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| Author | : Colin Hill |
| Publisher | : |
| Total Pages | : 1024 |
| Release | : 2003 |
| Genre | : Canadian fiction |
| ISBN | : |
| Author | : Colin Hill |
| Publisher | : University of Toronto Press |
| Total Pages | : 297 |
| Release | : 2012-05-07 |
| Genre | : Literary Criticism |
| ISBN | : 1442664916 |
Much of the scholarship on twentieth-century Canadian literature has argued that English-Canadian fiction was plagued by backwardness and an inability to engage fully with the movement of modernism that was so prevalent in British and American fiction and poetry. Modern Realism in English-Canadian Fiction re-evaluates Canadian literary culture to posit that it has been misunderstood because it is a distinct genre, a regional form of the larger international modernist movement. Examining literary magazines, manifestos, archival documents, and major writers such as Frederick Philip Grove, Morley Callaghan, and Raymond Knister, Colin Hill identifies a 'modern realism' that crosses regions as well as urban and rural divides. A bold reading of the modern-realist aesthetic and an articulate challenge to several enduring and limiting myths about Canadian writing, Modern Realism in English- Canadian Fiction will stimulate important debate in literary circles everywhere.
| Author | : Dean Jay Irvine |
| Publisher | : University of Ottawa Press |
| Total Pages | : 384 |
| Release | : 2005 |
| Genre | : Literary Criticism |
| ISBN | : 0776605992 |
The Canadian Modernists Meet is a collection of new critical essays on major and rediscovered Canadian writers of the early to mid-twentieth century. F.R. Scott's well-known poem 'The Canadian Authors Meet' sets the theme for the volume: a revisiting of English Canada's formative movements in modernist poetry, fiction, and drama. As did Scott's poem, Dean Irvine's collection raises questions - about modernism and antimodernism, nationalism and antinationalism, gender and class, originality and influence - that remain central to contemporary research on early to mid-twentieth-century English Canadian literature. The Canadian Modernists Meetis the first collection of its kind: a gathering of texts by literary critics, textual editors, biographers, literary historians, and art historians whose collective research contributes to the study of modernism in Canada. The collection stages a major reassessment of the origins and development of modernist literature in Canada, its relationship to international modernist literature, its regional variations, its gender and class inflections, and its connections to visual art, architecture, and film. It presents a range of scholarly perspectives, drawing upon the multidisciplinarity that characterizes the international field of modernist studies.
| Author | : Gregory Brian Betts |
| Publisher | : University of Toronto Press |
| Total Pages | : 329 |
| Release | : 2013-01-01 |
| Genre | : Art |
| ISBN | : 1442643773 |
In Avant-Garde Canadian Literature, Gregory Betts draws attention to the fact that the avant-garde has had a presence in Canada long before the country's literary histories have recognized, and that the radicalism of avant-garde art has been sabotaged by pedestrian terms of engagement by the Canadian media, the public, and the literary critics. This book presents a rich body of evidence to illustrate the extent to which Canadians have been producing avant-garde art since the start of the twentieth century. Betts explores the radical literary ambitions and achievements of three different nodes of avant-garde literary activity: mystical revolutionaries from the 1910s to the 1930s; Surrealists/Automatists from the 1920s to the 1960s; and Canadian Vorticists from the 1920s to the 1970s. Avant-Garde Canadian Literature offers an entrance into the vocabulary of the ongoing and primarily international debate surrounding the idea of avant-gardism, providing readers with a functional vocabulary for discussing some of the most hermetic and yet energetic literature ever produced in this country.
| Author | : Joan Sangster |
| Publisher | : UBC Press |
| Total Pages | : 401 |
| Release | : 2016-05-21 |
| Genre | : Political Science |
| ISBN | : 0774831863 |
Recent archaeological discoveries in the polar region have reanimated stock images of the intrepid explorer who braves the elements to bring modernity to a frigid northern wasteland. The Iconic North reveals that ideological assumptions, economic priorities, and a shift in government strategy in the postwar era all influenced how northern culture was represented in popular Canadian imagery. Whether it was film, television, or women’s autobiographies, the “primitive” North was often portrayed as the mirror opposite to the “modern” South. In crisp and elegant prose, Joan Sangster redirects current debates about the geopolitical prospects of the North by addressing how women and gender relations have played a key role in the history of northern development.Drawing on archival and cultural sources, Sangster shows how gender, race, and colonialism shape our understanding of northern peoples, economies, and government policy. This work reveals how assumptions about both Indigenous and non-Indigenous women shaped gender, class, and political relationships in the circumpolar north – a region now commanding more of the world’s attention.
