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| Author | : Marco Arnaudo |
| Publisher | : JHU Press |
| Total Pages | : 218 |
| Release | : 2013-05 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1421409534 |
Translated for the first time into English, The Myth of the Superhero looks beyond the cape, the mask, and the superpowers, presenting a serious study of the genre and its place in a broader cultural context.
| Author | : John Shelton Lawrence |
| Publisher | : Wm. B. Eerdmans Publishing |
| Total Pages | : 429 |
| Release | : 2002 |
| Genre | : History |
| ISBN | : 0802825737 |
As the nation seems to yearn for redemption from the evils that threaten its tranquility, the authors maintain that Joseph Campbell's monomythic hero is alive and well, but significantly displaced, in American popular culture.
| Author | : Andrew R. Bahlmann |
| Publisher | : McFarland |
| Total Pages | : 214 |
| Release | : 2016-04-27 |
| Genre | : Social Science |
| ISBN | : 1476625182 |
Superheroes have been an integral part of popular society for decades and have given rise to a collective mythology familiar in popular culture worldwide. Though scholars and fans have recognized and commented on this mythology, its structure has gone largely unexplored. This book provides a model and lexicon for identifying the superhero mythos. The author examines the myth in several narratives--including Buffy the Vampire Slayer, Green Arrow and Beowulf--and discusses such diverse characters as Batman, Wolverine, Invincible and John Constantine.
| Author | : Richard Reynolds |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 140 |
| Release | : 1994 |
| Genre | : Humor |
| ISBN | : 9780878056941 |
A study of one of popular culture's superstars whose enchanting mystique pervades the modern world
| Author | : Russell W Dalton |
| Publisher | : Chalice Press |
| Total Pages | : 240 |
| Release | : 2011-04-01 |
| Genre | : Religion |
| ISBN | : 0827223609 |
What makes someone a hero? In the early 1960's, the image of a superhero was someone with a square jaw, a muscular build, and a quick smile whose biggest personal problem was trying to keep their girlfriends from guessing their secret identities. Then writer Stan Lee and artists Jack Kirby and Steve Ditko created a group of superheroes who revolutionized comics. These heroes, including The Fantastic Four, The Incredible Hulk, Spider-man, The X-men, Iron Man, Captain America and others, were not perfect heroes living in a perfect world, but fallible people with physical ailments and personal problems like our own. While the authors and artists who created them did not intend to write explicitly religious stories, their tales of imperfect heroes who try to do the right thing despite the many challenges they face, provide us with the opportunity to reflect on our own faith journeys as we strive to live heroic lives in the real world. Each chapter reflects on the heroes' most famous adventures and discusses the ways in which we are called to overcome many of the same obstacles they face as we strive to carry out the ministries to which God calls us. Each chapter ends with questions for reflection or group study.
| Author | : Danny Fingeroth |
| Publisher | : A&C Black |
| Total Pages | : 196 |
| Release | : 2004-01-01 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 9780826415394 |
Why are so many of the superhero myths tied up with loss, often violent, of parents or parental figures? What is the significance of the dual identity? What makes some superhuman figures "good" and others "evil"? Why are so many of the prime superheroes white and male? How has the superhero evolved over the course of the 20th and early 21st centuries? And how might the myths be changing? Why is it that the key superhero archetypes - Superman, Batman, Wonder Woman, Spider-Man, the X-Men - touch primal needs and experiences in everyone? Why has the superhero moved beyond the pages of comics into other media? All these topics, and more, are covered in this lively and original exploration of the reasons why the superhero - in comic books, films, and TV - is such a potent myth for our times and culture.>
| Author | : Chris Gavaler |
| Publisher | : University of Iowa Press |
| Total Pages | : 306 |
| Release | : 2015-11 |
| Genre | : Social Science |
| ISBN | : 1609383818 |
Most readers think that superheroes began with Superman’s appearance in Action Comics No. 1, but that Kryptonian rocket didn’t just drop out of the sky. By the time Superman’s creators were born, the superhero’s most defining elements—secret identities, aliases, disguises, signature symbols, traumatic origin stories, extraordinary powers, self-sacrificing altruism—were already well-rehearsed standards. Superheroes have a sprawling, action-packed history that predates the Man of Steel by decades and even centuries. On the Origin of Superheroes is a quirky, personal tour of the mythology, literature, philosophy, history, and grand swirl of ideas that have permeated western culture in the centuries leading up to the first appearance of superheroes (as we know them today) in 1938. From the creation of the universe, through mythological heroes and gods, to folklore, ancient philosophy, revolutionary manifestos, discarded scientific theories, and gothic monsters, the sweep and scale of the superhero’s origin story is truly epic. We will travel from Jane Austen’s Bath to Edgar Rice Burroughs’s Mars to Owen Wister’s Wyoming, with some surprising stops along the way. We’ll meet mad scientists, Napoleonic dictators, costumed murderers, diabolical madmen, blackmailers, pirates, Wild West outlaws, eugenicists, the KKK, Victorian do-gooders, detectives, aliens, vampires, and pulp vigilantes (to name just a few). Chris Gavaler is your tour guide through this fascinating, sometimes dark, often funny, but always surprising prehistory of the most popular figure in pop culture today. In a way, superheroes have always been with us: they are a fossil record of our greatest aspirations and our worst fears and failings.
