Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The New Wallace Stevens Studies PDF full book. Access full book title The New Wallace Stevens Studies.
| Author | : Bart Eeckhout |
| Publisher | : Cambridge University Press |
| Total Pages | : 259 |
| Release | : 2021-07-08 |
| Genre | : Literary Criticism |
| ISBN | : 1108833292 |
This book offers a wide-ranging display of innovative critical perspectives on the poetry of the American modernist Wallace Stevens.
| Author | : Lisa Goldfarb |
| Publisher | : Routledge |
| Total Pages | : 202 |
| Release | : 2012 |
| Genre | : Biography & Autobiography |
| ISBN | : 0415899109 |
This collection of critical essays considers the impact of New York City on the life and works of Wallace Stevens. Recent criticism of the poet has sought to understand how Stevens interacted with the literary, artistic, and cultural forces of his time to forge his inimitable aesthetic, with its peculiar mix of post-romantic responses to nature and a metropolitan cosmopolitanism. This book examines New York's influence at both the biographical and poetic levels, deepening our understanding of the poet.
| Author | : John N. Serio |
| Publisher | : Cambridge University Press |
| Total Pages | : 200 |
| Release | : 2007-01-18 |
| Genre | : Literary Criticism |
| ISBN | : 1139827545 |
Wallace Stevens is a major American poet and a central figure in modernist studies and twentieth-century poetry. This Companion introduces students to his work. An international team of distinguished contributors presents a unified picture of Stevens' poetic achievement. The Introduction explains why Stevens is among the world's great poets and offers specific guidance on how to read and appreciate his poetry. A brief biographical sketch anchors Stevens in the real world and illuminates important personal and intellectual influences. The essays following chart Stevens' poetic career and his affinities with both earlier and contemporary writers, artists, and philosophers. Other essays introduce students to the peculiarity and distinctiveness of Stevens' voice and style. They explain prominent themes in his work and explore the nuances of his aesthetic theory. With a detailed chronology and a guide to further reading, this Companion provides all the information a student or scholar of Stevens will need.
| Author | : Stefan Holander |
| Publisher | : Routledge |
| Total Pages | : 251 |
| Release | : 2008-02-19 |
| Genre | : Literary Criticism |
| ISBN | : 1135914001 |
This study examines Wallace Stevens' ideas and practice of poetic language with a focus on the 1930s, an era in which Stevens persistently thematized a keenly felt pressure for the possible social involvement and political utility of poetic language. The argument suggests how mutually implicated elements of his poetry such as diction, prosody and metaphor are relied on to signify or enact aesthetic closure; both in the negative terms of expressive impotence and unethical isolation and the positive ones of imaginative and linguistic change. In this respect, the study deals closely with the epistemologically and ethically fraught issue of the ambiguous and volatile role of non-semantic elements and linguistic difficulty in Stevens' language. Assuming that these facets are not exclusive to this period but receive a very clear, and therefore instructive, formulation in it, the discussion outlines some of Stevens' most central tropes for poetic creativity at this stage of his career, suggesting ways in which they came to form part of his later discourse on poetic functionality, when polemical concepts for the imagination, such as "evasion" and "escapism," became central. Stevens' prosody is discussed from within an eclectic analytical framework in which cumulative rhythmics is complemented by traditional metrics as a way of doing justice to his rich, varied and cognitively volatile use of verse language. The expressive potency of prosodic patterning is understood both as an effect of its resistance to semantic interpretation and by assuming a formal drive to interpret them in relation to the semantic and metaphoric staging of individual poems. A poem, in turn, is understood both as a strategic, stylistically deviant response to the challenges of a particular historical moment, and as an attempt to communicate through creating a sense of linguistic resistance and otherness.
| Author | : Alan Filreis |
| Publisher | : Cambridge University Press |
| Total Pages | : 412 |
| Release | : 1994-07-29 |
| Genre | : Literary Criticism |
| ISBN | : 9780521453844 |
A study of relations between American radicalism and modernism in the 1930s, focusing on Wallace Stevens.