| Author | : Candida Rifkind |
| Publisher | : University of Toronto Press |
| Total Pages | : 281 |
| Release | : 2009-01-17 |
| Genre | : Literary Criticism |
| ISBN | : 1442691638 |
While Canadian historians have studied socialism in the 1930s, and although there have been many studies of American and British literary leftists from this period, Comrades and Critics is the first full-length study of Canada's 1930s literary left. Challenging dominant perceptions that this decade was a lull between the more celebrated modernist enterprises of the 1920s and 1940s, Candida Rifkind argues that the events of the 1930s - from mass unemployment, to the dustbowl, to the Spanish Civil War - galvanized a generation of writers, leading them to unite artistic practice and political action in provocative and influential ways. Analyzing and recovering much-neglected poems, plays, manifestoes, and documentaries, Rifkind demonstrates how leftist cultural production came to dominate English-Canadian literature by the end of the decade. She pays particular attention to the significant role that women writers played in this period and examines a diverse group of writers that included Dorothy Livesay, Anne Marriott, Irene Baird, and Toby Gordon Ryan. These writers negotiated the struggle to revolutionize both literature and politics, while being subject to the gender hierarchies of socialism and literary modernism that continued long after the thirties came to an end. A groundbreaking study in Canadian history and literature, Comrades and Critics is a much-needed examination of an important and still influential literary period.
| Author | : Jody Mason |
| Publisher | : University of Toronto Press |
| Total Pages | : 273 |
| Release | : 2013-03-14 |
| Genre | : History |
| ISBN | : 144269968X |
This landmark study explores the cultural and literary history of unemployment in Canada from the 1920s to the 1970s, which were crucial decades in the formation of our current conception of Canada as a nation. Writing Unemployment asks how writers with diverse political affiliations participated in and protested against the discursive framing of unemployment. It argues that Depression-era conceptions of unemployment shaped later twentieth-century understandings of both worklessness and citizenship. By examining novels, short stories, poetry, manifestos, and agitprop, Jody Mason situates the literary history of the cultural left in a broader context, challenges the dominant literary-historical narrative of the pioneer settler, and contributes to new scholarship on Canada’s modern period. By bridging close textual readings with book and publishing history, economic and sociological analysis, and original archival research, Writing Unemployment offers new ideas on work by many of Canada’s most important writers.
| Author | : Robert J. C. Stead |
| Publisher | : University of Ottawa Press |
| Total Pages | : 383 |
| Release | : 2008-04-19 |
| Genre | : Fiction |
| ISBN | : 0776617745 |
Dry Water tells the story of Donald Strand, from the time of his arrival as a ten-year-old orphan at his relatives’ Manitoba farm in 1890 to his apogee as a successful farmer. It recounts the crises he faces during a troubled marriage and the great stock market crash of 1929. His life parallels the growth and development of Manitoba during the same period. Stead considered Dry Water, written in 1934–1935, to be his crowning achievement. He was unable to find a publisher for it during his lifetime, although an abridged edition was published by Tecumseh Press in 1983. This new edition includes the complete typescript, a critical introduction, and explanatory notes that place this novel in its proper literary and historical context.
| Author | : |
| Publisher | : |
| Total Pages | : 546 |
| Release | : 2009-06 |
| Genre | : Dissertations, Academic |
| ISBN | : |
| Author | : Carol Shields |
| Publisher | : Univ. of Manitoba Press |
| Total Pages | : 281 |
| Release | : 2024-09-09 |
| Genre | : Literary Collections |
| ISBN | : 1772840858 |
Newly discovered work by one of Canada’s favourite writers The Canadian Shields brings together fifty short writings by Carol Shields (1935–2003), including more than two dozen previously unpublished short stories and essays and two dozen essays previously published but never before collected. Invaluable to scholars and admirers of Shields’s work, the writings discovered in the National Library Archives by Nora Foster Stovel and presented to the public here for the first time reflect Shields’s interest in the relationships between reality and fiction, mothers and daughters, and gender and genre. They also reveal her love of Canada, especially Winnipeg, her home for twenty years. Originally written for women’s magazines, travel journals, convocation addresses, and even graduate school term papers, Shields’s imaginative essays explore ideas about home, Canadian literature, contemporary women’s writing, and the future of fiction. Whether autobiographical, cultural, or feminist in focus, these works vividly illuminate the multiple chapters of Shields’s writing life. Margaret Atwood and Lorna Crozier frame Shields’s texts with tributes to her work and impact. An introduction by Stovel situates Shields as a Canadian author and subversive feminist writer, demonstrating how American-born-and-raised Carol Anne Warner became “the Canadian Shields”—a quintessential and beloved Canadian writer and the only author to win both the Pulitzer Prize and the Governor General’s Gold Medal for Fiction.
