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| Author | : Cyril Mango |
| Publisher | : |
| Total Pages | : 10 |
| Release | : 1992 |
| Genre | : |
| ISBN | : |
| Author | : Albrecht Berger |
| Publisher | : Cambridge University Press |
| Total Pages | : 143 |
| Release | : 2021-07-15 |
| Genre | : History |
| ISBN | : 1108962858 |
This Element discusses the ancient statues once set up in Byzantine Constantinople, with a special focus on their popular reception. From its foundation by Constantine the Great in 324, Constantinople housed a great number of statues which stood in the city on streets and public places, or were kept in several collections and in the Hippodrome. Almost all of them, except a number of newly made statues of reigning emperors, were ancient objects which had been brought to the city from other places. Many of these statues were later identified with persons other than those they actually represented, or received an allegorical (sometimes even an apocalyptical) interpretation. When the Crusaders of the Fourth Crusade conquered the city in 1204, almost all of the statues of Constantinople were destroyed or looted.
| Author | : Maia Wellington Gahtan |
| Publisher | : BRILL |
| Total Pages | : 236 |
| Release | : 2015-03-20 |
| Genre | : History |
| ISBN | : 900428348X |
Museum Archetypes and Collecting in the Ancient World offers a broad, yet detailed analysis of the phenomenon of collecting in the ancient world through a museological lens. In the last two decades this has provided a basis for exciting interdisciplinary explorations by archaeologists, art historians, and historians of the history of collecting. This compendium of essays by different specialists is the first general overview of the reasons why ancient civilizations from Archaic Greece to the Late Classical/Early Christian period amassed objects and displayed them together in public, private and imaginary contexts. It addresses the ranges of significance these proto-museological conditions gave to the objects both in sacred and secular settings.
| Author | : Nigel Spivey |
| Publisher | : Cambridge University Press |
| Total Pages | : 728 |
| Release | : 2013-01-31 |
| Genre | : Art |
| ISBN | : 1107067049 |
Ancient Greek sculpture seems to have a timeless quality – provoking reactions that may range from awe to alienation. Yet it was a particular product of its age: and to know how and why it was once created is to embark upon an understanding of its 'Classic' status. In this richly illustrated and carefully written survey, encompassing works from c.700 BC to the end of antiquity, Nigel Spivey expounds not only the social function of Greek sculpture but also its aesthetic and technical achievement. Fresh approaches are reconciled with traditional modes of study as the connoisseurship of this art is sympathetically unravelled, while source material and historical narratives are woven into detailed explanations, putting the art into its proper context. Greek Sculpture is the ideal textbook for students of classics, classical civilisation, art history and archaeology – and an accessible account for all interested readers.
| Author | : Jonathan Bardill |
| Publisher | : |
| Total Pages | : 134 |
| Release | : 1997 |
| Genre | : |
| ISBN | : |
| Author | : Jaś Elsner |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 344 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : 9780192842015 |
Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This stimulating new book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periodsof internal transformation within the Roman Empire: the phenomenon known as the 'Second Sophistic' (c. ad 100300)two centuries of self-conscious and enthusiastic hellenism, and the era of late antiquity (c. ad 250450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylisticchange, Jas Elsner presents a fresh and challenging account of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. 'a highly individual work . . . wonderful visual and comparative analysis . . . I can think of no other general book on Roman art that deals so elegantly and informatively with the theme of visuality and visual desire.' Professor Natalie Boymel Kampen, Barnard College, New York 'exciting and original . . . a vibrant impression of creative energy and innovation held in constant tension by the persistence of more traditional motifs and techniques. Elsner constantly surprises and intrigues the reader by approaching familiar material in new ways.' Professor Averil Cameron,Keble College, Oxford
| Author | : Lucy Grig |
| Publisher | : Oxford University Press |
| Total Pages | : 482 |
| Release | : 2015 |
| Genre | : History |
| ISBN | : 019024108X |
An integrated collection of essays by leading scholars, Two Romes explores the changing roles and perceptions of Rome and Constantinople in Late Antiquity. This important examination of the "two Romes" in comparative perspective illuminates our understanding not just of both cities but of the whole late Roman world.
| Author | : Shaun Tougher |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 233 |
| Release | : 2020-11-12 |
| Genre | : History |
| ISBN | : 1350164046 |
Eunuchs tend to be associated with eastern courts, popularly perceived as harem personnel. However, the Roman empire was also distinguished by eunuchs – they existed as slaves, court officials, religious figures and free men. This book is the first to be devoted to the range of Roman eunuchs. Across seven chapters (spanning the third century BC to the sixth century AD), Shaun Tougher examines the history of Roman eunuchs, focusing on key texts and specific individuals. Subjects met include the Galli (the self-castrating devotees of the goddess the Great Mother), Terence's comedy The Eunuch (the earliest surviving Latin text to use the word 'eunuch'), Sporus and Earinus the eunuch favourites of the emperors Nero and Domitian, the 'Ethiopian eunuch' of the Acts of the Apostles (an early convert to Christianity), Favorinus of Arles (a superstar intersex philosopher), the Grand Chamberlain Eutropius (the only eunuch ever to be consul), and Narses the eunuch general who defeated the Ostrogoths and restored Italy to Roman rule. A key theme of the chapters is gender, inescapable when studying castrated males. Ultimately this book is as much about the eunuch in the Roman imagination as it is the reality of the eunuch in the Roman empire.
| Author | : Matthew J. Milliner |
| Publisher | : Augsburg Fortress Publishers |
| Total Pages | : 313 |
| Release | : 2022-10-04 |
| Genre | : Art |
| ISBN | : 1506478751 |
Mother of the Lamb tells the remarkable story of a Byzantine icon: the Virgin of the Passion. Matthew Milliner traces the history, evolution, and theological significance of one of the most pervasive images of our time.
| Author | : Jaś Elsner |
| Publisher | : Oxford University Press |
| Total Pages | : 456 |
| Release | : 2018-05-02 |
| Genre | : Art |
| ISBN | : 0191081108 |
The passage from Imperial Rome to the era of late antiquity, when the Roman Empire underwent a religious conversion to Christianity, saw some of the most significant and innovative developments in Western culture. This stimulating book investigates the role of the visual arts, the great diversity of paintings, statues, luxury arts, and masonry, as both reflections and agents of those changes. Jas' Elsner's ground-breaking account discusses both Roman and early Christian art in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylistic change, he presents a fresh and challenging interpretation of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. This second edition includes a new discussion of the Eurasian context of Roman art, an updated bibliography, and new, full colour illustrations.
