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| Author | : Nils Billing |
| Publisher | : BRILL |
| Total Pages | : 644 |
| Release | : 2018-07-17 |
| Genre | : History |
| ISBN | : 9004372377 |
In The Performative Structure, Nils Billing investigates the ancient Egyptian pyramid complex and tomb as a ritualized architecture, made operative through its architectural configuration and decoration patterns in terms of texts and images.
| Author | : Nils Billing |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Funeral rites and ceremonies |
| ISBN | : 9789004372368 |
In The Performative Structure, Nils Billing investigates the ancient Egyptian pyramid complex and tomb as a ritualized architecture, made operative through its architectural configuration and decoration patterns in terms of texts and images.
| Author | : Mitra Kanaani |
| Publisher | : Routledge |
| Total Pages | : 672 |
| Release | : 2019-12-06 |
| Genre | : Architecture |
| ISBN | : 0429664389 |
The Routledge Companion to Paradigms of Performativity in Design and Architecture focuses on a non-linear, multilateral, ethical way of design thinking, positioning the design process as a journey. It expands on the multiple facets and paradigms of performative design thinking as an emerging trend in design methodology. This edited collection explores the meaning of performativity by examining its relevance in conjunction with three fundamental principles: firmness, commodity and delight. The scope and broader meaning of performativity, performative architecture and performance-based building design are discussed in terms of how they influence today’s design thinking. With contributions from 44 expert practitioners, educators and researchers, this volume engages theory, history, technology and the human aspects of performative design thinking and its implications for the future of design.
| Author | : Mauro Senatore |
| Publisher | : A&C Black |
| Total Pages | : 273 |
| Release | : 2013-05-09 |
| Genre | : Philosophy |
| ISBN | : 1441184805 |
What has happened since de Man and Derrida first read Austin? How has the encounter between deconstruction and the performative affected each of these terms? In addressing these questions, this book brings together scholars whose works have been provoked in different ways by the encounter of deconstruction and the performative. Following Derrida's appeal to any rigorous deconstruction to reckon with Austin's theorems and his ever growing commitment to rethink and rewrite the performative and its multiple articulations, it is now urgent that we reflect upon the effects of a theoretical event that has profoundly marked the contemporary scene. The contributors to this book suggest various ways of re-reading the heritage and future of both deconstruction and the performative after their encounter, bringing into focus both the constitutive aporia of the performative and the role it plays within the deconstruction of the metaphysical tradition.
| Author | : Jeffrey Swinkin |
| Publisher | : Boydell & Brewer |
| Total Pages | : 273 |
| Release | : 2016 |
| Genre | : Music |
| ISBN | : 1580465269 |
This book proposes a new model for understanding the musical work, which includes interpretation -- both analysis- and performance-based -- as an integral component.
| Author | : Jonathan Culler |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 145 |
| Release | : 1997 |
| Genre | : Criticism |
| ISBN | : 9780192853189 |
What is Literary Theory? Is there a relationship between literature and culture? In fact, what is Literature, and does it matter?These are the sorts of questions addressed by Jonathan Culler in a book which steers a clear path through a subject often perceived to be complex and impenetrable. It offers discerning insights into theories about the nature of language and meaning, whether literature is a form of self-expression ora method of appeal to an audience, and outlines the ideas behind a number of different schools: deconstruction, semiotics, postcolonial theory, and structuralism amongst them.
| Author | : Sophie Wolfrum |
| Publisher | : Jovis Verlag |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : City planning |
| ISBN | : 9783868593044 |
The concept of relational space in urbanism'understanding the space of the city as produced by society'is connected with an understanding of architecture unfolding in situations. Urban space is induced by architecture, space is produced while experiencing architecture within a situation. There is a dialectical interplay between architectonic material (intra-architectonic reality) and usage and action (urban reality). Thus, an architectonic situation can be interpreted as performative in the sense of performativity as it has emerged in the discourse over the last decade. The everyday urban life of the city, with all its potential and conflicts, is taken into consideration. Analyzing the urban is not enough. This discourse is about Urban Design. Is architectural design one part, and the actualization of architecture in a performative incident another? Does Urban Design need different practices?
| Author | : Aloisia Moser |
| Publisher | : Springer Nature |
| Total Pages | : 165 |
| Release | : 2021-08-18 |
| Genre | : Philosophy |
| ISBN | : 303077550X |
This book explores the idea that there is a certain performativity of thought connecting Kant’s Critique of Pure Reason and Wittgenstein’s Tractatus Logico-Philosophicus. On this view, we make judgments and use propositions because we presuppose that our thinking is about something, and that our propositions have sense. Kant’s requirement of an a priori connection between intuitions and concepts is akin to Wittgenstein’s idea of the general propositional form as sharing a form with the world. Aloisia Moser argues that Kant speaks about acts of the mind, not about static categories. Furthermore, she elucidates the Tractatus’ logical form as a projection method that turns into a so-called ‘zero method’, whereby propositions are merely the scaffolding of the world. In so doing, Moser connects Kantian reflective judgment to Wittgensteinian rule-following. She thereby presents an account of performativity centering neither on theories nor methods, but on the application enacting them in the first place.
| Author | : William B. Worthen |
| Publisher | : Cambridge University Press |
| Total Pages | : 282 |
| Release | : 2003-01-30 |
| Genre | : Drama |
| ISBN | : 9780521008006 |
This book analyses how Shakespeare is recreated in historical performance.
| Author | : Josefine Wikström |
| Publisher | : Routledge |
| Total Pages | : 256 |
| Release | : 2020-10-29 |
| Genre | : Performing Arts |
| ISBN | : 1000215873 |
In this study, Josefine Wikström challenges a concept of performance that makes no difference between art and non-art and argues for a new concept. This book confronts and criticises the way in which the dominating concept of performance has been used in art theory and performance and dance studies. Through an analysis of 1960s performance practices, Wikström focuses specifically on task-dance and event-score practices and provides an examination of the key philosophical concepts that are inseparable from such a concept of art and are necessary for the reconstruction of a critical concept of performance, such as "practice", "experience", "object", "abstraction" and "structure". This book will be of great interest to scholars, students and practitioners across dance, performance art, aesthetics and art theory.
