Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Permanent Collection Of The National Museum Of African Art PDF full book. Access full book title The Permanent Collection Of The National Museum Of African Art.
| Author | : National Museum of African Art (U.S.) |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1988 |
| Genre | : Art, African |
| ISBN | : |
| Author | : National Museum of African Art (U.S.) |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : |
| Author | : National Museum of African Art |
| Publisher | : |
| Total Pages | : 11 |
| Release | : 1988 |
| Genre | : |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Performing Arts |
| ISBN | : 9788857232294 |
The cinema of Nigeria, often referred to as "Nollywood" is a term coined in the mid-1990s to describe Nigeria's vibrant, film industry consists of movies produced in the country but watched all over Africa and largely by Africans in the diaspora. The history and development of the Nigerian motion picture industry is sometimes generally classified in four main eras: the Colonial era, Golden Age, Video film era and the emerging New Nigerian cinema. The book presents a selection of photographic portraits by Iké Udé depicting some of the major Nigerian actors and actress, television presenters, directors and producers: from Genevieve Nnaji, Alexx Ekubo and Kunle Afolayan to Gideon Okeke, Chioma Ude and Osas Ighodaro. With his ongoing photographic self-portraits, Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, African/postnationalist, mainstream/ marginal, individual/everyman and fashion/art. As a Nigerian born, New York based artist, conversant with the world of fashion and celebrity, Udé gives conceptual aspects of performance and representation a new vitality, melding his own theatrical selves and multiple personae with his art.
| Author | : National museum of African art (Washington D.C.) |
| Publisher | : |
| Total Pages | : |
| Release | : 1999 |
| Genre | : |
| ISBN | : |
| Author | : National Museum of African Art (U.S.) |
| Publisher | : University of Washington Press |
| Total Pages | : 204 |
| Release | : 1999 |
| Genre | : Architecture |
| ISBN | : |
The National Museum of African Art began as a private educational institution in 1964 and became part of the Smithsonian Institution in 1979. This volume includes highlights from the museum's holdings of traditional African art from throughout the continent, although the majority of works originated in sub-Saharan Africa. The 150 objects presented include sculpted masks and figures, regalia, items of personal adornment, textiles, furniture, and household objects. Each entry provides a discussion about the object's meaning and use and includes provenance and publication history. Fully illustrated in color, the handbook also includes maps, an extensive bibliography, and an introduction by Roy Sieber, America's foremost authority on traditional African art.
| Author | : Amy J. Staples |
| Publisher | : Weidenfeld & Nicolson |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : HISTORY |
| ISBN | : 9781907804991 |
Fragile Legacies showcases the extraordinary photographs of Chief Solomon Osagie Alonge (1911-1994), one of Nigeria's premier photographers and the first official photographer to the royal court of the Benin kingdom. Alonge's photographs document a half-century of the Benin palace and the rituals, pageantry, and regalia of the obas (kings), and provide rare insight into the early histories and practices of studio photography in West Africa. His insider status provides an important perspective for examining the transformations of Benin City during the early to mid-twentieth century. --Front flap.
| Author | : Christine Mullen Kreamer |
| Publisher | : |
| Total Pages | : 264 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : |
"Asked why he decided to collect African art, Paul Tishman replied, "How does one fall in love?" Such was the passion Paul and Ruth Tishman brought to collecting. The Tishmans acquired their first works of African art - an ivory figure and a bronze mask from the Benin kingdom - in the late 1950s. Over the next 20 plus years, the Tishmans built one of the great private collections of African art that included the major art traditions found throughout the continent. The Tishmans' desire to share the art with as many people as possible led to the 1984 sale of the collection to the Walt Disney Company, who proved to be generous stewards, making the collection available for exhibition and publication. In the autumn of 2005, the Walt Disney World Co., a subsidiary of the Walt Disney Company, donated the Walt Disney-Tishman African Art Collection to the National Museum of African Art, Smithsonian Institution, continuing the tradition of sharing the rich history of African art and culture with current and future generations." --
| Author | : Veronika Jenke |
| Publisher | : |
| Total Pages | : 62 |
| Release | : 1989 |
| Genre | : Art, Black |
| ISBN | : |
| Author | : Nat'l Museum African American Hist/Cult |
| Publisher | : Smithsonian Institution |
| Total Pages | : 66 |
| Release | : 2016-09-27 |
| Genre | : History |
| ISBN | : 158834570X |
This souvenir book showcases some of the most influential and important treasures of the National Museum of African American History and Culture's collections. These include a hymn book owned by Harriet Tubman; ankle shackles used to restrain enslaved people on ships during the Middle Passage; a dress that Rosa Parks was making shortly before she was arrested; a vintage, open-cockpit Tuskegee Airmen trainer plane; Muhammad Ali's headgear; an 1835 Bill of Sale enslaving a young girl named Polly; and Chuck Berry's Cadillac. These objects tell us the full story of African American history, of triumphs and tragedies and highs and lows. This book, like the museum it represents, uses artifacts of African American history and culture as a lens into what it means to be an American.
