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| Author | : Barbara Goldstein |
| Publisher | : University of Washington Press |
| Total Pages | : 360 |
| Release | : 2005 |
| Genre | : Public art |
| ISBN | : |
This is a nuts and bolts guide for arts professionals and volunteers creating public art in their communities, with information on planning, funding and legal issues.
| Author | : Suzanne Lacy |
| Publisher | : |
| Total Pages | : 300 |
| Release | : 1995 |
| Genre | : Art |
| ISBN | : |
"In this wonderfully bold and speculative anthology of writings, artists and critics offer a highly persuasive set of argument and pleas for imaginative, socially responsible, and socially responsive public art.... "--Amazon.
| Author | : Tom Finkelpearl |
| Publisher | : MIT Press |
| Total Pages | : 476 |
| Release | : 2000 |
| Genre | : Architecture |
| ISBN | : 9780262561488 |
Examining the changing attitudes toward the city as the site for public art.
| Author | : Jean Phifer |
| Publisher | : National Geographic Books |
| Total Pages | : 296 |
| Release | : 2009-03-17 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
"A guided tour of the best public art in all five boroughs of New York City, from outdoor sculputre in public plazas to murals and works of art in lobbies accessible to the public, outstanding landscapes, and even a few examples of artistic sidewalks and creative lighting."--Page 4 of cover.
| Author | : Cameron Cartiere |
| Publisher | : Routledge |
| Total Pages | : 291 |
| Release | : 2015-11-19 |
| Genre | : Social Science |
| ISBN | : 1317572025 |
The Everyday Practice of Public Art: Art, Space, and Social Inclusion is a multidisciplinary anthology of analyses exploring the expansion of contemporary public art issues beyond the built environment. It follows the highly successful publication The Practice of Public Art (eds. Cartiere and Willis), and expands the analysis of the field with a broad perspective which includes practicing artists, curators, activists, writers and educators from North America, Europe and Australia, who offer divergent perspectives on the many facets of the public art process. The collection examines the continual evolution of public art, moving beyond monuments and memorials to examine more fully the development of socially-engaged public art practice. Topics include constructing new models for developing and commissioning temporary and performance-based public artworks; understanding the challenges of a socially-engaged public art practice vs. social programming and policymaking; the social inclusiveness of public art; the radical developments in public art and social practice pedagogy; and unravelling the relationships between public artists and the communities they serve. The Everyday Practice of Public Art offers a diverse perspective on the increasingly complex nature of artistic practice in the public realm in the twenty-first century.
| Author | : Michele Cohen |
| Publisher | : The Monacelli Press, LLC |
| Total Pages | : 248 |
| Release | : 2009-04-14 |
| Genre | : Art |
| ISBN | : |
What makes a good schoolhouse? Beyond the basics of classrooms and library, a good school inspires students and teachers and enhances the learning environment through its architecture and its art. Nowhere is this principle better demonstrated than in the New York City school system, the largest in the United States, where a collection of more than 1,500 artworks has been assembled over nearly 150 years. This extraordinarily diverse group ranges from stained glass by Tiffany Studios to vast mural cycles commissioned by the WPA to modern and contemporary works by Hans Hofmann, Ben Shahn, Romare Bearden, Faith Ringgold, and Vito Acconci. Education has been a priority for Mayor Michael R. Bloomberg, and school construction and public art have expanded dramatically under his leadership. New school buildings have been commissioned from noted architects including Polshek Partnership, Pei Cobb Freed, and Arquitectonica, with installations by Tony Oursler, Sarah Morris, and James Casebere. Public Art for Public Schools provides a comprehensive and insightful account of the history and future of this program, lavishly illustrated with archival images from the Department of Education and handsome new photographs by the noted architectural photographer Stan Ries, which were specially commissioned for this publication.
| Author | : Harriet Senie |
| Publisher | : Smithsonian Institution |
| Total Pages | : 337 |
| Release | : 2014-07-15 |
| Genre | : Art |
| ISBN | : 1588344347 |
In this groundbreaking anthology, twenty-two artists, architects, historians, critics, curators, and philosophers explore the role of public art in creating a national identity, contending that each work can only be understood by analyzing the context in which it is commissioned, built, and received. They emphasize the historical continuum between traditional works such as Mount Rushmore, the Washington Monument, and the New York Public Library lions, in addition to contemporary memorials such as the Vietnam Veterans Memorial and the Names Project AIDS Quilt. They discuss the influence of patronage on form and content, isolate the factors that precipitate controversy, and show how public art overtly and covertly conveys civic values and national culture. Complete with an updated introduction, Critical Issues in Public Art shows how monuments, murals, memorials, and sculptures in public places are complex cultural achievements that must speak to increasingly diverse groups.
| Author | : Cameron Cartiere |
| Publisher | : Routledge |
| Total Pages | : 276 |
| Release | : 2008-05-07 |
| Genre | : Art |
| ISBN | : 113589468X |
This exciting new collection of essays by practicing artists, curators, activists, art writers, administrators, city planners, and educators offers divergent perspectives on the numerous facets of the public art process. The volume also includes a useful graphic timeline of public art history.
| Author | : Fred Evans |
| Publisher | : Columbia University Press |
| Total Pages | : 235 |
| Release | : 2018-11-20 |
| Genre | : Philosophy |
| ISBN | : 0231547366 |
Public space is political space. When a work of public art is put up or taken down, it is an inherently political statement, and the work’s aesthetics are inextricably entwined with its political valences. Democracy’s openness allows public art to explore its values critically and to suggest new ones. However, it also facilitates artworks that can surreptitiously or fortuitously undermine democratic values. Today, as bigotry and authoritarianism are on the rise and democratic movements seek to combat them, as Confederate monuments fall and sculptures celebrating diversity rise, the struggle over the values enshrined in the public arena has taken on a new urgency. In this book, Fred Evans develops philosophical and political criteria for assessing how public art can respond to the fragility of democracy. He calls for considering such artworks as acts of citizenship, pointing to their capacity to resist autocratic tendencies and reveal new dimensions of democratic society. Through close considerations of Chicago’s Millennium Park and New York’s National September 11 Memorial, Evans shows how a wide range of artworks participate in democratic dialogues. A nuanced consideration of contemporary art, aesthetics, and political theory, this book is a timely and rigorous elucidation of how thoughtful public art can contribute to the flourishing of a democratic way of life.
| Author | : Mara Polgovsky Ezcurra |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2023 |
| Genre | : Art |
| ISBN | : 9781477327630 |
"In this edited volume, Polgovsky Ezcurra and her contributors look at the rise in the creation of community-focused art projects, from public cinema, to off-stage dance and theatre, and to the creation of anti-monuments that have redefined what public art is and how people have engaged with it within Mexico City in particular, as well as other regions of Mexico, since the 1980s. With a mixture of in-depth studies and artist dossiers, the manuscript is organized into five main sections: Historical Return, Infra-Political Art, the Infrastructures of Commoning, Forensic Publics, and Grassroots Memorials and Distributed Publics"--
