The Phonogram in Cultural Communication
Author | : Kurt Blaukopf |
Publisher | : Springer |
Total Pages | : 204 |
Release | : 1982 |
Genre | : Mass media |
ISBN | : |
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Author | : Kurt Blaukopf |
Publisher | : Springer |
Total Pages | : 204 |
Release | : 1982 |
Genre | : Mass media |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 386 |
Release | : 1985 |
Genre | : Sound recording industry |
ISBN | : |
Author | : J. M. Ojha |
Publisher | : Concept Publishing Company |
Total Pages | : 180 |
Release | : 1992 |
Genre | : Music |
ISBN | : 9788170223672 |
Author | : Krister Malm |
Publisher | : Routledge |
Total Pages | : 290 |
Release | : 2003-09-02 |
Genre | : Social Science |
ISBN | : 1134943075 |
How do people make music - and how does this activity relate to the policies of governments and the music industry? What is the relationship between live music and music we hear on the radio, or in music videos? How has the digital revolution affected music-making in industrialised and in developing nations? In Media Policy and Music Activity, Krister Malm and Roger Wallis look in depth at the relationships between policies governing the output of the music media and music activity in society. A practical base in case study material is combined with a broad theoretical framework for understanding the music media.
Author | : Kai Fikentscher |
Publisher | : Wesleyan University Press |
Total Pages | : 176 |
Release | : 2000-08-18 |
Genre | : History |
ISBN | : 0819564044 |
The first in-depth study of underground dance music.
Author | : Robert Burnett |
Publisher | : Routledge |
Total Pages | : 194 |
Release | : 2002-01-04 |
Genre | : Social Science |
ISBN | : 1134872097 |
Popular music is with us constantly. It is part of our everyday enviroment and in global terms it is now perhaps the most universal means of communication. The Global Jukebox is the first comprehensive study of the international music industry at a time of great change, as the entertainment industry acknowledges its ever growing global audience. Robert Burnett provides an international overview of the music business and its future prospects in the UK, Northern Europe and the United States and Canada. He examines the relationship between local and global cultures and between concentration of ownership (Sony, Warner and the rest of the `big six') and the diversity of music production and consumption. The Global Jukebox not only illuminataes the workings of the contemporary entertainment industries, it captures the dynamics at work in the production of musical culture between the transnational media conglomerates, the independent music companies and the public. It is essential reading for anyone studying popular music.
Author | : Paul Honigsheim |
Publisher | : Taylor & Francis |
Total Pages | : 348 |
Release | : 2023-04-14 |
Genre | : Music |
ISBN | : 1000947165 |
Sociologists have always been fascinated with music. In one way or another they have encountered music as an important social force in its own right, as an accompaniment or byproduct of phenomena they studied (such as youth culture or the drug scene), or as a means for obtaining social compliance (as in religious ceremonies or in the military). This book goes one step toward remedying this situation by culling the existing literature for building blocks toward introducing sociological synthesis and by presenting the English version of the extensive writings on music and society by Paul Honigsheim.
Author | : Steve Jones |
Publisher | : SAGE Publications |
Total Pages | : 241 |
Release | : 1992-05-06 |
Genre | : Social Science |
ISBN | : 1452252653 |
In this introduction to the subject of popular music, the author examines the history and influence of recording technology on popular music and develops a critical analysis of the interplay between technology, sound and creativity. It explains the connections between popular music, technology and mass communication and fills an important gap in the study of popular music.
Author | : John Shepherd |
Publisher | : Routledge |
Total Pages | : 403 |
Release | : 2015-03-24 |
Genre | : Music |
ISBN | : 1135007918 |
The Routledge Reader on the Sociology of Music offers the first collection of source readings and new essays on the latest thinking in the sociology of music. Interest in music sociology has increased dramatically over the past decade, yet there is no anthology of essential and introductory readings. The volume includes a comprehensive survey of the field’s history, current state and future research directions. It offers six source readings, thirteen popular contemporary essays, and sixteen fresh, new contributions, along with an extended Introduction by the editors. The Routledge Reader on the Sociology of Music represents a broad reference work that will be a resource for the current generation of sociologically inclined musicologists and musically inclined sociologists, whether researchers, teachers or students.
Author | : |
Publisher | : A&C Black |
Total Pages | : 833 |
Release | : 2003-01-30 |
Genre | : Music |
ISBN | : 0826463215 |
‘This is an extraordinary achievement and it will become an absolutely vital and trusted resource for everyone working in the field of popular music studies. Even more broadly, anyone interested in popular music or popular music culture more generally will enjoy - and find many uses for - the wealth of information and insight captured in this volume.' Lawrence Grossberg, Morris Davis Professor of Communication Studies and Cultural Studies, University of North Carolina at Chapel Hill The first comprehensive reference work on popular music of the world Contributors are the world's leading popular music scholars Includes extensive bibliographies, discographies, sheet music listings and filmographies. Popular music has been a major force in the world since the nineteenth century. With the advent of electronic and advanced technology it has become ubiquitous. This is the first volume in a series of encyclopedic works covering popular music of the world. Consisting of some 500 entries by 130 contributors from around the world. Entries range between 250 and 5000 words, and is arranged in two Parts: Part 1: Social and Cultural Dimensions, covering the social phenomena of relevance to the practice of popular music. Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided. For more information visit the website at: www.continuumpopmusic.com