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The Name is Rajinikanth

The Name is Rajinikanth
Author: Gayathri Sreekanth
Publisher:
Total Pages: 382
Release: 2008
Genre: Biography & Autobiography
ISBN:

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Almost all show-world success stories in India appear the same. What sets individuals apart is the approach and the attitude once they reach the top. No one can resist a rags-to-riches story. It is every common man`s dream. But Rajinikanth`s story is irresistible. He continues to be an enigma to both his fans and contemporaries. He is simple Shivaji Rao Gaekwad who, by way of luck and hard work became a superstar, and continues to remain on top notwithstanding the vagaries of time. His starrer Muthu gave him an enviable identity globally, and sky seemed the limit after its unprecedented success in Japan. His latest, Shivaji has further spread his charisma globally. One can love Rajinikanth as millions do, one can hate him, as his detractors do, but the fact also remains no one can ignore him. None can shrug away his presence unless he or she is extremely insensitive to the film world. The book painstakingly seeks to record every nuance of Rajinikanth`s life: the joys and sorrows, the pains and ecstasies, loves and betrayals. It also does not shy away from underlining the two extremes that have remained an intrinsic part of his highly eventful career: the human and the divine. The book tells the essential truth about Rajinikanth that has thus far remained unknown to his vast fan following.


Rajinikanth

Rajinikanth
Author: Naman Ramachandran
Publisher: Penguin UK
Total Pages: 415
Release: 2014-01-15
Genre: Performing Arts
ISBN: 8184757964

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Rajinikanth is, quite simply, the biggest superstar cinema-crazy India has ever seen. His stylized dialogues and screen mannerisms are legion, and his guy-next-door-cum-superhero image has found a hysterically appreciative following among millions of moviegoers. Naman Ramachandran’s marvellous biography recounts Rajini’s career in meticulous detail, tracing his incredible cinematic journey from Apoorva Raagangal (1975) to Kochadaiyaan (2013). Along the way, the book provides rare insights into the Thalaivar’s personal life, from his childhood days to his times of struggle—when he was still Shivaji Rao Gaekwad—and then his eventual stardom: revealing how a legend was born.


Standing on an Apple Box

Standing on an Apple Box
Author: Aishwaryaa Rajinikanth Dhanush
Publisher: HarperCollins
Total Pages: 184
Release: 2016-12-10
Genre: Biography & Autobiography
ISBN: 9352641760

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Director, dancer, goodwill advocate for the United Nations: Aishwaryaa Rajinikanth Dhanush is so much more than the daughter of a legendary actor, or the wife of southern cinema's biggest star. Growing up in Bangalore and then Madras, in a household that resolutely kept out any hint of her father's superstardom, she was a quiet, introverted child whose greatest pleasure was a visit to Marina Beach and an occasional meal out. It was not cinema but law that became a preoccupation when she started thinking about college and career - but fate, and her mother, had other plans for her.Aishwaryaa writes with disarming honesty about life as Rajinikanth's daughter, of falling in love and raising two boys with Dhanush, of fighting her own demons and finding satisfaction in a career of her choice. She reflects on the many roles a woman has to juggle at home and outside - in her case, under the watchful gaze of cameras and celebrity-watchers.Intensely personal, but also inspirational, Aishwaryaa's memoir is an unusually frank insight into growing up in cinema-land. A playful meditation on the joys and difficulties of being a woman in this age, Standing on an Apple Box is as much a celebration of individual fulfilment as it is of family.


My Days with Baasha

My Days with Baasha
Author: Suresh Krissna
Publisher:
Total Pages: 0
Release: 2012
Genre: Motion picture actors and actresses
ISBN: 9789381626290

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RAJINIKANTH

RAJINIKANTH
Author: Vaasanthi Sundaram
Publisher:
Total Pages: 280
Release: 2021-04-05
Genre: Biography & Autobiography
ISBN: 9789390652105

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Superstar Rajinikanth defies all conventional analyses-no one has reigned supreme for as long as he has in the world of Indian cinema. With over 150 films under his belt, many of them blockbusters, he still plays the hero at seventy, and the devotion of his legions of fans has not waned during the forty-odd years of his stardom. In a state that saw the Dravidian self-respect movement propagate atheism, fans worship his cut-outs and bathe them with milk and beer, as if he were their god. In a society famous for its pride in its language, it is curious that a Kannadiga whose family hails from Maharashtra, an outsider, should emerge as a 'thalaivar', or leader. With the death of the charismatic J. Jayalalithaa, a former actor, and M. Karunanidhi, who was a scriptwriter for films-leaders of the AIADMK and DMK respectively (the two main Dravidian political parties that have been ruling Tamil Nadu for more than sixty years)-Rajinikanth's fans believed there was a political vacuum that only he could fill. While the actor has been dabbling in politics, by making pronouncements on certain issues, including Jayalalithaa's policies, the Cauvery water sharing problem between Tamil Nadu and Karnataka, bomb attacks in the state and so on, it was only in 2017 that he promised to form his own party and contest all 234 seats in the 2021 assembly elections. For decades, his fans had been awaiting this moment, believing that he could solve all their problems and give them a life free from strife and governance free of corruption. His fan clubs went into high gear to turn themselves into the foundation of their thalaivar's political party, attracting more members and working on the ground all over the state. For three years, every utterance of Rajinikanth's was analysed and debated even more vociferously than anything he has said in the past. Political opponents questioned his experience and pointed out that (even after forty years) he was an outsider who did not understand the undercurrents of Tamil Nadu politics; his detractors criticized the lack of a clear ideology behind his promise of 'spiritual politics'; political analysts who saw that Rajini was close to the BJP anticipated that he might enter into an alliance with them, allowing the right-wing party a foothold in the state. Ultimately, however, the seventy-year-old superstar withdrew from the political arena citing health concerns. The fans were hugely disappointed but understanding. With their continuing support and excitement for the next Rajini-starrer, he remains a giant in the field of entertainment. Rajinikanth: A Life is the best account yet of the man who was born Shivaji Rao Gaekwad-once a coolie and a bus conductor in Bangalore and now virtually a god in Tamil Nadu.