| Author | : James Longenbach |
| Publisher | : Oxford University Press |
| Total Pages | : 353 |
| Release | : 1991-10-31 |
| Genre | : Literary Criticism |
| ISBN | : 0198023316 |
Wallace Stevens the poet and Wallace Stevens the insurance executive: for more than one critical generation it has seemed as if these two men were unacquainted--that Stevens was a poet who existed only in the rarefied world of language. However, the idea that Stevens lived a double life, the author maintains, is misleading. This compelling book uncovers what Stevens liked to think of as his "ordinary" life, a life in which the demands of politics, economics, poetry, and everyday distractions coexisted, sometimes peacefully and sometimes not. Examining the full scope of Stevens's career (from the student-poet of the nineteenth century to the award-winning poet of the Cold War years), Longenbach reveals that Stevens was not only aware of events taking place around him, but often inspired by those events. The major achievements of Stevens's career are shown to coalesce around the major historical events of his lifetime (the Great Depression and two World Wars); but Longenbach also dwells on Stevens's two extended periods of poetic silence, exploring the crucial aspects of Steven's life that were not exclusively poetic. Longenbach demonstrates that through Stevens's work in surety law he was far more intimately acquainted with legal and economic concerns than most poets, and he consequently thought deeply about the strengths--and, equally important, the limitations--of poetry as a social product and force.
| Author | : Bart Eeckhout |
| Publisher | : Cambridge University Press |
| Total Pages | : 259 |
| Release | : 2021-07-08 |
| Genre | : Literary Criticism |
| ISBN | : 1108976743 |
The New Wallace Stevens Studies introduces a range of fresh voices and promising topics to the study of this great American poet. It is organized into three sections. The first explores concepts that have begun to emerge in Stevens criticism: imperialism and colonialism, his politics of utopia, his ideas about community-building and audience, his secularism, and his transnationalism. The second section applies recent methodological and theoretical advances that have left a prominent mark on literary studies - from world literature and ecocriticism to urban studies, queer studies, intersectional thinking, and cognitive literary studies. Essays in the third section reassess issues that have long inspired critics. Here investigations include Stevens's reception by later poets, his attitude toward modern fiction, different modes of his poetic thinking, aspects of his rhetoric and style, and his lyrical ethics. This volume captures a cross-section of the most striking recent developments in Stevens criticism.
| Author | : Daniel Tompsett |
| Publisher | : Routledge |
| Total Pages | : 284 |
| Release | : 2012-09-10 |
| Genre | : Literary Criticism |
| ISBN | : 113630388X |
This book studies Wallace Stevens and pre-Socratic philosophy, showing how concepts that animate Stevens’ poetry parallel concepts and techniques found in the poetic works of Parmenides, Empedocles, and Xenophanes, and in the fragments of Heraclitus. Tompsett traces the transition of pre-Socratic ideas into poetry and philosophy of the post-Kantian period, assessing the impact that the mythologies associated with pre-Socratism have had on structures of metaphysical thought that are still found in poetry and philosophy today. This transition is treated as becoming increasingly important as poetic and philosophic forms have progressively taken on the existential burden of our post-theological age. Tompsett argues that Stevens’ poetry attempts to ‘play’ its audience into an ontological ground in an effort to show that his ‘reduction of metaphysics’ is not dry philosophical imposition, but is enacted by our encounter with the poems themselves. Through an analysis of the language and form of Stevens’ poems, Tompsett uncovers the mythology his poetry shares with certain pre-Socratics and with Greek tragedy. This shows how such mythic rhythms are apparent within the work of Friedrich Nietzsche, Martin Heidegger and Hans-Georg Gadamer, and how these rhythms release a poetic understanding of the violence of a ‘reduction of metaphysics.’
| Author | : Wallace Stevens |
| Publisher | : Stanford University Press |
| Total Pages | : 140 |
| Release | : 1989 |
| Genre | : Literary Criticism |
| ISBN | : 9780804715492 |
Presents Stevens' notebooks containing excerpts from his reading, his comments and aphorisms.
| Author | : Cary Wolfe |
| Publisher | : University of Chicago Press |
| Total Pages | : 239 |
| Release | : 2020-04-07 |
| Genre | : Literary Criticism |
| ISBN | : 022668797X |
The poems of Wallace Stevens teem with birds: grackles, warblers, doves, swans, nightingales, owls, peacocks, and one famous blackbird who summons thirteen ways of looking. What do Stevens’s evocations of birds, and his poems more generally, tell us about the relationship between human and nonhuman? In this book, the noted theorist of posthumanism Cary Wolfe argues for a philosophical and theoretical reinvention of ecological poetics, using Stevens as a test case. Stevens, Wolfe argues, is an ecological poet in the sense that his places, worlds, and environments are co-created by the life forms that inhabit them. Wolfe argues for a “nonrepresentational” conception of ecopoetics, showing how Stevens’s poems reward study alongside theories of system, environment, and observation derived from a multitude of sources, from Ralph Waldo Emerson and Niklas Luhmann to Jacques Derrida and Stuart Kauffman. Ecological Poetics is an ambitious interdisciplinary undertaking involving literary criticism, contemporary philosophy, and theoretical biology.
