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The Oxford Companion to Music

The Oxford Companion to Music
Author: Percy Alfred Scholes
Publisher:
Total Pages: 1091
Release: 1938
Genre:
ISBN:

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The Oxford companion to music

The Oxford companion to music
Author: Alison Latham
Publisher:
Total Pages: 1434
Release: 2011
Genre: Music
ISBN: 9780199579037

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This work replaces both the single-volume Oxford Companion to Music first published in 1938, and the subsequent two-volume New Oxford Companion to Music, published in 1983.


The Oxford Companion to Music

The Oxford Companion to Music
Author: Percy A. Scholes
Publisher:
Total Pages: 1462
Release: 1970
Genre: Music
ISBN:

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List of Books on Music

List of Books on Music
Author:
Publisher:
Total Pages: 450
Release: 1936
Genre: Music
ISBN:

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General Catalogue of Printed Books

General Catalogue of Printed Books
Author: British Museum. Department of Printed Books
Publisher:
Total Pages: 516
Release: 1964
Genre: English imprints
ISBN:

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The Cambridge Companion to Choral Music

The Cambridge Companion to Choral Music
Author: André De Quadros
Publisher: Cambridge University Press
Total Pages: 359
Release: 2012-08-16
Genre: Music
ISBN: 0521111730

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Bringing together perspectives on history, global activity and professional development, this Companion provides a unique overview of choral music.


The Oxford Handbook of Time in Music

The Oxford Handbook of Time in Music
Author: Mark Doffman
Publisher: Oxford University Press
Total Pages: 617
Release: 2020-11-01
Genre: Music
ISBN: 0190947292

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Music represents one of humanity's most vivid contemplations on the nature of time itself. The ways that music can modify, intensify, and even dismantle our understanding of time's passing is at the foundation of musical experience, and is common to listeners, composers, and performers alike. The Oxford Handbook of Time in Music provides a range of compelling new scholarship that examines the making of musical time, its effects and structures. Bringing together philosophical, psychological, and socio-cultural understandings of time in music, the chapters highlight the act of 'making' not just as cultural construction but also in terms of the perceptual, cognitive underpinnings that allow us to 'make' sense of time in music. Thus, the Handbook is a unique synthesis of divergent perspectives on the nature of time in music. With its focus on contemporary music (while paying attention to some of the generative temporalities of the nineteenth century), the volume establishes the richness and complexity of so much current music-making and in the process overcomes historic demarcations between art and popular musics.