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The New Music Theater

The New Music Theater
Author: Eric Salzman
Publisher: OUP USA
Total Pages: 417
Release: 2008-11-06
Genre: Literary Criticism
ISBN: 0195099362

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"The New Music Theater is the first comprehensive attempt in English to cover a still-emerging art form in its widest range. This book, written for the reader who comes from the contemporary worlds of music, theater, film, literature, and visual arts, provides a wealth of examples and descriptions, not only of the works themselves but of the concepts, ideas and trends that have gone into the evolution of what may be the most central performance art form of the post-modern world."--BOOK JACKET.


Musical Theatre Song

Musical Theatre Song
Author: Stephen Purdy
Publisher: Bloomsbury Publishing
Total Pages: 313
Release: 2016-02-25
Genre: Drama
ISBN: 1472595114

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Musical Theatre Song is a handbook for musical theatre performers, providing them with the wide-ranging skill set they need for success in today's competitive musical theatre environment. Breaking down the process into knowing how to select your song material based upon your individuality and how to prepare and perform it in a manner that best highlights your attributes, Stephen Purdy provides a succinct and personalized trajectory toward presentation, taking the reader through a series of challenges that is designed to evoke original, personal and vibrant song performances. Written by renowned Broadway and West End vocal and audition coach Stephen Purdy, Musical Theatre Song is a must-have guide for all performers who are looking to succeed in the musical theatre industry.


New Music Theatre in Europe

New Music Theatre in Europe
Author: Robert Adlington
Publisher: Routledge
Total Pages: 332
Release: 2020-12-18
Genre: Music theater
ISBN: 9780367730949

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Between 1955 and 1975 music theatre became a central preoccupation for European composers digesting the consequences of the revolutionary experiments in musical language that followed the end of the Second World War. The 'new music theatre' wrought multiple, significant transformations, serving as a crucible for the experimental rethinking of theatrical traditions, artistic genres, the conventions of performance, and the composer's relation to society. This volume brings together leading specialists from across Europe to offer a new appraisal of the genre. It is structured according to six themes that investigate: the relation of new music theatre to earlier and contemporaneous theories of drama; the use of new technologies; the relation of new music theatre to progressive politics; the role of new venues and environments; the advancement of new conceptions of the performer; and the challenges that new music theatre lays down for music analysis. Contributing authors address canonical works by composers such as Berio, Birtwistle, Henze, Kagel, Ligeti, Nono, and Zimmermann, but also expand the field to figures and artistic developments not regularly represented in existing music histories. Particular attention is given to new music theatre as a site of intense exchange - between practitioners of different art forms, across national borders, and with diverse mediating institutions.


The New Music Theater

The New Music Theater
Author: Eric Salzman
Publisher: Oxford University Press
Total Pages: 416
Release: 2008-11-06
Genre: Music
ISBN: 0190282762

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Alternatives to grand opera and the popular musical can be traced at least as far back as the 1912 premiere of Schoenberg's "Pierrot Lunaire." Yet this ongoing history has never been properly sorted out, its complex ideas and philosophy as well as musical and theatrical achievements never brought fully to light. The New Music Theater is the first comprehensive attempt in English to cover this still-emerging art form in its widest range. This book provides a wealth of examples and descriptions not only of the works themselves, but of the concepts, ideas, and trends that have gone into the evolution of what may be the most central performance art form of the post-modern world. Authors Salzman and Desi consider the subject of music theatre from a social as well as artistic point of view, exploring how theatre works in culture, and how music works in the theatre. Illuminating their discussion with illustrations from current artists and their works, The New Music Theater both describes where we have been and points the way to the future of this all-encompassing art form.


Ever After

Ever After
Author: Barry Singer
Publisher: Hal Leonard Corporation
Total Pages: 362
Release: 2004-01-01
Genre: Performing Arts
ISBN: 9781557835291

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A detailed show-by-show history of the last quarter century in American musical theater that attempts to explain how the storied Broadway tradition went so very wrong in many cases.


The Last Five Years

The Last Five Years
Author:
Publisher: Hal Leonard Corporation
Total Pages: 129
Release: 2003-07-01
Genre: Music
ISBN: 145843270X

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(Vocal Selections). Jason Robert Brown, the creator of Parade and Songs for a New World , has written a distinctive new Off-Broadway musical. The Last Five Years tells the story of a failed marriage of 20-somethings: he a successful novelist, she a struggling actress. Her story is told in reverse, his conventionally moving forward. They meet in the middle at the point of their wedding. Brown's strong writing has found a solid following among musical theatre fans. Our songbook features piano/vocal arrangements of 12 songs: Goodbye Until Tomorrow * I Can Do Better Than That * If I Didn't Believe in You * Moving Too Fast * The Next Ten Minutes * Nobody Needs to Know * A Part of That * The Schmuel Song * Shiksa Goddess * Still Hurting * A Summer in Ohio * When You Come Home to Me. "Short, bittersweet and nearly perfect, Brown has come up with a winning combination of music and book." Variety


Gestures of Music Theater

Gestures of Music Theater
Author: Dominic Symonds
Publisher: Oxford University Press, USA
Total Pages: 338
Release: 2014-02
Genre: Music
ISBN: 0199997160

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Gestures of Music Theater explores examples of Song and Dance as performative gestures that entertain and affect audiences. The chapters interact to reveal the complex energies of performativity. In experiencing these energies, music theatre is revealed as a dynamic accretion of active, complex and dialogical experiences.


The Musical

The Musical
Author: Richard Kislan
Publisher: Hal Leonard Corporation
Total Pages: 324
Release: 1995
Genre: Music
ISBN: 9781557832177

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(Applause Books). This revised and expanded edition of Kislan's acclaimed study of America's musical theater includes a new section on "Recent Musical Theater: Issues and Problems." "The ancient union of drama and song, known as musical theater, comes in many forms vaudeville, burlesque, comic opera, minstrels, etc. The author reviews these and other highlights of American musicals ... with a fascinating background on the elements that contribute to the success of a Showboat ." King Features * "Worth study by anyone who still thinks that the musical is a collection of songs." The Stage


150 Years of Popular Musical Theatre

150 Years of Popular Musical Theatre
Author: Andrew Lamb
Publisher: Yale University Press
Total Pages: 400
Release: 2000-01-01
Genre: Music
ISBN: 9780300075380

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Covers the development of musicals, from the earliest European operetta styles of France and Germany to the modern musical of the United States and Britain.


Mormons, Musical Theater, and Belonging in America

Mormons, Musical Theater, and Belonging in America
Author: Jake Johnson
Publisher: University of Illinois Press
Total Pages: 224
Release: 2019-06-30
Genre: Music
ISBN: 025205136X

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The Church of Jesus Christ of Latter-day Saints adopted the vocal and theatrical traditions of American musical theater as important theological tenets. As Church membership grew, leaders saw how the genre could help define the faith and wove musical theater into many aspects of Mormon life. Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common platform for transmitting political and theological ideas. Johnson sees Mormons using musical theater as a medium for theology of voice--a religious practice that suggests how vicariously voicing another person can bring one closer to godliness. This sounding, Johnson suggests, created new opportunities for living. Voice and the musical theater tradition provided a site for Mormons to negotiate their way into middle-class respectability. At the same time, musical theater became a unique expressive tool of Mormon culture.