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The Moral Cosmos of Paradise Lost

The Moral Cosmos of Paradise Lost
Author: Lawrence Babb
Publisher:
Total Pages: 184
Release: 1970
Genre: Literary Criticism
ISBN:

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Cosmos and Character in Paradise Lost

Cosmos and Character in Paradise Lost
Author: M. Sarkar
Publisher: Springer
Total Pages: 374
Release: 2012-06-08
Genre: Literary Criticism
ISBN: 1137007001

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This book offers a fresh contextual reading of Paradise Lost that suggests that a recovery of the vital intellectual ferment of the new science, magic, and alchemy of the seventeenth century reveals new and unexpected aspects of Milton's cosmos and chaos, and the characters of the angels and Adam and Eve. After examining the contextual references to cabalism, hermeticism, and science in the invocations and in the presentation of chaos and Night, the book focuses on the central stage of the epic action, Milton's unique cosmos, at once finite and infinite, with its re-orientation of compass points. While Milton relies on the new astronomy, optics and mechanics in configuring his cosmos, he draws upon alchemy to suggest that the imagined prelapsarian cosmos is the crucible within which vital re-orientations of authority could have taken place.


Paradise Lost and the Cosmological Revolution

Paradise Lost and the Cosmological Revolution
Author: Dennis Danielson
Publisher: Cambridge University Press
Total Pages: 245
Release: 2014-11-06
Genre: Literary Criticism
ISBN: 1316194531

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This volume brings John Milton's Paradise Lost into dialogue with the challenges of cosmology and the world of Galileo, whom Milton met and admired: a universe encompassing space travel, an earth that participates vibrantly in the cosmic dance, and stars that are 'world[s] / Of destined habitation'. Milton's bold depiction of our universe as merely a small part of a larger multiverse allows the removal of hell from the center of the earth to a location in the primordial abyss. In this wide-ranging work, Dennis Danielson lucidly unfolds early modern cosmological debates, engaging not only Galileo but also Copernicus, Tycho, Kepler, and the English Copernicans, thus placing Milton at a rich crossroads of epic poetry and the history of science.


The Moral Paradox of Paradise Lost

The Moral Paradox of Paradise Lost
Author: John E. Seaman
Publisher: Hague : Mouton
Total Pages: 144
Release: 1971
Genre: Literary Criticism
ISBN:

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Paradise Regained

Paradise Regained
Author: John Milton
Publisher:
Total Pages: 450
Release: 1817
Genre: English poetry
ISBN:

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Paradise Lost. Book 10

Paradise Lost. Book 10
Author: John Milton
Publisher:
Total Pages: 156
Release: 1972
Genre: Poetry
ISBN:

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Paradise Lost

Paradise Lost
Author: John Milton
Publisher: Penguin UK
Total Pages: 512
Release: 2003-02-27
Genre: Poetry
ISBN: 014192019X

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In Paradise Lost Milton produced poem of epic scale, conjuring up a vast, awe-inspiring cosmos and ranging across huge tracts of space and time. And yet, in putting a charismatic Satan and naked Adam and Eve at the centre of this story, he also created an intensely human tragedy on the Fall of Man. Written when Milton was in his fifties - blind, bitterly disappointed by the Restoration and briefly in danger of execution - Paradise Lost's apparent ambivalence towards authority has led to intensedebate about whether it manages to 'justify the ways of God to men', or exposes the cruelty of Christianity.


Paradise Lost, Book 3

Paradise Lost, Book 3
Author: John Milton
Publisher:
Total Pages: 68
Release: 1915
Genre:
ISBN:

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Cosmos and Character in Paradise Lost

Cosmos and Character in Paradise Lost
Author: M. Sarkar
Publisher: Palgrave Macmillan
Total Pages: 236
Release: 2012-06-08
Genre: Literary Criticism
ISBN: 9781349435197

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This book offers a fresh contextual reading of Paradise Lost that suggests that a recovery of the vital intellectual ferment of the new science, magic, and alchemy of the seventeenth century reveals new and unexpected aspects of Milton's cosmos and chaos, and the characters of the angels and Adam and Eve. After examining the contextual references to cabalism, hermeticism, and science in the invocations and in the presentation of chaos and Night, the book focuses on the central stage of the epic action, Milton's unique cosmos, at once finite and infinite, with its re-orientation of compass points. While Milton relies on the new astronomy, optics and mechanics in configuring his cosmos, he draws upon alchemy to suggest that the imagined prelapsarian cosmos is the crucible within which vital re-orientations of authority could have taken place.