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The Music of Hamish Maccunn

The Music of Hamish Maccunn
Author: Alasdair Jamieson
Publisher: Author House
Total Pages: 477
Release: 2013-03-05
Genre: Music
ISBN: 1477235051

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For many people, Hamish MacCunns name is forever associated with one work The Land of the Mountain and the Flood. Yet, in his short life (1868 1916) he wrote other equally fi ne orchestral works, cantatas, two grand operas and over 100 songs. This book is the fi rst detailed examination of his output, providing a contextual basis for, and a stylistic analysis of his major works. In this way it seeks to establish informed criteria by which a truer assessment of MacCunns signifi cance may be made, challenging the sovereignty of The Land of the Mountain and the Flood in the publics reckoning, and hence revealing it to be not an isolated peak but one summit among many.


Hamish MacCunn (1868-1916): A Musical Life

Hamish MacCunn (1868-1916): A Musical Life
Author: Jennifer L. Oates
Publisher: Routledge
Total Pages: 333
Release: 2016-04-22
Genre: Music
ISBN: 1317124057

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Hamish MacCunn’s career unfolded amidst the restructuring of British musical culture and the rewriting of the Western European political landscape. Having risen to fame in the late 1880s with a string of Scottish works, MacCunn further highlighted his Caledonian background by cultivating a Scottish artistic persona that defined him throughout his life. His attempts to broaden his appeal ultimately failed. This, along with his difficult personality and a series of poor professional choices, led to the slow demise of what began as a promising career. As the first comprehensive study of MacCunn’s life, the book illustrates how social and cultural situations as well as his personal relationships influenced his career. While his fierce loyalty to his friends endeared him to influential people who helped him throughout his career, his refusal of his Royal College of Music degree and his failure to complete early commissions assured him a difficult path. Drawing upon primary resources, Oates traces the development of MacCunn’s music chronologically, juxtaposing his Scottish and more cosmopolitan compositions within a discussion of his life and other professional activities. This picture of MacCunn and his music reveals on the one hand a talented composer who played a role in establishing national identity in British music and, on the other, a man who unwittingly sabotaged his own career.


Hamish MacCunn (1868-1916)

Hamish MacCunn (1868-1916)
Author: Jennifer Oates
Publisher:
Total Pages: 270
Release: 2013
Genre: Composers
ISBN: 9781315586090

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Hamish MacCunn (1868-1916): A Musical Life

Hamish MacCunn (1868-1916): A Musical Life
Author: Jennifer L. Oates
Publisher: Routledge
Total Pages: 287
Release: 2016-04-22
Genre: Music
ISBN: 1317124065

Download Hamish MacCunn (1868-1916): A Musical Life Book in PDF, ePub and Kindle

Hamish MacCunn’s career unfolded amidst the restructuring of British musical culture and the rewriting of the Western European political landscape. Having risen to fame in the late 1880s with a string of Scottish works, MacCunn further highlighted his Caledonian background by cultivating a Scottish artistic persona that defined him throughout his life. His attempts to broaden his appeal ultimately failed. This, along with his difficult personality and a series of poor professional choices, led to the slow demise of what began as a promising career. As the first comprehensive study of MacCunn’s life, the book illustrates how social and cultural situations as well as his personal relationships influenced his career. While his fierce loyalty to his friends endeared him to influential people who helped him throughout his career, his refusal of his Royal College of Music degree and his failure to complete early commissions assured him a difficult path. Drawing upon primary resources, Oates traces the development of MacCunn’s music chronologically, juxtaposing his Scottish and more cosmopolitan compositions within a discussion of his life and other professional activities. This picture of MacCunn and his music reveals on the one hand a talented composer who played a role in establishing national identity in British music and, on the other, a man who unwittingly sabotaged his own career.


Hamish MacCunn, 1868-1916

Hamish MacCunn, 1868-1916
Author: Stuart Scott
Publisher: Stuart Scott
Total Pages: 24
Release: 2002-01-01
Genre: Composers
ISBN: 9780953251223

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Three Overtures

Three Overtures
Author: Hamish MacCunn
Publisher: A-R Editions, Inc.
Total Pages: 168
Release: 2010-01-01
Genre: Music
ISBN: 0895796562

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Hamish MacCunn (1868-1916) had his first big success with his concert overture The Land of the Mountain and the Flood, which premiered on 5 November 1887 at the Crystal Palace through the auspices of Sir George Grove (1820-1900) and under the baton of August Manns (1825-1907). A few months later, Manns introduced MacCunn¿s orchestral ballad, The Ship o¿ the Fiend, and The Dowie Dens o¿ Yarrow premiere followed on 13 October 1888. These three overtures established MacCunn as a composer, were three of his most regularly performed works during his lifetime, and remain his most often recorded and performed works today. All three works were published around the time of their premieres, although fewer than a dozen libraries in the United States and the United Kingdom hold these scores. This edition is the first publication of any of MacCunn¿s scores (not including reprints and arrangements by others) since the mid-twentieth century.


Europe, Empire, and Spectacle in Nineteenth-Century British Music

Europe, Empire, and Spectacle in Nineteenth-Century British Music
Author: Julian Rushton
Publisher: Routledge
Total Pages: 296
Release: 2017-07-05
Genre: Music
ISBN: 1351567632

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This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The objective of the volume has been to add significantly to the growing literature on these topics. It benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture, including religious, political and social life. The essays are by scholars from the USA, Britain, and Europe, covering a wide range of experience. Topics range from the reception of Bach, Mozart, and Liszt in England, a musical response to Shakespeare, Italian opera in Dublin, exoticism, gender, black musical identities, British musicians in Canada, and uses of music in various theatrical genres and state ceremony, and in articulating the politics of the Union and Empire.