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Painting of the Renaissance

Painting of the Renaissance
Author: Manfred Wundram
Publisher:
Total Pages: 172
Release: 1997
Genre: Art
ISBN:

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This penetrating study of one of the most fruitful epochs in European art presents the Renaissance not simply as the rebirth of classical styles, but also as the period that saw ""the invasion of man and his world into the domain of the arts"".


Portraits of the Renaissance

Portraits of the Renaissance
Author: Nathalie Mandel
Publisher:
Total Pages: 0
Release: 2007-10
Genre:
ISBN: 9782759402052

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Memling, Van Eyck, Antonello da Messina, Raphael, Holbein, Titian, Leonardo . . . these are the greatest names of the Renaissance which symbolize the ultimate in artistic achievement. Now their work is reproduced in this spectacular, luxury volume printed on cotton paper and exquisitely presented in a brown and turquoise linen case. Whether Italian, Flemish, or German, all were masters of the portrait, a style that was popular and much appreciated during the fifteenth and sixteenth centuries. The genius of these artists allowed them to overcome the limits of the genre and inscribe the art of portraiture into the universal history of mankind. Sharply focused and featuring meticulously researched illustrations, this beautiful book is the first of its kind to shed light on some of the most familiar images in art history. 70 illustrations


Painting in Renaissance Venice

Painting in Renaissance Venice
Author: Peter Humfrey
Publisher: Yale University Press
Total Pages: 338
Release: 1995-01-01
Genre: Art
ISBN: 9780300067156

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The Renaissance was a golden age in the long history of Venetian painting, and the art that came from Venice during that era includes some of the most visually exciting works in the whole of western art. This attractive book - a comprehensive account of painting in Venice from Bellini to Titian to Tintoretto - is an accessible introduction to the paintings of this period. Peter Humfrey surveys the development of a distinctly Venetian artistic tradition from the middle years of the fifteenth century to the end of the sixteenth century. He discusses the work of Jacopo and Giovanni Bellini, Giorgione, Titian, Veronese and Tintoretto as well as the paintings of those less well known - such as the three Vivarini, Cima, Carpaccio, Palma Vecchio, Lorenzo Lotto and Jacopo Bassano. Humfrey analyses these painters' works in terms of their pictorial style, technique, subject matter, patronage and function. He also sets the art against the background of the political, social and religious conditions of Renaissance Venice, as outlined in his Introduction. The book includes an appendix that provides brief biographies of thirty-six of the most important painters active in Renaissance Venice.


The Renaissance Restored

The Renaissance Restored
Author: Matthew Hayes
Publisher: Getty Publications
Total Pages: 210
Release: 2021-07-13
Genre: Art
ISBN: 160606696X

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This handsomely illustrated volume traces the intersections of art history and paintings restoration in nineteenth-century Europe. Repairing works of art and writing about them—the practices that became art conservation and art history—share a common ancestry. By the nineteenth century the two fields had become inseparably linked. While the art historical scholarship of this period has been widely studied, its restoration practices have received less scrutiny—until now. This book charts the intersections between art history and conservation in the treatment of Italian Renaissance paintings in nineteenth-century Europe. Initial chapters discuss the restoration of works by Giotto and Titian framed by the contemporary scholarship of art historians such as Jacob Burckhardt, G. B. Cavalcaselle, and Joseph Crowe that was redefining the earlier age. Subsequent chapters recount how paintings conservation was integrated into museum settings. The narrative uses period texts, unpublished archival materials, and historical photographs in probing how paintings looked at a time when scholars were writing the foundational texts of art history, and how contemporary restorers were negotiating the appearances of these works. The book proposes a model for a new conservation history, object-focused yet enriched by consideration of a wider cultural horizon.


