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The Oxford Handbook of Shakespeare

The Oxford Handbook of Shakespeare
Author: Arthur F. Kinney
Publisher: Oxford University Press
Total Pages: 846
Release: 2012
Genre: Drama
ISBN: 0199566100

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Contains forty original essays.


The Oxford Handbook of Shakespeare and Performance

The Oxford Handbook of Shakespeare and Performance
Author: James C. Bulman
Publisher: Oxford University Press
Total Pages: 705
Release: 2017
Genre: Literary Criticism
ISBN: 0199687161

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The series statement "Oxford handbooks to Shakespeare" taken from dust jacket.


The Oxford Handbook of Shakespeare's Poetry

The Oxford Handbook of Shakespeare's Poetry
Author: Jonathan Post
Publisher: Oxford University Press
Total Pages: 775
Release: 2013-07-18
Genre: Drama
ISBN: 0199607745

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The Oxford Handbook of Shakespeare's Poetry provides the widest coverage yet of Shakespeare's poetry and its afterlife in English and other languages.


The Oxford Handbook of the Age of Shakespeare

The Oxford Handbook of the Age of Shakespeare
Author: Robert Malcolm Smuts
Publisher: Oxford University Press
Total Pages: 849
Release: 2016
Genre: History
ISBN: 0199660840

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This title offers literary scholars a variety of perspectives, insights and methodologies found in current historical work that inform the study of Shakespeare and his contemporaries.


The Oxford Handbook of Shakespeare and Embodiment

The Oxford Handbook of Shakespeare and Embodiment
Author: Valerie Traub
Publisher: Oxford University Press
Total Pages: 816
Release: 2016-09-08
Genre: Drama
ISBN: 0191019720

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The Oxford Handbook of Shakespeare and Embodiment brings together 42 of the most important scholars and writing on the subject today. Extending the purview of feminist criticism, it offers an intersectional paradigm for considering representations of gender in the context of race, ethnicity, sexuality, disability, and religion. In addition to sophisticated textual analysis drawing on the methods of historicism, psychoanalysis, queer theory, and posthumanism, a team of international experts discuss Shakespeare's life, contemporary editing practices, and performance of his plays on stage, on screen, and in the classroom. This theoretically sophisticated yet elegantly written Handbook includes an editor's Introduction that provides a comprehensive overview of current debates.


The Oxford Handbook of Shakespeare and Music

The Oxford Handbook of Shakespeare and Music
Author: Christopher R. Wilson
Publisher: Oxford University Press
Total Pages: 1289
Release: 2022
Genre: Drama
ISBN: 0190945141

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"This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts"--


The Oxford Handbook of Shakespearean Tragedy

The Oxford Handbook of Shakespearean Tragedy
Author: Michael Neill
Publisher: Oxford University Press
Total Pages: 993
Release: 2016
Genre: Literary Criticism
ISBN: 0198724195

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This handbook brings together 54 essays by scholars from all parts of the world. It offers a fresh and comprehensive understanding of Shakespeare tragedies as both works of literature and as performance texts, written by a playwright who was himself an experienced actor.


The Oxford Handbook of Holinshed's Chronicles

The Oxford Handbook of Holinshed's Chronicles
Author: Paulina Kewes
Publisher: Oxford University Press
Total Pages: 811
Release: 2013
Genre: History
ISBN: 0199565759

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The Handbook brings together forty articles by leading scholars of history, literature, religion, and classics, in the first full investigation of the significance of Raphael Holinshed's Chronicles of England, Scotland and Ireland (1577, 1587), the greatest of Elizabethan chronicles and a principal source for Shakespeare's history plays.


The Oxford Handbook of Shakespeare and Dance

The Oxford Handbook of Shakespeare and Dance
Author: Lynsey McCulloch
Publisher: Oxford University Press
Total Pages: 904
Release: 2019-01-28
Genre: Music
ISBN: 019049879X

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Shakespeare's texts have a long and close relationship with many different types of dance, from dance forms referenced in the plays to adaptations across many genres today. With contributions from experienced and emerging scholars, this handbook provides a concise reference on dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement - a process that raises questions of authorship and authority, cross-cultural communication, semantics, embodiment, and the relationship between word and image. Motivated by growing interest in movement, materiality, and the body, The Oxford Handbook of Shakespeare and Dance is the first collection to examine the relationship between William Shakespeare - his life, works, and afterlife - and dance. In the handbook's first section - Shakespeare and Dance - authors consider dance within the context of early modern life and culture and investigate Shakespeare's use of dance forms within his writing. The latter half of the handbook - Shakespeare as Dance - explores the ways that choreographers have adapted Shakespeare's work. Chapters address everything from narrative ballet adaptations to dance in musicals, physical theater adaptations, and interpretations using non-Western dance forms such as Cambodian traditional dance or igal, an indigenous dance form from the southern Philippines. With a truly interdisciplinary approach, The Oxford Handbook of Shakespeare and Dance provides an indispensable resource for considerations of dance and corporeality on Shakespeare's stage and the early modern era.


The Oxford Handbook of Shakespearean Comedy

The Oxford Handbook of Shakespearean Comedy
Author: Heather Hirschfeld
Publisher: Oxford University Press
Total Pages: 592
Release: 2018-09-06
Genre: Literary Criticism
ISBN: 0191043451

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The Oxford Handbook of Shakespearean Comedy offers critical and contemporary resources for studying Shakespeare's comic enterprises. It engages with perennial, yet still urgent questions raised by the comedies and looks at them from a range of new perspectives that represent the most recent methodological approaches to Shakespeare, genre, and early modern drama. Several chapters take up firmly established topics of inquiry such Shakespeare's source materials, gender and sexuality, hetero- and homoerotic desire, race, and religion, and they reformulate these topics in the materialist, formalist, phenomenological, or revisionist terms of current scholarship and critical debate. Others explore subjects that have only relatively recently become pressing concerns for sustained scholarly interrogation, such as ecology, cross-species interaction, and humoral theory. Some contributions, informed by increasingly sophisticated approaches to the material conditions and embodied experience of theatrical practice, speak to a resurgence of interest in performance, from Shakespeare's period through the first decades of the twenty-first century. Others still investigate distinct sets of plays from unexpected and often polemical angles, noting connections between the comedies under inventive, unpredicted banners such as the theology of adultery, early modern pedagogy, global exploration, or monarchical rule. The Handbook situates these approaches against the long history of criticism and provides a valuable overview of the most up-to-date work in the field.