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| Author | : Michael Musgrave |
| Publisher | : Cambridge University Press |
| Total Pages | : 294 |
| Release | : 1995-04-13 |
| Genre | : Music |
| ISBN | : 9780521375627 |
This is the first book to reconstruct the musical history of the Crystal Palace. In doing so, Michael Musgrave also offers a unique survey of British musical life stretching from the Victorian period to the eve of the Second World War.
| Author | : Jeffrey Green |
| Publisher | : Routledge |
| Total Pages | : 307 |
| Release | : 2015-10-06 |
| Genre | : Literary Criticism |
| ISBN | : 1317322630 |
Green’s study is more than a biography of an Anglo-African composer.The first comprehensive study of Coleridge-Taylor’s life for almost a century, it reveals how class-ridden Britain could embrace even the most unlikely of cultural icons.
| Author | : Robert Beale |
| Publisher | : Routledge |
| Total Pages | : 340 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351572318 |
Charles Hall?as one of the leading musicians of the nineteenth century and intimate with almost all of the great composers and performers of his time, as well as a friend of the Royal Family and known as much as a pianist and chamber musician as a conductor, in London, throughout the country and abroad, in addition to Manchester. Robert Beale presents a new perspective on Hall? life and achievement, constructed mainly from primary sources, which serves to dispel many of the inaccuracies and omissions that have stemmed, to a great extent, from Hall? own autobiographical account of 1896. His edited memoirs omit much of the competition and controversy, struggles and disappointments of his career in Manchester, and, indeed, hardly convey the scope of his activities elsewhere. Hall?as a key figure in the shift from contemporary to ?classical? repertory in orchestral concerts and piano performance. Not only did he found the Manchester orchestra, in 1862-3 he also gave the first known cycle of Beethoven's piano sonatas. His early annual ?recital? series in London marked a new era in the musical history of his time. The formation of the modern 'symphony orchestra' took place during the period of Hall? professional life, and he was a pioneer in the process, in both artistic and business terms. Having adopted the role of orchestral conductor when it was itself relatively novel, he became one of the acknowledged masters of the craft over four and half decades - as well as continuing to appear as solo pianist and chamber musician, and in addition he was enormously influential as musical pedagogue and educationist.
| Author | : Alan Harrington |
| Publisher | : Hassell Street Press |
| Total Pages | : 296 |
| Release | : 2021-09-09 |
| Genre | : |
| ISBN | : 9781014682390 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Jennifer L. Oates |
| Publisher | : Routledge |
| Total Pages | : 333 |
| Release | : 2016-04-22 |
| Genre | : Music |
| ISBN | : 1317124057 |
Hamish MacCunn’s career unfolded amidst the restructuring of British musical culture and the rewriting of the Western European political landscape. Having risen to fame in the late 1880s with a string of Scottish works, MacCunn further highlighted his Caledonian background by cultivating a Scottish artistic persona that defined him throughout his life. His attempts to broaden his appeal ultimately failed. This, along with his difficult personality and a series of poor professional choices, led to the slow demise of what began as a promising career. As the first comprehensive study of MacCunn’s life, the book illustrates how social and cultural situations as well as his personal relationships influenced his career. While his fierce loyalty to his friends endeared him to influential people who helped him throughout his career, his refusal of his Royal College of Music degree and his failure to complete early commissions assured him a difficult path. Drawing upon primary resources, Oates traces the development of MacCunn’s music chronologically, juxtaposing his Scottish and more cosmopolitan compositions within a discussion of his life and other professional activities. This picture of MacCunn and his music reveals on the one hand a talented composer who played a role in establishing national identity in British music and, on the other, a man who unwittingly sabotaged his own career.
| Author | : Robert Beale |
| Publisher | : Routledge |
| Total Pages | : 304 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351572326 |
Charles Hallas one of the leading musicians of the nineteenth century and intimate with almost all of the great composers and performers of his time, as well as a friend of the Royal Family and known as much as a pianist and chamber musician as a conductor, in London, throughout the country and abroad, in addition to Manchester. Robert Beale presents a new perspective on Hall life and achievement, constructed mainly from primary sources, which serves to dispel many of the inaccuracies and omissions that have stemmed, to a great extent, from Hall own autobiographical account of 1896. His edited memoirs omit much of the competition and controversy, struggles and disappointments of his career in Manchester, and, indeed, hardly convey the scope of his activities elsewhere. Hallas a key figure in the shift from contemporary to classical repertory in orchestral concerts and piano performance. Not only did he found the Manchester orchestra, in 1862-3 he also gave the first known cycle of Beethoven's piano sonatas. His early annual recital series in London marked a new era in the musical history of his time. The formation of the modern 'symphony orchestra' took place during the period of Hall professional life, and he was a pioneer in the process, in both artistic and business terms. Having adopted the role of orchestral conductor when it was itself relatively novel, he became one of the acknowledged masters of the craft over four and half decades - as well as continuing to appear as solo pianist and chamber musician, and in addition he was enormously influential as musical pedagogue and educationist.
| Author | : Roy Johnston |
| Publisher | : Routledge |
| Total Pages | : 353 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351542117 |
Roy Johnston and Declan Plummer provide a refreshing portrait of Belfast in the nineteenth century. Before his death Roy Johnston, had written a full draft, based on an impressive array of contemporary sources, with deep and detailed attention especially to contemporary newspapers. With the deft and sensitive contribution of Declan Plummer the finished book offers a telling view of Belfasts thriving musical life. Largely without the participation and example of local aristocracy, nobility and gentry, Belfasts musical society was formed largely by the townspeople themselves in the eighteenth century and by several instrumental and choral societies in the nineteenth century. As the town grew in size and developed an industrial character, its townspeople identified increasingly with the large industrial towns and cities of the British mainland. Efforts to place themselves on the principal touring circuit of the great nineteenth-century concert artists led them to build a concert hall not in emulation of Dublin but of the British industrial towns. Belfast audiences had experienced English opera in the eighteenth century, and in due course in the nineteenth century they found themselves receiving the touring opera companies, in theatres newly built to accommodate them. Through an energetic groundwork revision of contemporary sources, Johnston and Plummer reveal a picture of sustained vitality and development that justifies Belfasts prominent place the history of nineteenth-century musical culture in Ireland and more broadly in the British Isles.
| Author | : Jan Piggott |
| Publisher | : Univ of Wisconsin Press |
| Total Pages | : 248 |
| Release | : 2004 |
| Genre | : Architecture |
| ISBN | : 9780299200947 |
Built for the Great Exhibition of 1851, the Crystal Palace originally graced London's Hyde Park with Joseph Paxton's remarkable geometric design and groundbreaking use of glass elements, prefiguring the modern movement in architecture. After the exhibition a group of bankers, railway directors, and men of influence moved the structure to a new site in south London, rebuilt it to an even grander scale, and set about its promotion as a "palace for the multitude." Here were exhibitions, concerts, and spectaculars to fill a splendid day out for Londoners of all classes and interests. Filled with plaster casts of great art treasures, life-sized models of dinosaurs, waterworks, and gardens, the Crystal Palace became a center of both education and entertainment from the Victorian era through its destruction by fire in1936. Copublished with C. Hurst & Co., London Wisconsin edition for sale only in North and South America, U.S. territories and dependencies, and the Philippines.
| Author | : James Grande |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 169 |
| Release | : 2023-11-16 |
| Genre | : Music |
| ISBN | : 1501376381 |
This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.
| Author | : Peter Holman |
| Publisher | : Routledge |
| Total Pages | : 467 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351557319 |
The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.