Autobiography of a Yogi

Autobiography of a Yogi
Author: Paramahansa Yogananda
Publisher: The Floating Press
Total Pages: 860
Release: 2009-01-01
Genre: Biography & Autobiography
ISBN: 1775411451

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The autobiography of Paramahansa Yogananda (1893 - 1952) details his search for a guru, during which he encountered many spiritual leaders and world-renowned scientists. When it was published in 1946 it was the first introduction of many westerners to yoga and meditation. The famous opera singer Amelita Galli-Curci said about the book: "Amazing, true stories of saints and masters of India, blended with priceless superphysical information-much needed to balance the Western material efficiency with Eastern spiritual efficiency-come from the vigorous pen of Paramhansa Yogananda, whose teachings my husband and myself have had the pleasure of studying for twenty years."


My Father Balliah

My Father Balliah
Author: Y.B. Satyanarayana
Publisher: Harper Collins
Total Pages: 236
Release: 2011-12-21
Genre: Biography & Autobiography
ISBN: 9350294370

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The extraordinary story of a Dalit family in southern India Poised to inherit a huge tract of land gifted by the Nizam to his father, twenty-one-year-old Narsiah loses it to a feudal lord. This triggers his migration from Vangapally, his ancestral village in the Karimnagar District of Telangana - the single most important event that would free his family and future generations from caste oppression. Years later, it saves his son Baliah from the fate reserved for most Dalits: a life of humiliation and bonded labour. A book written with the desire to make known the inhumanity of untouchability and the acquiescence and internalization of this condition by the Dalits themselves, Y.B. Satyanarayana chronicles the relentless struggle of three generations of his family in this biography of his father. A narrative that derives its strength from the simplicitywith which it is told, My Father Baliah is a story of great hardship and greater resilience.


Murder on the Menu

Murder on the Menu
Author: Nirupama Subramanian
Publisher:
Total Pages: 0
Release: 2021
Genre: Businessmen
ISBN: 9789391165307

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Doing Style

Doing Style
Author: Constantine V. Nakassis
Publisher: University of Chicago Press
Total Pages: 336
Release: 2016-04-25
Genre: Education
ISBN: 022632785X

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Doing style -- Brand and brandedness -- Brandedness and the production of surfeit -- Style and the threshold of English -- Bringing the distant voice close -- College heroes and film stars -- Status through the screen -- Media's entanglements.


Conversations with Mani Ratnam

Conversations with Mani Ratnam
Author: Baradwaj Rangan
Publisher: Penguin UK
Total Pages: 391
Release: 2013-12-10
Genre: Performing Arts
ISBN: 8184756909

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Mani Ratnam’s Nayakan is among Time’s ‘100 Best Movies Ever’; and Roja launched A.R. Rahman. This book, unique to Indian cinema, illuminates the genius of the man behind these and eighteen other masterly films. For the first time ever, Mani Ratnam opens up here, to Baradwaj Rangan, about his art, as well as his life before films. In these freewheeling conversations—candid, witty, pensive, and sometimes combative—many aspects of his films are explored. Ratnam elaborates in a personal vein on his choice of themes, from the knottiness in urban relationships (Agni Natchatiram) to the rents in the national fabric (Bombay); his directing of children (Anjali); his artful use of songs; his innovative use of lighting; as also his making of films in Hindi and other languages. There are fond recollections of collaborations with stalwarts like Balu Mahendra, P.C. Sreeram, Thotta Tharrani and Gulzar, among many others. And delectable behind-the-scenes stories—from the contrasting working styles of the legendary composer Ilaiyaraaja and Rahman to the unexpected dimensions Kamal Haasan brought to the filming of Nayakan to what Raavan was like when originally conceived. In short, like Mani Ratnam’s films, Conversations surprises, entertains and stimulates. With Rangan’s personal and impassioned introduction setting the Tamil and national context of the films, and with posters, script pages and numerous stills, this book is a sumptuous treat for serious lovers of cinema as well as the casual moviegoer looking for a peek behind the process.