The Old Furniture Book With A Sketch Of Past Days And Ways PDF Download

Excerpt from The Old Furniture Book: With a Sketch of Past Days and Ways Oak panelling, like everything else, passed through various periods and styles. In Queen Elizabeth's time the panels were carried to within about two feet Of the cornice; then, after some years, there came a division into lower and upper panelling, the upper beginning at about the height Of the back Of a chair from the floor. Pictures became more common, and they were frequently let into the upper panelling, and then it was discarded altogether, only the lower half or dado being retained. This, too, after some years, became Old-fashioned, and the board known as skirt ing, or base-board, was all that was left Of the hand some sheathing which extended from the floor. Almost to the ceiling. This Old oak panelling was entirely without polish or varnish Of any kind, and grew with years and dust almost black in colour. Sometimes it was inlaid with other woods, and Often it was made for the rooms where it was placed. Where the panels are carved, they are generally bought in that state and set in plain framework by the household joiner. If, however, the frame is carved and the panels plain, they were made to suit the taste and purse Of the owner Of the mansion. Oak panelling took the place Of the arms, tapestry hangings, and crude wood-work Of earlier times. Of course it was adopted by the rich and luxurious, for it rendered more air-tight the draughty buildings. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.