge about the external world. Published to accompany the exhibition The Order of Things: Photography from The Walther Collection, this catalogue investigates the production and uses of serial portraiture, vernacular imagery, architectural surveys and time-based performance in photography from the 1880s to the present, bringing together works by artists from Europe, Africa, Asia and North America. Setting early modernist photographers Karl Blossfeldt and August Sander in dialogue with contemporary artists such as Ai Weiwei, Nobuyoshi Araki, Richard Avedon, Zanele Muholi, Stephen Shore and Zhuang Huan, The Order of Things illustrates how typological methods in photography have developed around the globe. Edited by Brian Wallis, The Order of Things includes texts by Geoffrey Batchen, Tina Campt, Christopher Phillips, George Baker, Walter Benjamin, Michel Foucault, Michael Jennings, Ulrike Schneider, Allan Sekula and Joel Smith.

Loving

Loving
Author: Hugh Nini
Publisher: 5 Continents Editions
Total Pages: 336
Release: 2020-10-14
Genre: Photography
ISBN: 9788874399284
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Loving: A Photographic Story of Men in Love, 1850-1950 portrays the history of romantic love between men in hundreds of moving and tender vernacular photographs taken between the years 1850 and 1950. This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos taken in the most varied of contexts, both private and public. Taken when male partnerships were often illegal, the photos here were found at flea markets, in shoe boxes, family archives, old suitcases, and later online and at auctions. The collection now includes photos from all over the world: Australia, Bulgaria, Canada, Croatia, France, Germany, Japan, Greece, Latvia, the United States, the United Kingdom, Russia, and Serbia. The subjects were identified as couples by that unmistakable look in the eyes of two people in love - impossible to manufacture or hide. They were also recognized by body language - evidence as subtle as one hand barely grazing another - and by inscriptions, often coded. Included here are ambrotypes, daguerreotypes, glass negatives, tin types, cabinet cards, photo postcards, photo strips, photomatics, and snapshots - over 100 years of social history and the development of photography. Loving will be produced to the highest standards in illustrated book publishing, The photographs - many fragile from age or handling - have been digitized using a technology derived from that used on surveillance satellites and available in only five places around the world. Paper and other materials are among the best available. And Loving will be manufactured at one of the world's elite printers. Loving, the book, will be up to the measure of its message in every way. In these delight-filled pages, couples in love tell their own story for the first time at a time when joy and hope - indeed human connectivity - are crucial lifelines to our better selves. Universal in reach and overwhelming in impact, Loving speaks to our spirit and resilience, our capacity for bliss, and our longing for the shared truths of love.