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Psychology and Performing Arts

Psychology and Performing Arts
Author: G.D. Wilson
Publisher: CRC Press
Total Pages: 332
Release: 1991-01-01
Genre: Medical
ISBN: 9789026511196

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The Folk Performing Arts

The Folk Performing Arts
Author: Barbara E. Thornbury
Publisher: State University of New York Press
Total Pages: 240
Release: 1997-03-06
Genre: History
ISBN: 1438422083

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CHOICE 1997 Outstanding Academic Books This is the first full-length study in English of Japan's folk performing arts covering such topics as the different categories of presentations, public policies affecting the folk performing arts, performance events within and without communities, and the folk performing arts in literature. Throughout, it addresses issues concerning the survival and preservation of traditional culture in contemporary Japan. Once largely unknown outside of their local community settings, Japan's folk performing arts have today captured universal attention. In Japan, almost every municipality is home to one or more of the diverse dramatic, dance, narrative, and musical presentations that make up the folk performing arts. They can be seen at events that range from long-established festivals to newly created folk-culture and tourist programs. Since the 1920s, a growing body of work by folklorists, theater historians, and other academic specialists, together with literary treatment by well-known authors, brought the folk performing arts into the national cultural spotlight. The postwar Cultural Properties Protection Law conferred on them the status of legally designated cultural assets.


College Guide for Performing Arts Majors

College Guide for Performing Arts Majors
Author: Carole J. Everett
Publisher: Peterson's
Total Pages: 482
Release: 2009-09-14
Genre: Art
ISBN: 076892698X

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Describes graduate programs in art, dance, music, and theater, and lists undergraduate programs.


An Introduction to the Phenomenology of Performance Art

An Introduction to the Phenomenology of Performance Art
Author: T. J. Bacon
Publisher:
Total Pages: 264
Release: 2022-04-22
Genre:
ISBN: 9781789385304

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An accessible primer for art students or researchers new to phenomenology. This book introduces the study and application of performance art through phenomenology, inviting readers to explore contemporary performance art and activate their own practices. Using queer phenomenology to unpack the importance of a multiplicity of self/s, the book teaches readers how to be academically rigorous when capturing embodied experiences. Through approachable exercises, definitions of key phenomenological terms, and interviews and insights from some of the best examples of transgressive performance art practice, the work enriches the wider scholarship of theater studies. Situated within contemporary phenomenological scholarship, the book will appeal to radical artists, educators, and practitioner-researchers.


The Performing Art of Therapy

The Performing Art of Therapy
Author: Mark O'Connell
Publisher: Routledge
Total Pages: 359
Release: 2019-01-25
Genre: Psychology
ISBN: 1351707493

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The Performing Art of Therapy explores the myriad ways in which acting techniques can enhance the craft of psychotherapy. The book shows how, by understanding therapy as a performing art, clinicians can supplement their theoretical approach with techniques that fine-tune the ways their bodies, voices, and imaginations engage with and influence their clients. Broken up into accessible chapters focused on specific attributes of performance, and including an appendix of step-by-step exercises for practitioners, this is an essential guidebook for therapists looking to integrate their theoretical training into who they are as individuals, find joy in their work, expand their empathy, increase self-care, and inspire clients to perform their own lives.


Creativity and the Performing Artist

Creativity and the Performing Artist
Author: Paula Thomson
Publisher: Academic Press
Total Pages: 502
Release: 2016-12-30
Genre: Technology & Engineering
ISBN: 0128041080

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Creativity and the Performing Artist: Behind the Mask synthesizes and integrates research in the field of creativity and the performing arts. Within the performing arts there are multiple specific domains of expertise, with domain-specific demands. This book examines the psychological nature of creativity in the performing arts. The book is organized into five sections. Section I discusses different forms of performing arts, the domains and talents of performers, and the experience of creativity within performing artists. Section II explores the neurobiology of physiology of creativity and flow. Section III covers the developmental trajectory of performing artists, including early attachment, parenting, play theories, personality, motivation, and training. Section IV examines emotional regulation and psychopathology in performing artists. Section V closes with issues of burnout, injury, and rehabilitation in performing artists. Discusses domain specificity within the performing arts Encompasses dance, theatre, music, and comedy performance art Reviews the biology behind performance, from thinking to movement Identifies how an artist develops over time, from childhood through adult training Summarizes the effect of personality, mood, and psychopathology on performance Explores career concerns of performing artists, from injury to burn out


Teaching as a Performing Art

Teaching as a Performing Art
Author: Seymour B. Sarason
Publisher: Teachers College Press
Total Pages: 305
Release: 1999
Genre: Education
ISBN: 0807774960

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In his most recent work and with his usual perceptiveness, Seymour Sarason probes the topic of teaching as a performing art. Refreshingly, Dr. Sarason focuses on the often-overlooked role of teachers in galvanizing an audience—their students. Sarason argues that teachers will better engage learners if they are prepared in the artistry of doing so. Sarason sees teachers as actors and thus uses the traditions of stage performance to inspire ways to foster connections between teachers and students. Sarason elucidates how the rehearsal processes actors undergo and the direction they receive, for example, would be similarly beneficial for educators. Recognizing that implementing his ideas would require a profound rethinking of teacher training programs, Sarason urges why they are crucial to excellence in education. As always, Sarason’s writing is rich with insight garnered from 45 years of teaching and a lifetime devotion to educational issues. His book is essential for teachers and teacher educators and an excellent resource for anyone interested in educational topics. “Once again, Sarason, like other great teachers and artists, has us pause at the moral center of what we thought we knew long enough to recognize truths we might otherwise neglect. Just as he guided our understanding of school cultures and school reform, this book reshapes what we previously thought of as ‘the art of teaching’.” —Jeannie Oakes, Professor of Education at University of California, Los Angeles “Seymour Sarason thinks he has something new to say. Indeed, he has. Furthermore, he writes about a domain anyone who has taught in educational institutions identifies with immediately but is almost barren of attention. There are insight, great writing, and passion here, but don’t look for a repetition of anything Sarason has written before. To the thousands of psychologists, sociologists, and teachers of teachers already nourished by Sarason’s writing, this book will add the audience of teachers in and out of schools that he has always wanted to reach.” —John Goodlad, Co-director, Center for Educational Renewal, University of Washington, and President, Institute for Educational Inquiry


Performing Arts in Prisons

Performing Arts in Prisons
Author: Michael Balfour
Publisher: Intellect Books
Total Pages: 280
Release: 2019-07-15
Genre: Social Science
ISBN: 1789380162

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Across the world, performing arts programmes are increasing in number, scope and professionalism. They attract increasing academic and media attention. Theoretical and applied research, organizational evaluation reports, documentary films and journalism are detailing prison arts and creating recognition that this body of work is becoming a valued part of the correctional enterprise. There is a growing body of evidence that suggests music, theatre, poetry and dance can contribute to prisoner wellbeing, management, rehabilitation and reintegration. Performing Arts in Prisons: Creative Perspectives explores prison arts in Australia, the United States, the United Kingdom and Chile, and creates a new framework for understanding its practices.


Performing Arts Center Management

Performing Arts Center Management
Author: Patricia Dewey Lambert
Publisher: Routledge
Total Pages: 267
Release: 2016-11-03
Genre: Business & Economics
ISBN: 1315525879

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Performing arts centers (PACs) are an integral part of the cultural and creative industries, significantly influencing the cultural, social, and economic vitality of communities around the world. Virtually all PACs are community-based and serve the public interest, whether structured as a public, nonprofit, for-profit, or hybrid entity. However, there is a lack of knowledge about the important community role of performing arts centers, especially those that mainly host and present work produced by other arts organizations. This gap is startling, given the ubiquitous presence of PACs in urban centers, small communities, as well as colleges and universities. This co-edited reference book provides valuable information at the intersection of theory and practice in the professional field of executive leadership of performing arts centers. Drawing on the expertise of leading academics, consultants, and executives, this book focuses on institutions and practices in the United States, and is contextualized within additional fields such as cultural planning, urban revitalization, and economic development. Performing Arts Center Management aims to provide valuable theoretical, conceptual, empirical, and practice-based information to current and future leaders in creative and cultural industries management. It serves as a unique reference for researchers, university students, civic leaders, urban planners, public venue managers, and arts administrators aspiring to improve or advance their work in successfully managing performing arts centers.


Institutional Theatrics

Institutional Theatrics
Author: Brandon Woolf
Publisher: Northwestern University Press
Total Pages: 326
Release: 2021-06-15
Genre: Performing Arts
ISBN: 0810143577

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Shortlist, 2021 Waterloo Centre for German Studies Book Prize In a city struggling to determine just how neoliberal it can afford to be, what kinds of performing arts practices and institutions are necessary—and why? Since the fall of the Berlin Wall, political and economic agendas in the reunified German capital have worked to dismantle long-standing traditions of state‐subsidized theater even as the city has redefined itself as a global arts epicenter. Institutional Theatrics charts the ways theater artists have responded to these shifts and crises both on- and offstage, offering a method for rethinking the theater as a vital public institution. What is the future of the German theater, grounded historically in large ensembles, extensive repertoires, and auteur directors? Examining the restructuring of Berlin’s theatrical landscape and most prominent performance venues, Brandon Woolf argues that cultural policy is not simply the delegation and distribution of funds. Instead, policy should be thought of as an artistic practice of institutional imagination. Woolf demonstrates how performance can critique its patron institutions in order to transform the relations between the stage and the state, between the theater and the infrastructures of its support. Bold, nuanced, and rigorously documented, Institutional Theatrics offers new insights about art, its administration, and the forces that influence cultural production.