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The Official Honeymooners Treasury

The Official Honeymooners Treasury
Author: Peter Crescenti
Publisher: BBS Publishing Corporation
Total Pages: 340
Release: 1989
Genre: Performing Arts
ISBN: 9780883657393

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Here is the first official guide to those lovable newlyweds, Ralph, Norton, Alice and Trixie. Packed with trivia, anecdotes and photos from the Classic 39.


The Official Honeymooners Treasury

The Official Honeymooners Treasury
Author: Peter Crescenti
Publisher: Perigee Trade
Total Pages:
Release:
Genre:
ISBN: 9780399596407

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Encyclopedia of Television

Encyclopedia of Television
Author: Horace Newcomb
Publisher: Routledge
Total Pages: 2732
Release: 2014-02-03
Genre: Language Arts & Disciplines
ISBN: 1135194793

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The Encyclopedia of Television, second edtion is the first major reference work to provide description, history, analysis, and information on more than 1100 subjects related to television in its international context. For a full list of entries, contributors, and more, visit the Encyclo pedia of Television, 2nd edition website.


Honeymooners

Honeymooners
Author: Bob Columbe
Publisher: Putnam Publishing Group
Total Pages: 100
Release: 1986
Genre: Performing Arts
ISBN: 9780399513084

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Critiquing the Sitcom

Critiquing the Sitcom
Author: Joanne Morreale
Publisher: Syracuse University Press
Total Pages: 388
Release: 2002-12-01
Genre: Performing Arts
ISBN: 9780815629832

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This is the first anthology that examines the TV sitcom in terms of its treatment of gender, family, class, race, and ethnic issues. The selections range from early shows such as I Remember Mama (George Lipsitz’s “Why Remember Mama? The Changing Face of a Woman’s Narrative”) to the more recent Roseanne (Kathleen Rowe Karlyn’s “Roseanne: Unruly Woman as a Domestic Goddess”). The volume also looks unflinchingly at major controversies; for example, the NAACP boycott of the stereotypical yet wildly popular Amos ‘n’ Andy and the queer reading of Laverne and Shirley. These diverse essays constitute a veritable history of postwar American mores. Some are classic, some forgotten, but all indicate the importance of considering text and subtext (social, historic, industrial) in the critical study of television. A final chapter by Joanne Morreale bids sitcoms adieu with the “cultural spectacle of Seinfeld’s last episode.”


Honey, I'm Home!

Honey, I'm Home!
Author: Gerard Jones
Publisher: Macmillan
Total Pages: 324
Release: 1993-03-15
Genre: Performing Arts
ISBN: 9780312088101

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Gerard Jone's Honey, I'm Home! has been widely acclaimed as the premier primer on America's Morality Plays-the TV situation comedies that have chained us to our Barcaloungers ever since Lucy first bawled her way into our hearts. Recalling the best and worst the sitcoms have had to offer, Jones recreates their atmosphere and their times with wisdom and style; paralleling the memory-lane trip is his shrewd and provocative assessment of the sitcom's influence on modern society. From Farther Knows Best to Married...with Children, from the empty calories of The Brady Bunch to the social commentary of All in the Family, Honey, I'm Home! is a connoisseur's guide to the sitcom world-where everybody knows your name, and any problem can be solved in twenty-two minutes, plus commercials.


The Poetics of the Common Knowledge

The Poetics of the Common Knowledge
Author: Don Byrd
Publisher: SUNY Press
Total Pages: 420
Release: 1994-01-01
Genre: Literary Criticism
ISBN: 9780791416860

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The Poetics of the Common Knowledge focuses on Descartes, Hegel, Freud, and the information theorists, on the one hand, and the poets of the American avant-garde, on the other. This book is a call literally for a new poetry, a new making that manifests the possibility for sense-making in a postmodern condition without universals or absolutes. In such a poetry, fragmentation bespeaks not brokenness but the richness of the world apprehended without the habits of recognition.


The Television Treasury

The Television Treasury
Author: Vincent Terrace
Publisher: McFarland
Total Pages: 253
Release: 2020-05-29
Genre: Performing Arts
ISBN: 1476680299

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The first and only of its kind, this book is a straightforward listing of more than 25,000 trivia facts from 2,498 TV series aired between 1947 and 2019. Organized by topic, trivia facts include everything from home addresses of characters, to names of pets and jobs that characters worked. Featured programs include popular shows like The Big Bang Theory and Friends and more obscure programs like A Date with Judy or My Friend Irma. Included is an alphabetical program index that lists trivia facts grouped by series.


Irish-American Autobiography

Irish-American Autobiography
Author: James Silas Rogers
Publisher: Catholic University of America Press + ORM
Total Pages: 222
Release: 2017-01-27
Genre: Social Science
ISBN: 0813229197

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This lively survey of the ever-changing Irish-American experience contains “many perceptive, and sometimes surprising, observations” (The Irish Times). Irish-American Autobiography explores the evolution of Irishness in America through memoirs that describe, define, and redefine what it means to be Irish. From athletes and entertainers to saloon keepers, community activists, and Catholic priests, Irish-Americans of all stripes share their thoughts and perceptions on their ever-evolving ethnic identity. Poet and Irish studies specialist James Silas Rogers begins his evocative analysis with celebrity memoirs by athletes like boxer John L. Sullivan and ballplayer Connie Mack―written when the Irish were eager to put their raffish origins behind them. Later, he traces the many tensions registered by lesser-known Irish-Americans who’ve told their life stories. South Boston step dancers set themselves against the larger culture, framing their identity as outsiders looking in. Even the classic 1950s sitcom The Honeymooners speaks to the poignant sense of exclusion felt by its creator Jackie Gleason. Rogers also examines the changing role of Catholicism as a cultural touchstone for Irish Americans, and examines the painful diffidence of priest autobiographers. Irish-American Autobiography becomes, in the end, a story of a continued search for connection—documenting an “ethnic fade” that never quite happened.