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| Author | : Joseph Alois Daisenberger |
| Publisher | : |
| Total Pages | : 166 |
| Release | : 1900 |
| Genre | : Oberammergauer Passionsspiel |
| ISBN | : |
| Author | : Joseph Alois Daisenberger |
| Publisher | : Literary Licensing, LLC |
| Total Pages | : 158 |
| Release | : 2014-08-07 |
| Genre | : |
| ISBN | : 9781498141543 |
This Is A New Release Of The Original 1900 Edition.
| Author | : Oberammergau passion-play |
| Publisher | : |
| Total Pages | : 336 |
| Release | : 1900 |
| Genre | : Oberammergauer Passionsspiel |
| ISBN | : |
| Author | : E. F. Bacon |
| Publisher | : |
| Total Pages | : 21 |
| Release | : 1902 |
| Genre | : Oberammergauer Passionsspiel |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 155 |
| Release | : 1960 |
| Genre | : Oberammergauer Passionsspiel |
| ISBN | : |
| Author | : Hermine (von Hillern) Diemer |
| Publisher | : |
| Total Pages | : 296 |
| Release | : 1900 |
| Genre | : Oberaden (Germany) |
| ISBN | : |
| Author | : Sarah Ruhl |
| Publisher | : Samuel French, Inc. |
| Total Pages | : 163 |
| Release | : 2010 |
| Genre | : Drama |
| ISBN | : 0573699089 |
An exploration of the relationships between religion, performance, and life. Part I is set in 1575 in an English village whose traditional annual passion-play is about to be outlawed by Queen Elizabeth's anti-Catholic rulings; Part II is set in Oberammergau, 1934, as the town and the play are becoming Nazified; Part III takes place in an American small town from 1969 through the Reagan era and the present.
| Author | : |
| Publisher | : |
| Total Pages | : 300 |
| Release | : 1909 |
| Genre | : Christianity and antisemitism |
| ISBN | : |
| Author | : Oberammergau passion play |
| Publisher | : |
| Total Pages | : 316 |
| Release | : 1900 |
| Genre | : Oberammergau |
| ISBN | : |
| Author | : Kevin J. Wetmore, Jr. |
| Publisher | : McFarland |
| Total Pages | : 204 |
| Release | : 2017-02-06 |
| Genre | : Performing Arts |
| ISBN | : 0786496037 |
Every ten years since 1634, the Bavarian village of Oberammergau has performed the world's most famous Passion Play, recounting the last days of Jesus Christ. In 2010, presenting the play for the 41st time, the village broke with tradition to offer a new interpretation for a post-millennial, international audience. Drawing on interviews with villagers and international responses, this collection of new essays provides an analysis of the play by scholars who attended. Topics include changes in response to charges of anti-Semitism, how the play defines the village, how the performance changes the audience, and a comparison of Oberammergau 2010 with American Passion Plays, Indian pilgrimage drama and other German Passion Plays.