Historical Dictionary of Renaissance Art

Historical Dictionary of Renaissance Art
Author: Lilian H. Zirpolo
Publisher: Rowman & Littlefield
Total Pages: 633
Release: 2016-08-19
Genre: Art
ISBN: 1442264675

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The art of the Renaissance is usually the most familiar to non-specialists, and for good reason. This was the era that produced some of the icons of civilization, including Leonardo da Vinci’s Mona Lisa and Last Supper and Michelangelo’s Sistine Ceiling, Pietà, and David. Marked as one of the greatest moments in history, the outburst of creativity of the era resulted in the most influential artistic revolution ever to have taken place. The period produced a substantial number of notable masters, among them Donatello, Filippo Brunelleschi, Masaccio, Sandro Botticelli, Raphael, Titian, and Tintoretto. This second edition of Historical Dictionary of Renaissance Art contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on artists from Italy, Flanders, the Netherlands, Germany, Spain, and Portugal, historical figures and events that impacted the production of Renaissance art. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Renaissance art.


Making Renaissance Art

Making Renaissance Art
Author: Kim Woods
Publisher: Yale University Press
Total Pages: 326
Release: 2007-01-01
Genre: Art
ISBN: 9780300121896

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This book explores key themes in the making of Renaissance painting, sculpture, architecture, and prints: the use of specific techniques and materials, theory and practice, change and continuity in artistic procedures, conventions and values. It also reconsiders the importance of mathematical perspective, the assimilation of the antique revival, and the illusion of life. Embracing the full significance of Renaissance art requires understanding how it was made. As manifestations of technical expertise and tradition as much as innovation, artworks of this period reveal highly complex creative processes--allowing us an inside view on the vexed issue of the notion of a renaissance.


Painting in Renaissance Italy

Painting in Renaissance Italy
Author: Simonetta Nava
Publisher: Rizzoli International Publications
Total Pages: 320
Release: 1999
Genre: Painting
ISBN:

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Beginning with Florence in the first half of the fifteenth century, Painting in Renaissance Italy travels through the regions of Italy and the different periods of the Renaissance, explaining the different physical and intellectual milieus in which the artists worked. By placing the artists and their work in context, this volume offers a more complete understanding and appreciation of the paintings of the Renaissance."--BOOK JACKET.


Art in Renaissance Italy, 1350-1500

Art in Renaissance Italy, 1350-1500
Author: Evelyn S. Welch
Publisher: Oxford University Press, USA
Total Pages: 356
Release: 2000
Genre: Art
ISBN: 9780192842794

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"Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).


How to Read Italian Renaissance Painting

How to Read Italian Renaissance Painting
Author: Stefano Zuffi
Publisher: Harry N. Abrams
Total Pages: 0
Release: 2010-03-01
Genre: Art
ISBN: 9780810989405

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Zuffi reveals the world of the Renaissance masters in a new and rich light. Each spread uses an important painting as a way to explain a key concept. Includes brief biographies of the major artists, provided an accessible introduction to the art and culture of the Italian Renaissance.


Painted Palaces: The Rise of Secular Art in Early Renaissance Italy

Painted Palaces: The Rise of Secular Art in Early Renaissance Italy
Author:
Publisher: Penn State Press
Total Pages: 348
Release: 2009
Genre: Art, Early Renaissance
ISBN: 9780271048307

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Even many Renaissance specialists believe that little secular painting survives before the late fifteenth century, and its appearance becomes a further argument for the secularizing of art. This book asks how history changes when a longer record of secular art is explored. It is the first study in any language of the decoration of Italian palaces and homes between 1300 and the mid-Quattrocento, and it argues that early secular painting was crucial to the development of modern ideas of art. Of the cycles discussed, some have been studied and published, but most are essentially unknown. A first aim is to enrich our understanding of the early Renaissance by introducing a whole corpus of secular painting that has been too long overlooked. Yet "Painted palaces" is not a study of iconography. In examining the prehistory of painted rooms like Mantegna's Camera Picta, the larger goal is to rethink the history of early Renaissance art.