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History and Film

History and Film
Author: Maarten Pereboom
Publisher: Routledge
Total Pages: 289
Release: 2016-09-13
Genre: History
ISBN: 1315508036

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The ability to view recorded moving pictures has had a major impact on human culture since the development of the necessary technologies over a century ago. For most of this time people have gone to the movies to be entertained and perhaps edified, but in the meantime television, the videocassette recorder (VCR), the digital versatile disk (DVD) player, the personal computer (desktop and laptop), the internet and other technologies have made watching moving pictures possible at home, in the classroom and just about anywhere else. Today, moving images are everywhere in our culture. Every day, moving picture cameras record millions of hours of activity, human and otherwise, all over the world: your cell phone makes a little video of your friends at a party; the surveillance camera at the bank keeps on eye on customers; journalists’ shoulder-carried cameras record the latest from the war zone; and across the world film artists work on all kinds of movies, from low-budget independent projects to the next big-budget Hollywood blockbuster. Moving pictures have had a great influence on human culture, and this book focuses on using moving images as historical evidence. Studying history means examining evidence from the past to understand, interpret and present what has happened in different times and places. We talk and write about what we have learned, hoping to establish credibility both for what we have determined to be the facts and for whatever meaning or significance we may attach to our reconstruction of the past. Studying history is a scientific process, involving a fairly set methodology. We tend to favor written sources, and we have tended to favor writing as a means of presenting our views of the past. But historians also use all kinds of other documents and artifacts in their work of interpreting the past, including moving pictures.


The Past Is a Moving Picture

The Past Is a Moving Picture
Author: Janna Jones
Publisher: University Press of Florida
Total Pages: 210
Release: 2012-07-01
Genre: Performing Arts
ISBN: 0813043662

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Almost all remnants of culture--past and present--degrade over time, whether sculpture or scrolls, painting or papyrus, books or clay tablets. Perhaps no major cultural record dissolves more rapidly than film, arguably the predominant medium of the twentieth century. Given the fragility of early nitrate film, much has already been lost. The fragments that remain--whether complete prints of theatrical releases or scraps of everyday life captured by Thomas Edison--only hint at what has disappeared. More recently, archives have been flooded with so much material that they lack the funds to properly preserve it all. Both situations raise questions about how film archives shape our understanding of history and culture. Janna Jones provides a stunning, tour-de-force analysis of the major assumptions and paradigmatic shifts about history, cinema, and the moving image archive, one that we ignore at our peril in the midst of the overwhelming rush toward digitization. No student of film, twentieth-century history, or archiving and preservation can afford to miss The Past Is a Moving Picture


History in Motion

History in Motion
Author: Sven Lütticken
Publisher:
Total Pages: 0
Release: 2013
Genre: Arts and history
ISBN: 9783943365894

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"Analyzing a variety of films, video pieces, and performances, Sven Lütticken evaluates the impact that our changing experience of time has had on the actualization of history in the present."--Page 4 of cover.


Film: A Very Short Introduction

Film: A Very Short Introduction
Author: Michael Wood
Publisher: Oxford University Press
Total Pages: 153
Release: 2012-01-26
Genre: Art
ISBN: 0192803530

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Offers a wealth of insight into the paradoxical nature of film, considering its role and impact on society in the 20th century as well as its future in the digital age. Original.


The Moving Image (First Edition)

The Moving Image (First Edition)
Author: Nicole Richter
Publisher: Cognella Academic Publishing
Total Pages:
Release: 2018-08-08
Genre:
ISBN: 9781516537495

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The Moving Image: A Complete Introduction to Film provides students with an accessible and complete introduction to the world of motion pictures. The text covers the basics of how films are constructed, why they matter, and how to analyze them. It highlights diverse filmmakers and approaches, through the study of feature films, music videos, short films, and new media. The text begins by defining cinema, discussing its origins, and introducing students to pioneers of film, including Eadweard Muybridge, Alice Guy-Blaché, and Thomas Edison. Later chapters discuss the fundamentals of film analysis and the concepts of ideology, representation, and identity in film. Students learn about cinematography, narrative structure, sound, editing, acting styles and methodologies, and the various aspects that go into creating a scene. The book features chapters devoted to experimental and cult cinema, documentaries, and animation and CGI technology. It closes with chapters that address authorship and provide an overview of key genres in filmmaking. Designed to provide students with a comprehensive primer on film and cinema, The Moving Image is well suited for film appreciation or introductory film courses.


The Wheels on the Bus

The Wheels on the Bus
Author: Cider Mill Press
Publisher: Simon and Schuster
Total Pages: 9
Release: 2022-03
Genre: Juvenile Fiction
ISBN: 1646430379

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Watch the wheels on the bus go round and round and sing along.


The Shape of Motion

The Shape of Motion
Author: Jordan Schonig
Publisher: Oxford University Press
Total Pages: 265
Release: 2021
Genre: Performing Arts
ISBN: 0190093889

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"Cinematic motion has long been celebrated as an emblem of change and fluidity or claimed as the source of cinema's impression of reality. But such general claims undermine the sheer variety of forms that motion can take onscreen-the sweep of a gesture, the rush of a camera movement, the slow transformations of a natural landscape. What might we learn about the moving image when we begin to account for the many ways that movements move? In The Shape of Motion: Cinema and the Aesthetics of Movement, Jordan Schonig provides a new way of theorizing cinematic motion by examining cinema's "motion forms:" structures, patterns, or shapes of movement unique to the moving image. From the wild and unpredictable motion of flickering leaves and swirling dust that captivated early spectators, to the pulsing abstractions that emerge from rapid lateral tracking shots, to the bleeding pixel-formations caused by the glitches of digital video compression, each motion form opens up the aesthetics of movement to film theoretical inquiry. By pairing close analyses of onscreen movement in narrative and experimental films with concepts from Maurice Merleau-Ponty, Henri Bergson, and Immanuel Kant, Schonig rethinks longstanding assumptions within film studies, such as indexical accounts of photographic images and analogies between the camera and the human eye. Arguing against the intuition that cinema reproduces our natural perception of motion, The Shape of Motion shows how cinema's motion forms do not merely transpose the movements of the world in front of the camera; they transform them"


Death 24x a Second

Death 24x a Second
Author: Laura Mulvey
Publisher: Reaktion Books
Total Pages: 220
Release: 2006-03
Genre: Performing Arts
ISBN: 9781861892638

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A fascinating exploration of the role new media technologies play in our experience of film.


History and Film

History and Film
Author: Maarten L. Pereboom
Publisher:
Total Pages: 245
Release: 2011
Genre: Historical films
ISBN: 9780205792818

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Death and the Moving Image

Death and the Moving Image
Author: Michele Aaron
Publisher: Edinburgh University Press
Total Pages: 240
Release: 2015-02-13
Genre: Performing Arts
ISBN: 0748677763

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Exploring gender, race, nation and narration, this groundbreaking study isolates how mainstream cinema works to bestow value upon certain lives and specific socio-cultural identities in a hierarchical and partisan way. Dedicated to the popular, to the pol