The Pennsylvania Impressionist Legacy
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Total Pages | : |
Release | : 2006 |
Genre | : Impressionism (Art) |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : |
Release | : 2006 |
Genre | : Impressionism (Art) |
ISBN | : |
Author | : William H. Gerdts |
Publisher | : University of Pennsylvania Press |
Total Pages | : 378 |
Release | : 2002-10-25 |
Genre | : Art |
ISBN | : 0812237005 |
"This magnificent new book . . . has assembled a definitive collection of impressionistic works from the Bucks Country region of eastern Pennsylvania. . . . Excellent!"—Bloomsbury Review
Author | : Thomas Folk |
Publisher | : |
Total Pages | : 164 |
Release | : 1997 |
Genre | : Art |
ISBN | : |
The Pennsylvania Impressionists is the first book to focus on the Pennsylvania School of Landscape Painting. Starting in 1898, a group of Impressionist painters began to settle on the outskirts of New Hope, Pennsylvania. Although largely forgotten by the 1950s, these artist comprised a major school of landscape painting. Today, considerable interest has been generated by this school. The leading figure in this group, Edward Redfield, was noted for his large, broadly and vigorously painted snow scenes, which he completed at "one go" or in a single afternoon. He developed a major reputation in American art, and was awarded more honors and prizes than any other American artist, with the exception of John Singer Sargent.
Author | : Carol Lowrey |
Publisher | : Hudson Hills |
Total Pages | : 220 |
Release | : 2007 |
Genre | : Art |
ISBN | : 9780615154992 |
For more than a century, a Gilded Age mansion on the south side of New York City's Gramercy Park has been home to the National Arts Club (NAC), its magnificent interior a refuge from hectic city life. In this special catalog, Lowrey, curator of the club's permanent collection, documents selected works by Artist Life Members, artists who were given lifetime memberships in the club in exchange for one of their works (the program ended in 1950 with the advent of the abstract expressionists). The father of well-known American sculptor Alexander Calder, Alexander Stirling Calder, was an Artist Life Member, and his sculpture of the painter George Bellows is among the many artworks included here. Also featured are an A-to-Z listing of Artist Life Members and a brief history of the NAC. The catalog section includes full-color reproductions and descriptions of the artworks as well as brief biographies of the artist. Many members' works show European influences, particularly impressionism and the Barbizon school, while others are distinctly American, as in the Ash Can school. A fine and fitting tribute to the NAC legacy that will be of interest to club, academic, and large public libraries. 75 colour & 175 b/w illustrations
Author | : Pennsylvania Academy of the Fine Arts |
Publisher | : |
Total Pages | : 308 |
Release | : 1987 |
Genre | : Art |
ISBN | : |
Author | : Rona Schneider |
Publisher | : |
Total Pages | : 24 |
Release | : 1999 |
Genre | : Etchers |
ISBN | : 9781888008050 |
Author | : Brian H. Peterson |
Publisher | : University of Pennsylvania Press |
Total Pages | : 178 |
Release | : 2004 |
Genre | : Impressionism (Art) |
ISBN | : 9780812238297 |
A complete picture of Robert Spencer, one of the most recognizable of the Pennsylvania impressionist painters. From his beginnings as the son of a minister and early interest in painting, through his volatile home life and battle with depression, to his death by suicide, The Cities, The Towns, The Crowds presents the definitive portrait of a great American artist.
Author | : Samuel T. Freeman & Co |
Publisher | : |
Total Pages | : 124 |
Release | : 2017 |
Genre | : |
ISBN | : |
Author | : Michael W. Schantz |
Publisher | : |
Total Pages | : 140 |
Release | : 2000 |
Genre | : Art |
ISBN | : |
Exhibition catalogue for a show on view at Woodmere Art Museum from Sept. 21, 2019 - Jan 19, 2020
Author | : Matthew Affron |
Publisher | : Fralin Museum of Art, University of Virginia |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Painting, French |
ISBN | : 9780983505952 |
In the first U.S. retrospective of the painting of Émilie Charmy, Affron surveys key phases of Charmy's artistic career in relation to major issues in modern French painting and Betzer examines two principal subjects of Charmy's early work, the nude and the bourgeois interior, as evidence of an ambitious dialogue with avant-garde precedent.