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| Author | : M. Minnaert |
| Publisher | : Courier Corporation |
| Total Pages | : 362 |
| Release | : 2013-04-09 |
| Genre | : Science |
| ISBN | : 0486316734 |
A highly engaging study of mirages, illusions of multiple moons, the fata morgana, colored shadows and scores of other phenomena. "Pure pleasure." — Science and Math Weekly. 202 illustrations.
| Author | : Marcel Gilles Jozef Minnaert |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1954 |
| Genre | : Color |
| ISBN | : 9780883076514 |
| Author | : Marcel Gilles Jozef Minnaert |
| Publisher | : Courier Corporation |
| Total Pages | : 415 |
| Release | : 1954-01-01 |
| Genre | : Science |
| ISBN | : 0486201961 |
Explains such natural phenomena as rainbows, mirages, iridescent clouds, and halos for the scientist and the artist
| Author | : Marcel Minnaert |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 462 |
| Release | : 2012-12-06 |
| Genre | : Photography |
| ISBN | : 1461227224 |
All of science springs from the observation of nature. In this classic book, the late Professor Minnaert accompanies the reader on a tour of nature's light and color and reveals the myriad phenomena that may be observed outdoors with no more than a pair of eyes and an enquiring mind. From the intriguing shape of the dapples beneath a tree on a sunny day, via rainbows, mirages, and haloes, the colors of liquid, ice, and the sky, to the appearance of the sun, moon, planets, and stars - Minnaert describes and explains them all in a clear language accessible to laymen. This new English edition is supplemented by 80 plates, over half of them in color, taken by the acclaimed photographer Pekka Parviainen, illustrating many of the phenomena - ordinary and exotic - discussed in the book.
| Author | : David K. Lynch |
| Publisher | : Cambridge University Press |
| Total Pages | : 296 |
| Release | : 2001-06-11 |
| Genre | : Art |
| ISBN | : 9780521775045 |
We live in a world of optical marvels - from the commonplace but beautiful rainbow, to the rare and eerie superior mirage. But how many of us really understand how a rainbow is formed, why the setting sun is red and flattened, or even why the sky at night is not absolutely black? This beautiful and informative guide provides clear explanations to all naturally occurring optical phenomena seen with the naked eye, including shadows, halos, water optics, mirages and a host of other spectacles. Separating myth from reality, it outlines the basic principles involved, and supports them with many figures and references. A wealth of rare and spectacular photographs, many in full color, illustrate the phenomena throughout. In this new edition of the highly-acclaimed guide to seeing, photographing and understanding nature's optical delights, the authors have added over 50 new images and provided new material on experiments you can try yourself.
| Author | : Marcel Minnaert |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 484 |
| Release | : 1995-04-13 |
| Genre | : Photography |
| ISBN | : 9780387979359 |
All of science springs from the observation of nature. In this classic book, the late Professor Minnaert accompanies the reader on a tour of nature's light and color and reveals the myriad phenomena that may be observed outdoors with no more than a pair of eyes and an enquiring mind. From the intriguing shape of the dapples beneath a tree on a sunny day, via rainbows, mirages, and haloes, the colors of liquid, ice, and the sky, to the appearance of the sun, moon, planets, and stars - Minnaert describes and explains them all in a clear language accessible to laymen. This new English edition is supplemented by 80 plates, over half of them in color, taken by the acclaimed photographer Pekka Parviainen, illustrating many of the phenomena - ordinary and exotic - discussed in the book.
| Author | : Samuel J. Williamson |
| Publisher | : |
| Total Pages | : 536 |
| Release | : 1983-03-08 |
| Genre | : Philosophy |
| ISBN | : |
An introduction to the science of light and color and its applications to photography, art, natural phenomena, and other related areas. Explains the origin of phenomena commonly encountered in nature and art, emphasizing the physical aspects but also touching on aspects of physiology and psychology that directly influence how visual images are perceived. Covers the effect of mixing color, the notion of color spaces, how atoms and molecules affect light, how light can be measured, the effect of using a lens, and many other topics. Requires little or no mathematical background. Includes questions and references for further reading.
