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The Persian Whitman

The Persian Whitman
Author: Behnam Mirzababazadeh Fomeshi
Publisher:
Total Pages:
Release: 2019
Genre:
ISBN: 9789400603561

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Walt Whitman and the Persian Poets

Walt Whitman and the Persian Poets
Author: J. R. LeMaster
Publisher:
Total Pages: 240
Release: 2009
Genre: Literary Criticism
ISBN:

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Where did Walt Whitman get his religious ideas? This book follows in detail the similarities of the religious beliefs of the American writer/humanist and two major classical Persian poets, Hafez and Rumi. Other books have tried to explain Whitman's religion, but none so far has done justice to the topic. Some critics have labelled Whitman a pantheist and let it go at that. Others have dismissed the topic of religion in Whitman's poems as posturing to gain a readership. This work contends that Whitman took religion very seriously. His poems are full of religious references. He knew the Bible well. He also had read Emerson on the poets of the East as well as some of the same poets in translation. This book postulates that the counterparts of Whitman's ideas about religion are best found in the Orient and that his ideas on religion have much in common with those of the Sufis. The book focuses on the works of the three poets. Lines from Whitman are quoted and compared with lines from Rumi and Hafez to illustrate that the three poets conveyed their message through very human actions and emotions. Their message, which is mystical, is conveyed through a secular language, and their symbolism is unconventional. They attract the reader through their humanness and in doing so attempt to lead the reader to recognition of the divine existing both inside and outside of themselves. Like Whitman, Rumi and Hafez realise that God is both transcendent and immanent and as a result encourage their readers to seek the Divine everywhere, especially within themselves. Man's "true home", they contend, is his Divine origin. Man is infinitely bound up with God, is never separate from God. Whitman's long poem titled "Song of Myself" has created much controversy over the years, and Whitman has often been labelled an extreme egotist. Walt Whitman and the Persian Poets illustrates that all three poets see their egotism as a result of their complete faith in God's omnipresence and their ability to recognise Him in every aspect of creation. As did Emerson, all three hold a belief in the simultaneous transcendence and immanence of God. In short, they see themselves as God-intoxicated, as reflections of God in the phenomenal world. Therefore, as do the Sufi poets, Whitman sees man and God as one.


The Persian Whitman

The Persian Whitman
Author: Behnam M. Fomeshi
Publisher: Leiden University Press
Total Pages: 0
Release: 2019
Genre: Literary Criticism
ISBN: 9789087283353

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Walt Whitman, a world poet and the father of American free verse, has been read by diverse audiences from around the world. Literary and cultural scholars have studied Whitman's interaction with social, political and literary movements of different countries. Despite his continuing presence in Iran, Whitman's reception in this country has remained unexplored. Additionally, Iranian reception of Western literature is a field still in its infancy and under-researched, particularly due to contemporary political circumstances. The Persian Whitman examines Whitman's heretofore unexplored reception in Iran. It is primarily involved with the "Persian Whitman," a new phenomenon born in diachronic and synchronic dialogue between the Persian culture and an American poet.


Hearing Echoes

Hearing Echoes
Author: Sabahat Jahan
Publisher:
Total Pages: 338
Release: 2003
Genre:
ISBN:

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Song of Myself

Song of Myself
Author: Walt Whitman
Publisher: Gildan Media LLC aka G&D Media
Total Pages: 68
Release: 2024-03-20
Genre: Philosophy
ISBN: 1722525053

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One of the Greatest Poems in American Literature Walt Whitman (1819-1892) was considered by many to be one of the most important American poets of all time. He had a profound influence on all those who came after him. “Song of Myself”, a portion of Whitman’s monumental poetry collection “Leaves of Grass”, is one of his most beloved poems. It was through this moving piece that Whitman first made himself known to the world. One of the most acclaimed of all American poems, it is written in Whitman’s signature free verse style, without a regular form, meter, or rhythm. His lines have a mesmerizing chant-like quality, as he sought to make poetry more appealing. Few poems are as fun to read aloud as this one. Considered to be the core of his poetic vision, this poem is an optimistic and inspirational look at the world in 1855. It is exhilarating, epic, and fresh in its brilliant and fascinating diction and wordplay as it tries to capture the unique meaning of words of the day, while also embracing the rapidly evolving vocabularies of the sciences and the streets. Far ahead of its time, it was considered by many social conservatives to be scandalous and obscene for its depiction of sexuality and desire, while at the same time, critics hailed the poem as a modern masterpiece. This first version of “Song of Myself” is far superior to the later versions and will delight readers with the playfulness of its diction as it glorifies the self, body, and soul. “I am large, I contain multitudes,”


Emerson in Iran

Emerson in Iran
Author: Roger Sedarat
Publisher: State University of New York Press
Total Pages: 232
Release: 2019-05-31
Genre: Literary Criticism
ISBN: 1438474873

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Emerson in Iran is the first full-length study of Persian influence in the work of the seminal American poet, philosopher, and translator, Ralph Waldo Emerson. Extending the current trend in transnational studies back to the figural origins of both the United States and Iran, Roger Sedarat's insightful comparative readings of Platonism and Sufi mysticism reveal how Emerson managed to reconcile through verse two countries so seemingly different in religion and philosophy. By tracking various rhetorical strategies through a close interrogation of Emerson's own writings on language and literary appropriation, Sedarat exposes the development of a latent but considerable translation theory in the American literary tradition. He further shows how generative Persian poetry becomes during Emerson's nineteenth century, and how such formative effects continue to influence contemporary American poetry and verse translation.


Iran and The West

Iran and The West
Author: Cyrus Ghani
Publisher: Routledge
Total Pages: 762
Release: 2013-09-05
Genre: Social Science
ISBN: 1136144668

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First Published in 1987, this volume offers a bibliography of biographies, autobiographies and books on contemporary politics by prominent 20th century figures on the topic of Iran.


The Rebellion of Forms in Modern Persian Poetry

The Rebellion of Forms in Modern Persian Poetry
Author: Farshad Sonboldel
Publisher: Bloomsbury Publishing USA
Total Pages: 233
Release: 2024-02-08
Genre: Literary Criticism
ISBN:

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An analysis of the aesthetic, cultural and political aspects of alternative poetic movements and individual poets in three periods: the Constitutional Revolution (1900–1920), the post-constitutional era (1920–1940), and the ascendency of modernism (1940–1960). Farshad Sonboldel shines new light on the history of modern Persian poetry by re-imagining the roles that the aesthetic experimentations of alternative poets played in different phases of the literary revolution in modern Persian poetry. Dominant narratives portray modern Persian poetry as a gradual, rational, and moderate change in the classical regime of aesthetics as well as a response to – and reflection of – cultural and socio-political changes within Iranian society. They also disregard the significance of radical experiments by alternative poets and undervalue the part they played in the initiation and progress of the so-called "literary revolution." These mainstream narratives minimize the socio-political engagement of literary works with the direct reflection of the social reality, and thus neglect the way many alternative poems struggle with socio-political issues through deconstructing the old and constructing new aesthetic systems. Each chapter of The Rebellion of Forms in Modern Persian Poetry is centred around poems chosen for their potential to showcase notable experiments of pioneer movements and individuals in each given period. Examining the formal and thematic aspects of these poems, this book reformulates the story of modern Persian poetry and unravels the relationship between radical aesthetic changes in the practice of poetry and resistance against political and cultural domination in society.


Current Literature

Current Literature
Author:
Publisher:
Total Pages: 728
Release: 1907
Genre: Literature
ISBN:

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