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The People's Theater

The People's Theater
Author: Romain Rolland
Publisher:
Total Pages: 168
Release: 1918
Genre: Drama
ISBN:

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Radical People's Theatre

Radical People's Theatre
Author: Eugène Van Erven
Publisher: Indiana University Press
Total Pages: 260
Release: 1988
Genre: Performing Arts
ISBN: 9780253347886

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The People's Theater

The People's Theater
Author: Romain Rolland
Publisher:
Total Pages: 168
Release: 1918
Genre: Drama
ISBN:

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The People's Theatre

The People's Theatre
Author: Romain Rolland
Publisher:
Total Pages: 172
Release: 1918
Genre:
ISBN:

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Where are the people? People’s Theater in Inter-Asian Societies

Where are the people? People’s Theater in Inter-Asian Societies
Author: Ratu Selvi Agnesia
Publisher: 國立陽明交通大學出版社
Total Pages: 290
Release:
Genre: Drama
ISBN: 9865470705

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Where Are the People? How Could the People’s Bodies Voice Themselves in the Form of Theatrical Aesthetics? At That Time, the Audience Really Stood Up. In this evening, theater practitioners initiated the conversation with physical action. They engage with contemporary issues through their unique performance styles. From a discursive context, they enter the scene of resistance and undertake the labor of performance. Their performance is not just the preface to a series of dialogues, but also a witness to thirty years of People’s Theater. “People’s theater” belongs to the people. It is the theater created by the people and speaks for the people as it has appeared in history in diverse forms. People theater in Inter-Asian Societies began to grow in a cross-region, which included Jakarta, Manila, Bangkok, Kuala Lumpur, Hong Kong, Tokyo, Busan, Maputo, Beijing, Shanghai, Hualien, Taichung, and Taipei. Through the writings and images written down by theatrical artists from these spaces, we can figure out the body aesthetics that carry historical conflicts and the experience to find the form and channel of expression, and continue for work of thinking and creation. “People Theater” is nothing but a rehearsal for a revolution. This book has reviewed and reflected on the half-century development of people’s theater in inter-Asian societies, demonstrates how the theatrical practitioners and artists in different communities strived to open various spaces, dealt with the censorship from the authoritarian regime to the neoliberal societies, and experimented with diverse aesthetics and local objects to address political issues. ▍Preface “It is a collection with the premise that can motivate our critical thinking with bodily energy. It reflects how we realize the statement—‘Viewing as participating; audience as actors.’It is also a book where some keywords constantly appear, like resistance, politics, the oppressed, and conversation. With its humming buzz and murmur against the present situation, it is a collection of words refusing to remain silent.”— Lin Hsin I(Associate Professor at the Institute of Applied Art, National Yang Ming Chiao Tung University) ▍People’s Theater Practitioners Asian People’s Theatre Festival Society (Hong Kong)/Assignment Theatre (Taiwan)/Centre for Applied Theatre, Taiwan (Taipei)/Grass Stage (Shanghai)/Langasan Theatre (Hualien)/Makhampom Theatre Group (Ching Dao/Bangkok)/Oz Theatre Company (Taipei)/Philippine Educational Theater Association, PETA (Manila)/Shigang Mama Theater (Taichung Shigang)/Teater Kubur (Jakarta)/Teatro em Casa (Mozambique)/Theater Playground SHIIM (Busan)/Trans-Asia Sisters Theater (Taiwan)/WANG Mo-lin (Taiwan)/Wiji Thukul (Solo)/Yasen no Tsuki (Tokyo) ▍Characteristics of this book 1.Beyond the geographical limitations of Taiwan and East Asia, combined the context of Inter-Asian societies and Third-World society, appreciate the theater work methods that are intertwined with folk culture and community traditions, and promote the practice of public theater. 2. This book focuses on depicting network relationships in specific historical periods, and explores how the cooperation and interaction of troupes in these heterogeneous regions occurred. And how do these interactions affect the characteristics and forms of popular theater organizations in the transition of different policies? 3. What this book looks back on is not only the continuation and development of troupes but also the sudden change or gap between new people theaters and old people theaters.


People's Theatre in Amerika

People's Theatre in Amerika
Author: Karen Malpede
Publisher: Drama Publishers/Quite Specific Media
Total Pages: 360
Release: 1973
Genre: Performing Arts
ISBN:

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Theater of the People

Theater of the People
Author: David Kawalko Roselli
Publisher: University of Texas Press
Total Pages: 303
Release: 2011-06-01
Genre: Performing Arts
ISBN: 0292744773

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Greek drama has been subject to ongoing textual and historical interpretation, but surprisingly little scholarship has examined the people who composed the theater audiences in Athens. Typically, scholars have presupposed an audience of Athenian male citizens viewing dramas created exclusively for themselves—a model that reduces theater to little more than a medium for propaganda. Women's theater attendance remains controversial, and little attention has been paid to the social class and ethnicity of the spectators. Whose theater was it? Producing the first book-length work on the subject, David Kawalko Roselli draws on archaeological and epigraphic evidence, economic and social history, performance studies, and ancient stories about the theater to offer a wide-ranging study that addresses the contested authority of audiences and their historical constitution. Space, money, the rise of the theater industry, and broader social forces emerge as key factors in this analysis. In repopulating audiences with foreigners, slaves, women, and the poor, this book challenges the basis of orthodox interpretations of Greek drama and places the politically and socially marginal at the heart of the theater. Featuring an analysis of the audiences of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, Theater of the People brings to life perhaps the most powerful influence on the most prominent dramatic poets of their day.


Attack of the Theater People

Attack of the Theater People
Author: Marc Acito
Publisher: Crown
Total Pages: 370
Release: 2008-04-22
Genre: Fiction
ISBN: 0767927737

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In praising “the witty high school romp” How I Paid for College, the New York Times Book Review said, it “makes you hope there’s a lot more where this came from.” There is. In this hilarious sequel Attack of the Theater People, Edward Zanni and his merry crew of high school musical-comedy miscreants move to the magical wonderland that is Manhattan. It is 1986, and aspiring actor Edward Zanni has been kicked out of drama school for being “too jazz hands for Juilliard.” Mortified, Edward heads out into the urban jungle of eighties New York City and finally lands a job as a “party motivator” who gets thirteen-year-olds to dance at bar mitzvahs and charms businesspeople as a “stealth guest” at corporate events. When he accidentally gets caught up in insider trading with a handsome stockbroker named Chad, only the help of his crew from How I Paid for College can rescue him from a stretch in Club Fed. Laced with the inspired zaniness of classic American musical comedy, Attack of the Theater People matches the big hair of the eighties with an even bigger heart.


The People's Theater

The People's Theater
Author: Romain Rolland
Publisher:
Total Pages: 0
Release: 1919
Genre: Dramatic criticism
ISBN:

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White People Do Not Know how to Behave at Entertainments Designed for Ladies & Gentlemen of Colour

White People Do Not Know how to Behave at Entertainments Designed for Ladies & Gentlemen of Colour
Author: Marvin Edward McAllister
Publisher: Univ of North Carolina Press
Total Pages: 260
Release: 2003
Genre: Performing Arts
ISBN: 9780807854501

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McAllister offers a history of black theater pioneer William Brown's career and places his productions within the broader context of U.S. social, political, and cultural history.