| Author | : Michael D. Nichols |
| Publisher | : McFarland |
| Total Pages | : 209 |
| Release | : 2021-02-22 |
| Genre | : Performing Arts |
| ISBN | : 1476681597 |
Breaking box office records, the Marvel Cinematic Universe has achieved an unparalleled level of success with fans across the world, raising the films to a higher level of narrative: myth. This is the first book to analyze the Marvel output as modern myth, comparing it to epics, symbols, rituals, and stories from world religious traditions. This book places the exploits of Iron Man, Captain America, Black Panther, and the other stars of the Marvel films alongside the legends of Achilles, Gilgamesh, Arjuna, the Buddha, and many others. It examines their origin stories and rites of passage, the monsters, shadow-selves, and familial conflicts they contend with, and the symbols of death and the battle against it that stalk them at every turn. The films deal with timeless human dilemmas and questions, evoking an enduring sense of adventure and wonder common across world mythic traditions.
| Author | : Christopher Wood |
| Publisher | : McFarland |
| Total Pages | : 265 |
| Release | : 2021-01-04 |
| Genre | : Social Science |
| ISBN | : 1476683158 |
Epic battles, hideous monsters and a host of petty gods--the world of Classical mythology continues to fascinate and inspire. Heroes like Herakles, Achilles and Perseus have influenced Western art and literature for centuries, and today are reinvented in the modern superhero. What does Iron Man have to do with the Homeric hero Odysseus? How does the African warrior Memnon compare with Marvel's Black Panther? Do DC's Wonder Woman and Xena the Warrior Princess reflect the tradition of Amazon women such as Penthesileia? How does the modern superhero's journey echo that of the epic warrior? With fresh insight into ancient Greek texts and historical art, this book examines modern superhero archetypes and iconography in comics and film as the crystallization of the hero's journey in the modern imagination.
| Author | : Dan Hassler-Forest |
| Publisher | : John Hunt Publishing |
| Total Pages | : 288 |
| Release | : 2012-12-06 |
| Genre | : Literary Criticism |
| ISBN | : 1780991800 |
In the same way that Stallone and Schwarzenegger played film heroes who came to embody the values of Ronald Reagans aggressive conservative agenda in the 1980s, the 21st-century film narratives of Batman, Spider-Man and Superman reflect the policies of the Bush Doctrine after 9/11. This book offers a groundbreaking study of the relationship that exists between post-9/11 American politics and the contemporary superhero movie phenomenon. No other Hollywood subgenre was as consistently popular during the George W. Bush presidency, as films such as Spider-Man, Superman Returns, Iron Man, and The Dark Knight embodied the key contradictions that inform the cultural and political life of the post-9/11 years. By combining in-depth analyses of numerous major superhero films from this era with astute readings of contemporary critical theory, this book offers accessible and academically potent insight into the complex interplay between politics, ideology, and entertainment in the 21st century. ,
