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| Author | : MUSES. |
| Publisher | : |
| Total Pages | : 108 |
| Release | : 1792 |
| Genre | : Songs, English |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 370 |
| Release | : 1779 |
| Genre | : English poetry |
| ISBN | : |
| Author | : François Lissarrague |
| Publisher | : Princeton University Press |
| Total Pages | : 159 |
| Release | : 2014-07-14 |
| Genre | : Crafts & Hobbies |
| ISBN | : 1400861152 |
In deepening our understanding of the symposium in ancient Greece, this book embodies the wit and play of the images it explains: those decorating Athenian drinking vessels from the sixth and fifth centuries B.C. The vases used at banquets often depict the actual drinkers who commissioned their production and convey the flowing together of wine, poetry, music, games, flirtation, and other elements that formed the complex structure of the banquet itself. A close reading of the objects handled by drinkers in the images reveals various metaphors, particularly that of wine as sea, all expressing a wide range of attitudes toward an ambiguous substance that brings cheer but may also cause harm. Not only does this work offer an anthropological view of ancient Greece, but it explores a precise iconographic system. In so doing it will encourage and enrich further reflection on the role of the image in a given culture. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
| Author | : MULTIPLE CONTRIBUTORS. |
| Publisher | : Gale Ecco, Print Editions |
| Total Pages | : 98 |
| Release | : 2018-04-23 |
| Genre | : |
| ISBN | : 9781385301913 |
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Bodleian Library (Oxford) T179114 Vertical chain lines. Without the music. London: printed by R. Bassam, [1791?]. [3],6-96p., plate; 12°
| Author | : Frieda Klotz |
| Publisher | : Oxford University Press |
| Total Pages | : 299 |
| Release | : 2011-10-06 |
| Genre | : History |
| ISBN | : 0199588953 |
A collection of essays on 'Plutarch's Table Talk', an influential Greek prose text which is a combination of philosophical dialogue and miscellany. The contributors offer a range of methodologically innovative and sophisticated readings of the work's literary form, themes, and cultural background.
| Author | : Mayfair Mei-Hui Yang |
| Publisher | : Cornell University Press |
| Total Pages | : 382 |
| Release | : 2016-12-01 |
| Genre | : Social Science |
| ISBN | : 1501713043 |
An elaborate and pervasive set of practices, called guanxi, underlies everyday social relationships in contemporary China. Obtaining and changing job assignments, buying certain foods and consumer items, getting into good hospitals, buying train tickets, obtaining housing, even doing business—all such tasks call for the skillful and strategic giving of gifts and cultivating of obligation, indebtedness, and reciprocity. Mayfair Mei-hui Yang's close scrutiny of this phenomenon serves as a window to view facets of a much broader and more complex cultural, historical, and political formation. Using rich and varied ethnographic examples of guanxi stemming from her fieldwork in China in the 1980s and 1990s, the author shows how this "gift economy" operates in the larger context of the socialist state redistributive economy.
| Author | : |
| Publisher | : |
| Total Pages | : 144 |
| Release | : 1795* |
| Genre | : Humorous songs |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 454 |
| Release | : 1892 |
| Genre | : |
| ISBN | : |
| Author | : Alexandros Kampakoglou |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 572 |
| Release | : 2019-08-05 |
| Genre | : Literary Criticism |
| ISBN | : 3110648741 |
Recent years have witnessed a revival of interest in the influence of archaic lyric poetry on Hellenistic poets. However, no study has yet examined the reception of Pindar, the most prominent of the lyric poets, in the poetry of this period. This monograph is the first book to offer a systematic examination of the evidence for the reception of Pindar in the works of Callimachus of Cyrene, Theocritus of Syracuse, Apollonius of Rhodes and Posidippus of Pella. Through a series of case studies, it argues that Pindaric poetry exercised a considerable influence on a variety of Hellenistic genres: epinician elegies and epigrams, hymns, encomia, and epic poetry. For the poets active at the courts of the first three Ptolemies, Pindar's poetry represented praise discourse in its most successful configuration. Imitating aspects of it, they lent their support to the ideological apparatus of Greco-Egyptian kingship, shaped the literary profile of Pindar for future generations of readers, and defined their own role and place in Greek literary history. The discussion offered in this book suggests new insights into aspects of literary tradition, Ptolemaic patronage, and Hellenistic poetics, placing Pindar's work at the very heart of an intricate nexus of political and poetic correspondences.
| Author | : Claudia Goldstein |
| Publisher | : Routledge |
| Total Pages | : 255 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351554042 |
Mining a rich, interdisciplinary mix of sources, including stoneware jugs, personal correspondence, paintings, inventories, and literature written for the dining room, this study offers a critical and entirely original examination of the function of early modern images for the people who owned and viewed them. The study explores the emergence, functions and material culture of the Antwerp dinner party during the heady days of the mid-sixteenth century, when Antwerp?s art market was thriving and a new wealthy, non-noble class dominated the city. The author recontextualizes some of Bruegel?s work within the cultural nexus of the dining room, where material culture and theatrical performance met humanist wit and the desire for professional advancement. The narrative also touches on the reception of Northern art in Lombardy, on intersections among painting, material culture, and theater, and on intellectual history.
