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The Muse of Modernity

The Muse of Modernity
Author: Philip G. Altbach
Publisher: Africa Research and Publications
Total Pages: 254
Release: 1996
Genre: Business & Economics
ISBN:

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Culture plays a central role in the well-being of any society. This is especially true in postcolonial Africa, where rich traditional cultures collide with complex modern realities. Cultural development and the integration of culture into contemporary society is of primary importance not only for African prosperity, but also for the strengthening of civil society and of societal integration. This book focuses on the role of culture in the process of development as well as on strategies for ensuring the growth of indigenous African culture and the strengthening of cultural industries in the African context. The prospects for filmmaking, the performing arts, publishing, radio, museums, art, and traditional storytelling in Africa are creatively examined and explored by some of Africa's most creative cultural figures. This book combines thoughtful analysis of problems and a "state of the art" assessment of key cultural industries with practical suggestions for improvement and progress.


The Violence of Modernity

The Violence of Modernity
Author: Debarati Sanyal
Publisher: JHU Press
Total Pages: 289
Release: 2020-03-03
Genre: Literary Criticism
ISBN: 1421429292

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The Violence of Modernity turns to Charles Baudelaire, one of the most canonical figures of literary modernism, in order to reclaim an aesthetic legacy for ethical inquiry and historical critique. Works of modern literature are commonly theorized as symptomatic responses to the trauma of history. In a climate that tends to privilege crisis over critique, Debarati Sanyal argues that it is urgent to rethink literary experience in terms that recall its contestatory potential. Examining Baudelaire's poems afresh, she shifts the focus of critical attention toward an account of modernism as an active engagement with violence, specifically the violence of history in nineteenth-century France. Sanyal analyzes a literary current that uses the traditional hallmarks of modernism—irony, intertextuality, self-reflexivity, and formalism—to challenge the historical violence of modernity. Baudelaire and the committed ironists writing in his wake teach us how to read and resist the violence of history, and thereby to challenge the melancholy tenor of our contemporary "wound culture." In a series of provocative readings, Sanyal presents Baudelaire's poetry as an aesthetic form that contests historical violence through rhetorical strategies of complicity, counterviolence, and critique. The book develops a new account of Baudelaire's significance as a modernist by dislodging him both from his traditional status as a practitioner of "art for art's sake" and from his more recent incarnation as the poet of trauma. Following her extended analysis of Baudelaire's poetry, Sanyal in later chapters considers a number of authors influenced by his strategies—including Rachilde, Virginie Despentes, Albert Camus, and Jean-Paul Sartre—to examine the relevance of their interventions for our current climate of trauma and terror. The result is a study that underscores how Baudelaire's legacy continues to energize literary engagements with the violence of modernity.


How Colonialism Preempted Modernity in Africa

How Colonialism Preempted Modernity in Africa
Author: Olúfémi Táíwò
Publisher: Indiana University Press
Total Pages: 368
Release: 2010-01-11
Genre: Biography & Autobiography
ISBN: 0253221307

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Based on the idea that Africa was already becoming modern before being derailed by colonialism, the author insists that Africa can get back on track and advocates a renewed engagement with modernity. Tools toward shaping a positive future for Africa are immigration, capitalism, democracy, and globalization.


The Drowned Muse

The Drowned Muse
Author: Anne-Gaëlle Saliot
Publisher: OUP Oxford
Total Pages: 401
Release: 2015-09-10
Genre: Literary Criticism
ISBN: 019101897X

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The Drowned Muse is a study of the extraordinary destiny, in the history of European culture, of an object which could seem, at first glance, quite ordinary in the history of European culture. It tells the story of a mask, the cast of a young girl's face entitled "L'Inconnue de la Seine," the Unknown Woman of the Seine, and its subsequent metamorphoses as a cultural figure. Legend has it that the "Inconnue" drowned herself in Paris at the end of the nineteenth century. The forensic scientist tending to her unidentified corpse at the Paris Morgue was supposedly so struck by her allure that he captured in plaster the contours of her face. This unknown girl, also referred to as "The Mona Lisa of Suicide", has since become the object of an obsessive interest that started in the late 1890s, reached its peak in the 1930s, and continues to reverberate today. Aby Warburg defines art history as "a ghost story for grown-ups." This study is similarly "a ghost story for grown-ups", narrating the aura of a cultural object that crosses temporal, geographical, and linguistic frontiers. It views the "Inconnue" as a symptomatic expression of a modern world haunted by the earlier modernity of the nineteenth century. It investigates how the mask's metamorphoses reflect major shifts in the cultural history of the last two centuries, approaching the "Inconnue" as an entry point to understand a phenomenon characteristic of 20th- and 21st-century modernity: the translatability of media. Doing so, this study mobilizes discourses surrounding the "Inconnue", casting them as points of negotiation through which we may consider the modern age.


