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| Author | : Roger Parker |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 618 |
| Release | : 2001 |
| Genre | : History |
| ISBN | : 9780192854452 |
A historical survey of opera, from its beginnings in Florence 400 years ago, up to opera in the 1990s.
| Author | : John Russell Brown |
| Publisher | : Oxford Illustrated History |
| Total Pages | : 598 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : 9780192854421 |
A scholarly look at 4,500 years of theater, beginning with its Greek origins and concluding with a study of theater since 1970.
| Author | : Carolyn Abbate |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 576 |
| Release | : 2015-09-08 |
| Genre | : Music |
| ISBN | : 0393089533 |
“The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.
| Author | : Piero Weiss |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 338 |
| Release | : 2002 |
| Genre | : History |
| ISBN | : 9780195116380 |
In Opera: A History in Documents, Piero Weiss presents a wide-ranging, vivid, and carefully researched tour of operatic history. A unique anthology of primary source material, this survey includes 115 chronologically organized selections--passages from private letters, public decrees, descriptions of first performances, portions of libretti, literary criticism and satire, newspaper reviews and articles, and poetry and fiction--from opera's late Renaissance infancy through modern times. This first-hand testimony allows students to experience the history of opera as eyewitnesses, offering an immediacy and validity unmatched by standard histories. Readers are transported to a Medici wedding in sixteenth-century Florence, to the Haymarket Theatre for a performance of Handel's Rinaldo, to Mozart at work on Die Entführung aus dem Serail, and to Bertolt Brecht's writing desk, among many other landmarks in opera's history. Weiss expertly guides students, providing highly accessible headnotes to each selection that both contextualize the excerpts and position them within the broader historical narrative. In addition, he offers original translations of more than half of the selections in the book, many of which appear here in English for the first time. Stage settings, costumes, portraits, contemporary playbills, and other illustrations enliven the text and help to recreate the feel of the era under discussion. Opera: A History in Documents is an intrinsically lively text that will enrich college courses on opera and delight any music-loving reader.
| Author | : Helen M. Greenwald |
| Publisher | : Oxford Handbooks |
| Total Pages | : 1217 |
| Release | : 2014 |
| Genre | : Music |
| ISBN | : 0195335538 |
Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators.
| Author | : Carolyn Abbate |
| Publisher | : Penguin UK |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Opera |
| ISBN | : 9780141009018 |
Abbate and Parker's A History of Opera is the first full new history of opera in sixty years - now in paperback in an updated second edition 'The best single volume ever written on the subject' The Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their scrupulous and provocative retelling of the history of opera, examining its development, the means by which it communicates, and its societal role. In a new revision with an expanded examination of opera as an institution in the twenty-first century this book explores the tensions that have sustained opera over 400 years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre's most popular and enduring works were almost all written in a distant European past, opera continues to transform the viewer with its enduring power.
| Author | : Felipe Fernández-Armesto |
| Publisher | : Oxford University Press |
| Total Pages | : 448 |
| Release | : 2019-01-03 |
| Genre | : History |
| ISBN | : 0191067202 |
Imagine the planet, as if from an immense distance of time and space, as a galactic observer might see it—with the kind of objectivity that we, who are enmeshed in our history, can ́t attain. The Oxford Illustrated History of the World encompasses the whole span of human history. It brings together some of the world's leading historians, under the expert guidance of Felipe Fernandez-Armesto, to tell the 200,000-year story of our world, from the emergence of homo sapiens through to the twenty-first century: the environmental convulsions; the interplay of ideas (good and bad); the cultural phases and exchanges; the collisions and collaborations in politics; the successions of states and empires; the unlocking of energy; the evolutions of economies; the contacts, conflicts, and contagions that have all contributed to making the world we now inhabit.
| Author | : Tim Carter |
| Publisher | : Oxford University Press |
| Total Pages | : 272 |
| Release | : 2015-09-16 |
| Genre | : Music |
| ISBN | : 0190247967 |
Opera is often regarded as the pinnacle of high art. A "Western" genre with global reach, it is where music and drama come together in unique ways, supported by stellar singers and spectacular scenic effects. Yet it is also patently absurd -- why should anyone break into song on the dramatic stage? -- and shrouded in mystique. In this engaging and entertaining guide, renowned music scholar Tim Carter unravels its many layers to offer a thorough introduction to Italian opera from the seventeenth to the early twentieth centuries. Eschewing the technical musical detail that all too often dominates writing on opera, Carter begins instead where the composers themselves did: with the text. Walking readers through the relationship between music and poetry that lies at the heart of any opera, Carter then offers explorations of five of the most enduring and emblematic Italian operas: Monteverdi's The Coronation of Poppea; Handel's Julius Caesar in Egypt; Mozart's The Marriage of Figaro; Verdi's Rigoletto; and Puccini's La Bohème. Shedding light on the creative collusions and collisions involved in bringing opera to the stage, the various, and varying, demands of the text and music, and the nature of its musical drama, Carter also shows how Italian opera has developed over the course of music history. Complete with synopses, cast lists, and suggested further reading for each work discussed, Understanding Italian Opera is a must-read for anyone with an interest in and love for this glorious art.
| Author | : Michele Girardi |
| Publisher | : University of Chicago Press |
| Total Pages | : 558 |
| Release | : 2000-08-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780226297576 |
Puccini's operas are among the most popular and widely performed in the world, yet few books have examined his body of work from an analytical perspective. This volume remedies that lack in lively prose accessible to scholars and opera enthusiasts alike.
| Author | : Ann Fiery |
| Publisher | : Chronicle Books |
| Total Pages | : 318 |
| Release | : 2003-08 |
| Genre | : Music |
| ISBN | : 9780811827744 |
A tribute to thirty renowned operas shares the plots and theatrical backgrounds of each, in a volume that covers such productions as Figaro and Turandot.
