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The Performing Arts in a New Era

The Performing Arts in a New Era
Author: Kevin F. McCarthy
Publisher: Rand Corporation
Total Pages: 174
Release: 2001
Genre: Art
ISBN: 9780833032362

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This book examines recent trends in the performing arts and discusses howthe arts are likely to evolve in the future. It is the first book to providea comprehensive overview of the performing arts, including analysis ofopera, theater, dance, and music, in both their live and recorded forms. Theauthors focus on trends affecting four aspects of the performing arts--audiences, performers, arts organizations, and financing--and offer a visionfor the future. The book discusses the implications of current and likelyfuture developments and considers public policy issues such as publicfunding for the arts.


The Performing Arts in a New Era

The Performing Arts in a New Era
Author:
Publisher:
Total Pages: 0
Release: 2001
Genre: Arts and society
ISBN:

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The Pew Charitable Trust commissioned The Performing Arts in a New Era from RAND in 1999 as part of a broad initiative aimed at increasing policy and financial support for nonprofit culture in the United States. The goal of this study was to assist us in bringing new and useful information to the policy debate about the contributions and needs of the cultural sector at the national, state, and local levels. The study was inspired in part by a pair of landmark reports on the performing arts published during the mid-196Os: The Performing Arts: Problems and Prospects, the Rockefeller Panel Report on the Future of Theatre, Dance, Music in America (1965); and the Twentieth Century Fund's report, Performing Arts: The Economic Dilemma, by William J. Baumol and William G. Bowen (1966). These reports described the burgeoning landscape of the nonprofit professional performing arts in the United States, articulating their benefits to American society and calling for a level of governmental and philanthropic support sufficient to their needs. Both reports noted that it was appropriate, at a time when the industrial economy of the United States had grown and prospered and the material needs of its citizens were by and large being met, for the nation to turn its attention to nonmaterial values-what would now be characterized as quality-of-life concerns-including the emotional, intellectual, and aesthetic satisfaction that the arts can provide. Indeed, in the 196Os, few Americans living outside the coastal cities had access to live professional performing arts experiences, and arts advocates urged that the situation be remedied.


Performing Arts in a New Era

Performing Arts in a New Era
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The Pew Charitable Trusts, located in Philadelphia, Pennsylvania, commissioned RAND to conduct a study on the future of the performing arts. This July 2001 report entitled "Performing Arts in a New Era," written by Kevin F. McCarthy, Arthur Brooks, Julia Lowell, and Laura Zakaras, summarizes the findings of the study. The full text is available in PDF format. The report highlights the status of the performing arts and includes suggestions on how to deal with financial and policy challenges.


The Performing Arts at Maryland

The Performing Arts at Maryland
Author: Alcine Wiltz
Publisher:
Total Pages: 41
Release: 2002
Genre: Performing arts
ISBN:

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A New Era Begins

A New Era Begins
Author: Eric Butterman
Publisher:
Total Pages: 64
Release: 2009
Genre: Centers for the performing arts
ISBN:

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Audience Engagement in the Performing Arts

Audience Engagement in the Performing Arts
Author: Ben Walmsley
Publisher: Springer Nature
Total Pages: 248
Release: 2019-09-11
Genre: Performing Arts
ISBN: 3030266532

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This book explores the concept of audience engagement from a number of complementary perspectives, including cultural value, arts marketing, co-creation and digital engagement. It offers a critical review of the existing literature on audience research and engagement, and provides an overview of established and emerging methodologies deployed to undertake research with audiences. The book focusses on the performing arts, but draws from a rich diversity of academic fields to make the case for a radically interdisciplinary approach to audience research. The book’s underlying thesis is that at the heart of audience research there is a mutual exchange of value wherein audiences ideally play the role of strategic partners in the mission fulfilment of arts organisations. Illustrating how audiences have traditionally been side-lined, homogenised and vilified, it contends that the future paradigm of audience studies should be based on an engagement model, wherein audiences take their rightful place as subjects rather than objects of empirical research.


A Profile of the Performing Arts Industry

A Profile of the Performing Arts Industry
Author: David H. Gaylin
Publisher: Business Expert Press
Total Pages: 192
Release: 2015-10-07
Genre: Business & Economics
ISBN: 1606495658

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Attending a live concert or theatrical performance can be a thrilling experience. At their best, the performing arts represent the height of human creativity and expression. But the presentation on stage, whether it is Shakespeare, Beethoven, or The Lion King, depends on a business backstage. This book provides an overview of both the product on stage and the industry that makes it possible. While the industry’s product is unique—with unique supply and demand characteristics—it is still an industry, with supply inputs, organization structures, competitors, business models, value chains, and customers. We will examine each of the major segments (Broadway, regional theater, orchestra, opera, and ballet) along these business dimensions. This book will give lovers of the performing arts an understanding of the business realities that make live performances possible. Managers, board members, and performers will be better equipped to take on the strategic challenges their companies face. People contemplating any of these roles will have a better idea of what to expect. Business analysts and students of strategy will discover how economic frameworks apply in this unique setting where culture and commerce converge.


Performing Arts and the Royal Courts of Southeast Asia, Volume One

Performing Arts and the Royal Courts of Southeast Asia, Volume One
Author:
Publisher: BRILL
Total Pages: 382
Release: 2023-12-04
Genre: Performing Arts
ISBN: 9004686533

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This publication brings together current scholarship that focuses on the significance of performing arts heritage of royal courts in Southeast Asia. Royal courts have long been sites for the creation, exchange, maintenance, and development of myriad forms of performing arts and other distinctive cultural expressions. The first volume, Pusaka as Documented Heritage, consists of historical case studies, contexts and developments of royal court traditions, particularly in the nineteenth and twentieth centuries.


A Portrait of the Visual Arts

A Portrait of the Visual Arts
Author: Kevin F. McCarthy
Publisher: Rand Corporation
Total Pages: 151
Release: 2005-08-12
Genre: Political Science
ISBN: 0833040715

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The third in a series that examines the state of the arts in America, this analysis shows, in addition to lines around the block for special exhibits, well-paid superstar artists, flourishing university visual arts programs, and a global expansion of collectors, developments in the visual arts also tell a story of rapid, even seismic change, systemic imbalances, and dislocation.


America's Japan and Japan's Performing Arts

America's Japan and Japan's Performing Arts
Author: Barbara Thornbury
Publisher: University of Michigan Press
Total Pages: 275
Release: 2013-04-15
Genre: Performing Arts
ISBN: 0472029282

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America’s Japan and Japan’s Performing Arts studies the images and myths that have shaped the reception of Japan-related theater, music, and dance in the United States since the 1950s. Soon after World War II, visits by Japanese performing artists to the United States emerged as a significant category of American cultural-exchange initiatives aimed at helping establish and build friendly ties with Japan. Barbara E. Thornbury explores how “Japan” and “Japanese culture” have been constructed, reconstructed, and transformed in response to the hundreds of productions that have taken place over the past sixty years in New York, the main entry point and defining cultural nexus in the United States for the global touring market in the performing arts. The author’s transdisciplinary approach makes the book appealing to those in the performing arts studies, Japanese studies, and cultural studies.