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| Author | : Dave Randall |
| Publisher | : Left Book Club |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Music |
| ISBN | : 9780745399300 |
The story of one musician's journey to discover how music can be used as a political tool, for good and bad.
| Author | : Anne McCaffrey |
| Publisher | : Del Rey |
| Total Pages | : 386 |
| Release | : 2002-02-19 |
| Genre | : Fiction |
| ISBN | : 0345457552 |
From the Hugo and Nebula award-winning authors comes the Petaybee series, full of gripping fantasy and daring adventure. Strange things are happening on the icy planet of Petaybee: Unauthorized genetically engineered species have been spotted; geologic survey teams sent to locate newly detected mineral deposits are either coming up empty or disappearing altogether. And the locals aren’t talking—especially not to the company bent on exploiting the planet. Disabled combat veteran Yanaba Maddock seems to be the perfect spy for the company. The frailty that was a liability in the military allows her to gain the trust of the Petaybean natives. But miraculously, with Yana’s relocation to the arctic planet comes the return of her health and strength. And the closer she gets to the people of Petaybee, the more determined she is to protect her new home. For something unusual and wonderful is happening on Petaybee. Something worth fighting for, even dying for—but especially, something worth living for. . . .
| Author | : Richard Powers |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 250 |
| Release | : 2014-01-20 |
| Genre | : Fiction |
| ISBN | : 0393242684 |
From the Pulitzer Prize–winning author of The Overstory, an emotionally charged novel inspired by the myth of Orpheus. "Bravo, Richard Powers, for hitting so many high notes with Orfeo and contributing to the fraction of books that really matter." —Heller McAlpin, NPR In Orfeo, composer Peter Els opens the door one evening to find the police on his doorstep. His home microbiology lab—the latest experiment in his lifelong attempt to find music in surprising patterns—has aroused the suspicions of Homeland Security. Panicked by the raid, Els turns fugitive and hatches a plan to transform this disastrous collision with the security state into an unforgettable work of art that will reawaken its audience to the sounds all around it.
| Author | : Richard Powers |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 642 |
| Release | : 2004-01-01 |
| Genre | : Fiction |
| ISBN | : 0374706417 |
“The last novel where I rooted for every character, and the last to make me cry.” - Marlon James, Elle From the Pulitzer Prize–winning author of The Overstory and the Oprah's Book Club selection Bewilderment comes Richard Powers's magnificent, multifaceted novel about a supremely gifted—and divided—family, set against the backdrop of postwar America. On Easter day, 1939, at Marian Anderson’s epochal concert on the Washington Mall, David Strom, a German Jewish émigré scientist, meets Delia Daley, a young Black Philadelphian studying to be a singer. Their mutual love of music draws them together, and—against all odds and their better judgment—they marry. They vow to raise their children beyond time, beyond identity, steeped only in song. Jonah, Joseph, and Ruth grow up, however, during the civil rights era, coming of age in the violent 1960s, and living out adulthood in the racially retrenched late century. Jonah, the eldest, “whose voice could make heads of state repent,” follows a life in his parents’ beloved classical music. Ruth, the youngest, devotes herself to community activism and repudiates the white culture her brother represents. Joseph, the middle child and the narrator of this generation-bridging tale, struggles to find himself and remain connected to them both. Richard Powers's The Time of Our Singing is a story of self-invention, allegiance, race, cultural ownership, the compromised power of music, and the tangled loops of time that rewrite all belonging.
| Author | : Lawrence Eugene Sullivan |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1997 |
| Genre | : Music |
| ISBN | : 9780945454120 |
The Confucian Sacrificial Ceremony, the Choctaw ball game, the chanting of the Qur'an, these are some of the topics addressed in this collection of essays by eminent scientists as they consider the links between music and religion in world culture.
| Author | : Vladimir L. Marchenkov |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 9781576471760 |
This book examines the key turning points in the history of the Orpheus myth as factors that shaped, and continues to shape, our conceptions of music's powers. From its beginnings in archaic Antiquity to the latest major opera based on it, the story of Orpheus and Eurydice has been used by poets, philosophers, and musicians to express an increasingly complex set of ideas about what music can do. The study follows three threads in the myth's history: changes in form, cultural status, and the resulting visions of the powers of song. The most spectacular change in form is the role played by Eurydice who evolves from a generic, voiceless type into a rich music-philosophical symbol. Equally fascinating is the entangled issue of Orpheus's success and failure. In terms of cultural status, the story remains a genuine myth, ?even alongside its non-mythical forms, ?until the early modern period. Modernity problematizes the existence of myth but its mythophobia becomes a symptom of its own profound irrationality. Accordingly, the powers of music evolve from mythic omnipotence to screaming contradictions that demand, but fail to achieve, resolution. From Monteverdi and Striggio to Birtwistle and Zinovieff, composers and librettists turn to Orpheus and Eurydice to express their sense of music's place in human existence. The undulating tapestry of their strikingly diverse answers points to the need to rethink, once again, the fundamentals of our musical culture.