The Topography of Modernity

The Topography of Modernity
Author: Elliott Schreiber
Publisher: Cornell University Press
Total Pages: 195
Release: 2013-02-15
Genre: Literary Criticism
ISBN: 0801465575

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Karl Philipp Moritz (d. 1793) was one of the most innovative writers of the late Enlightenment in Germany. A novelist, travel writer, editor, and teacher he is probably best known today for his autobiographical novel Anton Reiser (1785–90) and for his treatises on aesthetics, foremost among them Über die bildende Nachahmung des Schönen (On the Formative Imitation of the Beautiful) (1788). In this treatise, Moritz develops the concept of aesthetic autonomy, which became widely known after Goethe included a lengthy excerpt of it in his own Italian Journey (1816–17). It was one of the foundational texts of Weimar classicism, and it became pivotal for the development of early Romanticism. In The Topography of Modernity, Elliott Schreiber gives Moritz the credit he deserves as an important thinker beyond his contributions to aesthetic theory. Indeed, he sees Moritz as an incisive early observer and theorist of modernity. Considering a wide range of Moritz’s work including his novels, his writings on mythology, prosody, and pedagogy, and his political philosophy and psychology, Schreiber shows how Moritz’s thinking developed in response to the intellectual climate of the Enlightenment and paved the way for later social theorists to conceive of modern society as differentiated into multiple, competing value spheres.


The Degenerate Muse

The Degenerate Muse
Author: Robin G. Schulze
Publisher: Oxford University Press, USA
Total Pages: 328
Release: 2013-09-19
Genre: Literary Criticism
ISBN: 019992032X

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The early twentieth century marked a dramatic shift in the American conception of nature. This book analyzes the ways in which the scientific recasting of American nature as an antidote for degeneration influenced work of important modernist writers Harriet Monroe, Ezra Pound, and Marianne Moore.


Brokers of Modernity

Brokers of Modernity
Author: Martin Kohlrausch
Publisher: Leuven University Press
Total Pages: 401
Release: 2019-03-11
Genre: Architecture
ISBN: 9462701725

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The story of modernist architects in East Central Europe The first half of the twentieth century witnessed the rise of modernist architects. Brokers of Modernity reveals how East Central Europe turned into one of the pre-eminent testing grounds of the new belief system of modernism. By combining the internationalism of the CIAM organization and the modernising aspirations of the new states built after 1918, the reach of modernist architects extended far beyond their established fields. Yet, these architects paid a price when Europe’s age of extremes intensified. Mainly drawing on Polish, but also wider Central and Eastern European cases, this book delivers a pioneering study of the dynamics of modernist architects as a group, including how they became qualified, how they organized, communicated and attempted to live the modernist lifestyle themselves. In doing so, Brokers of Modernity raises questions concerning collective work in general and also invites us to examine the social role of architects today. Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).


Modernist Cultural Studies

Modernist Cultural Studies
Author: Catherine Driscoll
Publisher: University Press of Florida
Total Pages: 294
Release: 2010-01-03
Genre: Literary Criticism
ISBN: 0813043204

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For many scholars, cultural studies is viewed as a product of postmodern criticism and as the antithesis of modernism. In this brilliant work, Catherine Driscoll argues persuasively that we must view what we call cultural studies as a direct continuation of the innovations and concerns of modernism and the modernists. In making her case, Driscoll provides a fresh take on arguments--some seemingly unresolvable--that pivot on modernism's desire for novelty. Defining modernity as a critical attitude rather than a time period, she describes the many things these ostensibly different fields of inquiry have in common and reveals why cultural studies must be viewed as a fundamentally modernist project. Casting a wide net across the shared interests of modernism and cultural studies, including cinema, fiction, fashion, art, and popular music, Driscoll explores such themes as love and work, adolescence and everyday life, the significance of the everyday, the popular as a field of power, and the importance of representation to identity and experience in modernity.


Barbed Wire

Barbed Wire
Author: Reviel Netz
Publisher: Wesleyan University Press
Total Pages: 284
Release: 2009-11-10
Genre: History
ISBN: 0819569593

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The history of animals and humans as seen through barbed wire.


Modernity Without a Project

Modernity Without a Project
Author: C. B. Johnson
Publisher: punctum books
Total Pages: 215
Release: 2015-01-03
Genre: Art
ISBN: 0692351264

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"Entering the 21st century, the postmodern succession has given way to a doom-laden, apolitical orthodoxy. This book offers suggestive readings of "the contemporary" in light of high modernity, postwar modernity, and postmodernity, as framed by the influential institutions of modern art and the spectacles of millennial architecture. Modernity without a Project critiques and connects historical avant-garde currents as they are institutionally expressed or captured, and scrutinizes the remake of New York's Museum of Modern Art, Minoru Yamasaki's vanished Utopias, the "anarchitecture" of Lebbeus Woods, recent work of Rem Koolhaas, delirious developments in Dubai, and the unexpected contribution to architectural debate by the late Hugo Chavez."--Publisher's website.