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The Painted Page

The Painted Page
Author: Royal Academy of Arts (Great Britain)
Publisher: Prestel Publishing
Total Pages: 284
Release: 1994
Genre: Art
ISBN:

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Catalogue to accompany an exhibition to be held at the Royal Academy of Arts, London, 27 October 1994-22 January 1995 and afterwards in New York


New Testament Take-Home Books That Move!, Grades K - 2

New Testament Take-Home Books That Move!, Grades K - 2
Author: Heidi Shelton-Jenck
Publisher: Carson-Dellosa Publishing
Total Pages: 128
Release: 2008-08-28
Genre: Juvenile Nonfiction
ISBN: 1604185775

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Have fun with faith using New Testament Take-Home Books That Move! for grades K–2! This 128-page book features 28 captivating, easy-to-assemble storybooks that children love because the New Testament jumps off the pages right before their eyes! These book-making projects enrich children's joy and knowledge of the Bible. The book also includes patterns, instructions, and teaching tips.


Windows

Windows
Author: Lewis Foreman Day
Publisher:
Total Pages: 500
Release: 1902
Genre: Glass painting and staining
ISBN:

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10,000 Dreams Interpreted

10,000 Dreams Interpreted
Author: Gustavus Hindman Miller
Publisher: Sterling Publishing Company
Total Pages: 314
Release: 1997-02-26
Genre: Body, Mind & Spirit
ISBN: 9780760705254

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Includes index.


Arrow

Arrow
Author: Samantha M. Clark
Publisher: Simon and Schuster
Total Pages: 400
Release: 2021-06-22
Genre: Juvenile Fiction
ISBN: 1534465979

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Twelve-year-old Arrow was raised by the Guardian Tree in a rainforest protected by a magical veil, but now the veil is deteriorating and humans have entered, changing his life forever.


The Studio

The Studio
Author:
Publisher:
Total Pages: 358
Release: 1903
Genre: Art
ISBN:

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Patronage and Italian Renaissance Sculpture

Patronage and Italian Renaissance Sculpture
Author: DavidJ. Drogin
Publisher: Routledge
Total Pages: 286
Release: 2017-07-05
Genre: Art
ISBN: 1351554891

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The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception.