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| Author | : Melvin Patrick Ely |
| Publisher | : University of Virginia Press |
| Total Pages | : 364 |
| Release | : 2001 |
| Genre | : History |
| ISBN | : |
Reprint of the 1991 Free Press edition, with Ely's (history, College of William and Mary) new eight-page preface. c. Book News Inc.
| Author | : Elizabeth McLeod |
| Publisher | : McFarland |
| Total Pages | : 224 |
| Release | : 2015-07-11 |
| Genre | : Performing Arts |
| ISBN | : 1476609713 |
This critical reexamination of Amos 'n' Andy, the pioneering creation of Charles Correll and Freeman Gosden, presents an unapologetic but balanced view lacking in most treatments. It relies upon an untapped resource--thousands of pages of scripts from the show's nearly forgotten earliest version, which most clearly reflected the vision of its creators. Consequently, it provides fresh insights and in part refutes the usual blanket condemnations of this groundbreaking show. The text incorporates numerous script excerpts, provides key background information, and also acknowledges the show's importance to radio broadcasting and modern entertainment.
| Author | : Charles J. Correll |
| Publisher | : |
| Total Pages | : 128 |
| Release | : 2013-10 |
| Genre | : |
| ISBN | : 9781258834142 |
This is a new release of the original 1929 edition.
| Author | : Bart Andrews |
| Publisher | : Dutton Adult |
| Total Pages | : 232 |
| Release | : 1986 |
| Genre | : Fiction |
| ISBN | : |
| Author | : Michele Hilmes |
| Publisher | : U of Minnesota Press |
| Total Pages | : 406 |
| Release | : 1997 |
| Genre | : Social Science |
| ISBN | : 9780816626212 |
Looks at the history of radio broadcasting as an aspect of American culture, and discusses social tensions, radio formats, and the roles of African Americans and women
| Author | : Andy Weinberger |
| Publisher | : Prospect Park Books |
| Total Pages | : 188 |
| Release | : 2019-12-03 |
| Genre | : Fiction |
| ISBN | : 1945551658 |
"Andy Weinberger has done something extraordinary with his first novel: he’s written a truly great detective novel that is fresh and original, but already feels like it’s a classic. In the tradition of Walter Mosley, Raymond Chandler, and Sue Grafton, semi-retired private eye Amos Parisman roams LA’s seedy and not-so-seedy neighborhoods in pursuit of justice. I don’t want another Amos Parisman novel—I want a dozen more!” — Amy Stewart When a controversial celebrity rabbi drops dead over his matzoh ball soup at the famed Canter's Deli in Los Angeles, retired private eye Amos Parisman— a sixtyish, no-nonsense Jewish detective who lives with his addled wife in Park La Brea—is hired by the temple's board to make sure everything is kosher. As he looks into what seems to be a simple, tragic accident, the ante is raised when more people start to die or disappear, and Amos uncovers a world of treachery and hurt that shakes a large L.A. Jewish community to its core.
| Author | : Christine Acham |
| Publisher | : U of Minnesota Press |
| Total Pages | : 256 |
| Release | : |
| Genre | : |
| ISBN | : 1452907072 |
Offers a complex reading of African Americans appearing on television in the 1960s and 1970s, finding within these programs opposition to white construction of African-American identity and the potential of television to effect social change and limitations.
| Author | : Mel Watkins |
| Publisher | : Chicago Review Press |
| Total Pages | : 638 |
| Release | : 1999-05-01 |
| Genre | : Humor |
| ISBN | : 1569767602 |
This comprehensive history of black humor sets it in the context of American popular culture. Blackface minstrelsy, Stepin Fetchit, and the Amos 'n' Andy show presented a distorted picture of African Americans; this book contrasts this image with the authentic underground humor of African Americans found in folktales, race records, and all-black shows and films. After generations of stereotypes, the underground humor finally emerged before the American public with Richard Pryor in the 1970s. But Pryor was not the first popular comic to present authentically black humor. Watkins offers surprising reassessments of such seminal figures as Fetchit, Bert Williams, Moms Mabley, and Redd Foxx, looking at how they paved the way for contemporary comics such as Whoopi Goldberg, Eddie Murphy, and Bill Cosby.
| Author | : Kathleen Fearn-Banks |
| Publisher | : Scarecrow Press |
| Total Pages | : 587 |
| Release | : 2005-11-15 |
| Genre | : Performing Arts |
| ISBN | : 081086522X |
From Amos 'n' Andy to The Jeffersons to Family Matters to Chappelle's Show, this volume covers it all with entries on all different genres_animation, documentaries, sitcoms, sports, talk shows, and variety shows_and performers such as Muhammad Ali, Louis Armstrong, Bill Cosby, and Oprah Winfrey. Additionally, information can be found on general issues, ranging from African American audiences and stereotypes through the related networks and organizations. This book has hundreds of cross-referenced entries, from A to Z, in the dictionary and a list of acronyms with their corresponding definitions. The extensive chronology shows who did what and when and the introduction traces the often difficult circumstances African American performers faced compared to the more satisfactory present situation. Finally, the bibliography is useful to those readers who want to know more about specific topics or persons.
| Author | : Paul Beatty |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 305 |
| Release | : 2015-03-03 |
| Genre | : Fiction |
| ISBN | : 0374712247 |
Winner of the Man Booker Prize Winner of the National Book Critics Circle Award in Fiction Winner of the John Dos Passos Prize for Literature New York Times Bestseller Los Angeles Times Bestseller Named One of the 10 Best Books of the Year by The New York Times Book Review Named a Best Book of the Year by Newsweek, The Denver Post, BuzzFeed, Kirkus Reviews, and Publishers Weekly Named a "Must-Read" by Flavorwire and New York Magazine's "Vulture" Blog A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant. Born in the "agrarian ghetto" of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral. Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.