| Author | : Alan Dyer |
| Publisher | : Alan Dyer |
| Total Pages | : 674 |
| Release | : 2014-11-22 |
| Genre | : Photography |
| ISBN | : 0993958907 |
The book describes — How to shoot and process still image “nightscapes” – images of landscapes taken at night by the light of the Moon or stars … and … How to shoot and assemble time-lapse movies of the stars and Milky Way turning above Earthly scenes, all using DSLR cameras. The 400-page multi-touch book includes — 50 embedded HD videos (no internet connection required) demonstrating time-lapse techniques. 60 multi-page tutorials with step-by-step instructions of how to use software: Adobe Bridge, Adobe Camera Raw, Photoshop, Lightroom, LRTimelapse, Advanced Stacker Actions, StarStaX, Panolapse, Sequence, GBTimelapse, and more. Numerous Photo 101 sections explaining the basic concepts of photography and video production (f-stops, ISOs, file types, aspect ratios, frame rates, compression, etc.). Numerous Astronomy 101 sections explaining the basics of how the sky works (how the sky moves, where the Moon can be found, when the Milky Way can be seen, when and where to see auroras). Reviews of gear – I don’t just mention that specialized gear exists, I illustrate in detail how to use popular units such as the Time-Lapse+, Michron, and TriggerTrap intervalometers, and the All-View mount, Radian, Mindarin Astro, eMotimo, and Dynamic Perception motion-control units, with comments on what’s good – and not so good – to use. You’ll learn — What are the best cameras and lenses to buy (cropped vs. full-frame, Canon vs. Nikon, manual vs. automatic lenses, zooms vs. primes). How to set your cameras and lenses for maximum detail and minimum noise (following the mantra of “exposing to the right” and using dark frames). How to shoot auroras, conjunctions, satellites, comets, and meteor showers. How to shoot nightscapes lit only by moonlit, and how to determine where the Moon will be to plan a shoot. How to shoot & stitch panoramas of the night sky and Milky Way, using Photoshop and PTGui software. How to shoot tracked long exposures of the Milky Way using camera trackers such as the iOptron Star Tracker and Sky-Watcher Star Adventurer. How to develop Raw files, the essential first step to great images and movies. How to process nightscape stills using techniques such as compositing multiple exposures, masking ground and sky, and using non-destructive adjustment layers and smart filters. How to shoot and stack star trail images made of hundreds of frames. How to assemble time-lapse movies from those same hundreds of frames. How to plan a time-lapse shoot and calculate the best balance of exposure time vs. frame count vs. length of shoot, and recommended apps to use. How to process hundreds of frames using Adobe Camera Raw, Bridge, Photoshop, and Lightroom. How to shoot and process advanced “Holy Grail” time-lapse transitions from day to night. How to shoot motion-control sequences using specialized dolly and pan/tilt devices. How to use time-lapse processing tools such as LRTimelapse, Panolapse, Sequence, and Advanced Stacker Actions. What can go wrong and how best to avoid problems in the field.
| Author | : Mitchell Albala |
| Publisher | : Watson-Guptill |
| Total Pages | : 202 |
| Release | : 2011-11-15 |
| Genre | : Art |
| ISBN | : 0823008347 |
Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In Landscape Painting, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. Concise, practical, and inspirational, Landscape Painting focuses on the greatest challenges for the landscape artist, such as: • Simplification and Massing: Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.• Color and Light: Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.• Selection and Composition: Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities. The lessons in Landscape Painting—based on observation rather than imitation and applicable to both plein air and studio practice—are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives.
| Author | : Lizzie Susan Stebbing |
| Publisher | : Routledge |
| Total Pages | : 249 |
| Release | : 2018-05-08 |
| Genre | : Philosophy |
| ISBN | : 1351348051 |
This book is written by a philosopher for other philosophers and for that section of the reading public who buy in large quantities and, no doubt, devour with great earnestness the popular books written by scientists for their enlightenment. We common readers, to adapt a phrase from Samuel Johnson, are fitted neither to criticize physical theories not to decide what precisely are their implications. We are dependent upon the scientists for an exposition of those developments which – so we find them proclaiming – have important and far-reaching consequences for philosophy. Unfortunately, however, our popular expositors do not always serve us very well. The two who are most widely read in this country are Sir Arthur Eddington and Sir James Jeans. They are not always reliable guides. Their influence has been considerable upon the reading public, upon theologians, and upon preachers; they have even misled philosopher who should have known better. Accordingly, it has seemed to me to be worth while to examine in some detail the philosophical views that they have put forth and to criticize the grounds upon which these views are based.
