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| Author | : Margreta De Grazia |
| Publisher | : Cambridge University Press |
| Total Pages | : 381 |
| Release | : 2010-03-25 |
| Genre | : Drama |
| ISBN | : 0521886325 |
Twenty-one essays provide lively and authoritative approaches to the literary, historical, cultural and performative aspects of Shakespeare works.
| Author | : Margreta de Grazia |
| Publisher | : Cambridge University Press |
| Total Pages | : 504 |
| Release | : 2001-04-05 |
| Genre | : Literary Criticism |
| ISBN | : 1139825984 |
This book offers a comprehensive, readable and authoritative introduction to the study of Shakespeare, by means of nineteen newly commissioned essays. An international team of prominent scholars provide a broadly cultural approach to the chief literary, performative and historical aspects of Shakespeare's work. They bring the latest scholarship to bear on traditional subjects of Shakespeare study, such as biography, the transmission of the texts, the main dramatic and poetic genres, the stage in Shakespeare's time and the history of criticism and performance. In addition, authors engage with more recently defined topics: gender and sexuality, Shakespeare on film, the presence of foreigners in Shakespeare's England and his impact on other cultures. Helpful reference features include chronologies of the life and works, illustrations, detailed reading lists and a bibliographical essay.
| Author | : Ayanna Thompson |
| Publisher | : Cambridge University Press |
| Total Pages | : 518 |
| Release | : 2021-02-25 |
| Genre | : Literary Criticism |
| ISBN | : 1108623298 |
The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. Moving well beyond Othello, the collection invites the reader to understand racialized discourses, rhetoric, and performances in all of Shakespeare's plays, including the comedies and histories. Race is presented through an intersectional approach with chapters that focus on the concepts of sexuality, lineage, nationality, and globalization. The collection helps students to grapple with the unique role performance plays in constructions of race by Shakespeare (and in Shakespearean performances), considering both historical and contemporary actors and directors. The Cambridge Companion to Shakespeare and Race will be the first book that truly frames Shakespeare studies and early modern race studies for a non-specialist, student audience.
| Author | : Claire McEachern |
| Publisher | : Cambridge University Press |
| Total Pages | : 325 |
| Release | : 2013-08-08 |
| Genre | : Drama |
| ISBN | : 110701977X |
This updated Companion has been fully revised and includes an extensively overhauled bibliography and four new chapters by leading scholars.
| Author | : Stanley Wells |
| Publisher | : Cambridge University Press |
| Total Pages | : 518 |
| Release | : 2002-05-30 |
| Genre | : Drama |
| ISBN | : 1139826484 |
This 2002 Companion is designed for readers interested in past and present productions of Shakespeare's plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early staging of Shakespeare's own time, through to the present day. Each relates Shakespearean developments to broader cultural concerns and adopts an individual approach and focus, on textual adaptation, acting, stages, scenery or theatre management. These are followed by three explorations of acting: tragic and comic actors and women performers of Shakespeare roles. A section on international performance includes chapters on interculturalism, on touring companies and on political theatre, with separate accounts of the performing traditions of North America, Asia and Africa. Over forty pictures illustrate peformers and productions of Shakespeare from around the world. An amalgamated list of items for further reading completes the book.
| Author | : Robert Shaughnessy |
| Publisher | : Cambridge University Press |
| Total Pages | : 267 |
| Release | : 2007-06-28 |
| Genre | : Literary Criticism |
| ISBN | : 1107495024 |
This Companion explores the remarkable variety of forms that Shakespeare's life and works have taken over the course of four centuries, ranging from the early modern theatrical marketplace to the age of mass media, and including stage and screen performance, music and the visual arts, the television serial and popular prose fiction. The book asks what happens when Shakespeare is popularized, and when the popular is Shakespeareanized; it queries the factors that determine the definitions of and boundaries between the legitimate and illegitimate, the canonical and the authorized and the subversive, the oppositional, the scandalous and the inane. Leading scholars discuss the ways in which the plays and poems of Shakespeare, as well as Shakespeare himself, have been interpreted and reinvented, adapted and parodied, transposed into other media, and act as a source of inspiration for writers, performers, artists and film-makers worldwide.
| Author | : Russell Jackson |
| Publisher | : Cambridge University Press |
| Total Pages | : 299 |
| Release | : 2020-12-17 |
| Genre | : Literary Criticism |
| ISBN | : 110836926X |
The Cambridge Companion to Shakespeare on Screen provides a lively guide to film and television productions adapted from Shakespeare's plays. Offering an essential resource for students of Shakespeare, the companion considers topics such as the early history of Shakespeare films, the development of 'live' broadcasts from theatre to cinema, the influence of promotion and marketing, and the range of versions available in 'world cinema'. Chapters on the contexts, genres and critical issues of Shakespeare on screen offer a diverse range of close analyses, from 'Classical Hollywood' films to the BBC's Hollow Crown series. The companion also features sections on the work of individual directors Orson Welles, Akira Kurosawa, Franco Zeffirelli, Kenneth Branagh, and Vishal Bhardwaj, and is supplemented by a guide to further reading and a filmography.
| Author | : Hannibal Hamlin |
| Publisher | : Cambridge University Press |
| Total Pages | : 331 |
| Release | : 2019-03-28 |
| Genre | : Literary Criticism |
| ISBN | : 1107172594 |
A wide-ranging yet accessible investigation into the importance of religion in Shakespeare's works, from a team of eminent international scholars.
| Author | : Michael Hattaway |
| Publisher | : Cambridge University Press |
| Total Pages | : 463 |
| Release | : 2002-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 113982631X |
Shakespeare's history plays have been performed more in recent years than ever before, in Britain, North America, and in Europe. This 2002 volume provides an accessible, wide-ranging and informed introduction to Shakespeare's history and Roman plays. It is attentive throughout to the plays as they have been performed over the centuries since they were written. The first part offers accounts of the genre of the history play, of Renaissance historiography, of pageants and masques, and of women's roles, as well as comparisons with history plays in Spain and the Netherlands. Chapters in the second part look at individual plays as well as other Shakespearean texts which are closely related to the histories. The Companion offers a full bibliography, genealogical tables, and a list of principal and recurrent characters. It is a comprehensive guide for students, researchers and theatre-goers alike.
| Author | : Catherine M. S. Alexander |
| Publisher | : Cambridge University Press |
| Total Pages | : 245 |
| Release | : 2009-07-16 |
| Genre | : Literary Criticism |
| ISBN | : 1139828282 |
Which plays are included under the heading 'Shakespeare's last plays', and when does Shakespeare's 'last' period begin? What is meant by a 'late play', and what are the benefits in defining plays in this way? Reflecting the recent growth of interest in late studies, and recognising the gaps in accessible scholarship on this area, in this book leading international Shakespeare scholars address these and many other questions. The essays locate Shakespeare's last plays - single and co-authored - in the period of their composition, consider the significant characteristics of their Jacobean context, and explore the rich afterlives, on stage, in print and other media of The Winter's Tale, Cymbeline, The Tempest, Pericles, The Two Noble Kinsmen and Henry VIII. The volume opens with a historical timeline that places the plays in the contexts of contemporary political events, theatrical events, other cultural milestones, Shakespeare's life and that of his playing company, the King's Men.