| Author | : Sandy Tolan |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 502 |
| Release | : 2015-07-16 |
| Genre | : History |
| ISBN | : 1408853051 |
Children of the Stone is the unlikely story of Ramzi Hussein Aburedwan, a boy from a Palestinian refugee camp in Ramallah who confronts the occupying army, gets an education, masters an instrument, dreams of something much bigger than himself, and then inspires scores of others to work with him to make that dream a reality. That dream is of a music school in the midst of a refugee camp in Ramallah, a school that will transform the lives of thousands of children through music. Daniel Barenboim, the Israeli musician and music director of La Scala in Milan and the Berlin Opera, is among those who help Ramzi realize his dream. He has played with Ramzi frequently, at chamber music concerts in Al-Kamandjati, the school Ramzi worked so hard to build, and in the West-Eastern Divan Orchestra that Barenboim founded with the late Palestinian intellectual, Edward Said. Children of the Stone is a story about music, freedom and conflict; determination and vision. It's a vivid portrait of life amid checkpoints and military occupation, a growing movement of nonviolent resistance, the past and future of musical collaboration across the Israeli-Palestinian divide, and the potential of music to help children see new possibilities for their lives. Above all, Children of the Stone chronicles the journey of Ramzi Aburedwan, and how he worked against the odds to create something lasting and beautiful in a war-torn land.
| Author | : David Halberstam |
| Publisher | : Open Road Media |
| Total Pages | : 1431 |
| Release | : 2012-12-18 |
| Genre | : Social Science |
| ISBN | : 1453286098 |
A Pulitzer Prize winner’s in-depth look at four media-business giants: CBS-TV, Time magazine, the Washington Post, and the Los Angeles Times. In this fascinating New York Times bestseller, the author of The Best and the Brightest, The Fifties, and other acclaimed histories turns his investigative eye to the rise of the American media in the twentieth century. Focusing on the successes and failures of CBS Television, Time magazine, the Washington Post, and the Los Angeles Times, David Halberstam paints a portrait of the era when large, powerful mainstream media sources emerged as a force, showing how they shifted from simply reporting the news to becoming a part of it. By examining landmark events such as Franklin D. Roosevelt’s masterful use of the radio and the unprecedented coverage of the Watergate break-in, Halberstam demonstrates how print and broadcast media as a whole became a player in society and helped shape public policy. Drawn from hundreds of exhaustive interviews with insiders at each company, and hailed by the Seattle Times as “a monumental X-ray study of power,” The Powers That Be reveals the tugs-of-war between political ambition and the quest for truth in a page-turning read. This ebook features an extended biography of David Halberstam.
| Author | : Ann Powers |
| Publisher | : HarperCollins |
| Total Pages | : 340 |
| Release | : 2017-08-15 |
| Genre | : History |
| ISBN | : 0062463713 |
NPR Best Books of 2017 In this sweeping history of popular music in the United States, NPR’s acclaimed music critic examines how popular music shapes fundamental American ideas and beliefs, allowing us to communicate difficult emotions and truths about our most fraught social issues, most notably sex and race. In Good Booty, Ann Powers explores how popular music became America’s primary erotic art form. Powers takes us from nineteenth-century New Orleans through dance-crazed Jazz Age New York to the teen scream years of mid-twentieth century rock-and-roll to the cutting-edge adventures of today’s web-based pop stars. Drawing on her deep knowledge and insights on gender and sexuality, Powers recounts stories of forbidden lovers, wild shimmy-shakers, orgasmic gospel singers, countercultural perverts, soft-rock sensitivos, punk Puritans, and the cyborg known as Britney Spears to illuminate how eroticism—not merely sex, but love, bodily freedom, and liberating joy—became entwined within the rhythms and melodies of American song. This cohesion, she reveals, touches the heart of America's anxieties and hopes about race, feminism, marriage, youth, and freedom. In a survey that spans more than a century of music, Powers both heralds little known artists such as Florence Mills, a contemporary of Josephine Baker, and gospel queen Dorothy Love Coates, and sheds new light on artists we think we know well, from the Beatles and Jim Morrison to Madonna and Beyoncé. In telling the history of how American popular music and sexuality intersect—a magnum opus over two decades in the making—Powers offers new insights into our nation psyche and our soul.
| Author | : Nicholas Hammond |
| Publisher | : Penn State Press |
| Total Pages | : 144 |
| Release | : 2020-01-16 |
| Genre | : History |
| ISBN | : 0271085517 |
The long and spectacular reign of Louis XIV of France is typically described in overwhelmingly visual terms. In this book, Nicholas Hammond takes a sonic approach to this remarkable age, opening our ears to the myriad ways in which sound revealed the complex acoustic dimensions of class, politics, and sexuality in seventeenth-century Paris. The discovery in the French archives of a four-line song from 1661 launched Hammond’s research into the lives of the two men referenced therein—Jacques Chausson and Guillaume de Guitaut. In retracing the lives of these two men (one sentenced to death by burning and the other appointed to the Ordre du Saint-Esprit), Hammond makes astonishing discoveries about each man and the ways in which their lives intersected, all in the context of the sounds and songs heard in the court of Louis XIV and on the streets and bridges of Paris. Hammond’s study shows how members of the elite and lower classes in Paris crossed paths in unexpected ways and, moreover, how noise in the ancien régime was central to questions of crime and punishment: street singing was considered a crime in itself, and yet street singers flourished, circulating information about crimes that others may have committed, while political and religious authorities wielded the powerful sounds of sermons and public executions to provide moral commentaries, to control crime, and to inflict punishment. This innovative study explores the theoretical, social, cultural, and historical contexts of the early modern Parisian soundscape. It will appeal to scholars interested in sound studies and the history of sexuality as well as those who study the culture, literature, and history of early modern France.
